Resultado de "Kate Atkinson" em Todas as categorias

In his sleepy Yorkshire town, ex-detective Jackson Brodie is staving off boredom and malaise. His only case is the seemingly tedious matter of a stolen painting. But Jackson soon uncovers a string of unsolved art thefts that lead him down a dizzying spiral of disguise and deceit to Burton Makepeace, a formerly magnificent estate now partially converted into a hotel hosting Murder Mystery weekends.

Ex-detective Jackson Brodie is staving off a bad case of midlife malaise when he is called to a sleepy Yorkshire town, and the seemingly tedious matter of a stolen painting. But one theft leads to another, including the disappearance of a valuable Turner from Burton Makepeace, home to Lady Milton and her family. Once a magnificent country house, Burton Makepeace has now partially been converted into a hotel, hosting Murder Mystery weekends.

Tommy, Andy und Steve leben in gut situierten Verhältnissen. Sie sind verheiratet, haben Kinder, sind beliebte Mitglieder im Golfclub und trinken hier und da ein Bierchen miteinander: Wer würde sie nicht für fürsorgliche Familienväter halten? Niemand ahnt etwas von ihrem lukrativen Nebengeschäft; einem Geschäft, das einst von Männern betrieben wurde, die ebenso wie sie als anständig galten. Alles könnte so reibungslos weiterlaufen wie bisher, denn ihre Ware ist begehrt.

Joanna Hunter, 36 Jahre alt, hat alles, was man sich nur wünschen kann: ein schönes Haus, einen guten Job als Ärztin, einen treuen Hund und einen attraktiven Mann. Doch ihr ganzes Glück ist ihr kleiner Sohn Gabriel. Für ihn würde sie alles tun. Wie wunderbar muss es sein, mit dieser Frau in diesem Haus zu leben, denkt sich das Kindermädchen Reggie. Mit ihren 16 Jahren hat sie schon alles gesehen und erlebt. Joanna lässt sie wieder an das Gute in der Welt glauben. Für sie würde Reggie alles tun.

In rural Devon, six-year-old Joanna Mason witnesses an appalling crime. Thirty years later the man convicted of the crime is released from prison. In Edinburgh, sixteen-year-old Reggie works as a nanny for a G.P. But Dr Hunter has gone missing and Reggie seems to be the only person who is worried. Across town, Detective Chief Inspector Louise Monroe is also looking for a missing person, unaware that hurtling towards her is an old friend, Jackson Brodie, himself on a journey that becomes fatally interrupted.

It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident--an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander--until he becomes a suspect. With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn, she takes her masterful plotting one step further.

Not the End of the World is Kate Atkinson's first collection of short stories. Playful and profound, they explore the world we think we know whilst offering a vision of another world which lurks just beneath the surface of our consciousness, a world where the myths we have banished from our lives are startlingly present and where imagination has the power to transform reality.

It's a day like any other for security chief Tracy Waterhouse, until she makes a purchase she hadn't bargained for. One moment of madness is all it takes for Tracy's humdrum world to be turned upside down, the tedium of everyday life replaced by fear and danger at every turn.

Once it had been the great forest of Lythe - a vast and impenetrable thicket of green.And here, in the beginning, lived the Fairfaxes, grandly, at Fairfax Manor, visited once by the great Gloriana herself. But over the centuries the forest had been destroyed, replaced by Streets of Trees. The Fairfaxes have dwindled too; now they live in 'Arden' at the end of Hawthorne Close and are hardly a family at all.

Once it had been the great forest of Lythe--a vast and impenetrable thicket of green. And here, in the beginning, lived the Fairfaxes, grandly, at Fairfax Manor, visited once by the great Gloriana herself. But over the centuries, the forest had been destroyed, replaced by Streets of Trees. The Fairfaxes have dwindled, too; now they live in Arden, at the end of Hawthorne Close, and are hardly a family at all.

Cambridge is sweltering, during an unusually hot summer. To Jackson Brodie, former police inspector turned private investigator, the world consists of one accounting sheet--"lost" on the left, "found" on the right--and the two never seem to balance. Jackson has never felt at home in Cambridge and has a failed marriage to prove it.

On a peat and heather island off the west coast of Scotland, Effie and her mother Nora take refuge in the large decaying house of their ancestors and tell each other stories. Nora, at first, recounts nothing that Effie really wants to hear, like who her father was - variously Jimmy, Jack, or Ernie.

Ruby Lennox was conceived grudgingly by Bunty and born while her father, George, was in the Dog and Hare in Doncaster, telling a woman in an emerald dress and a D cup that he wasn't married. Bunty had never wanted to marry George, but there she was, stuck in a flat above the pet shop in an ancient street beneath York Minster, with sensible and sardonic Patrica, aged five; greedy, cross-patch Gillian, who refused to be ignored; and Ruby...

On a peat and heather island off the west coast of Scotland, Effie and her mother, Nora, take refuge in the large, mouldering house of their ancestors and tell each other stories. Nora, at first, recounts nothing that Effie really wants to hear. Effie tells of her life at college in Dundee. But strange things are happening. Why is Effie being followed? Is someone killing the old people? And where is the mysterious yellow dog?

"Die beste Detektivgeschichte des Jahrzehnts!" - Stephen King. Seit der Aufklärung seines letzten Falls hat sich das Leben des unkonventionellen Privatermittlers Jackson Brodie grundlegend verändert. Er ist zu Geld gekommen und hat seinen Job an den Nagel gehängt. Doch glücklich ist er nicht. Im Gegensatz zu seiner Freundin, der Schauspielerin Julia, kann er das süße Nichtstun nicht wirklich genießen. Ein Mann ohne Arbeit, das passt nicht in Brodies Weltbild. Zudem langweilt er sich gehörig, und daran ändert auch der Aufenthalt in Edinburgh nichts.

In einer heißen Sommernacht verschwindet die kleine Olivia spurlos. Die Familie, deren absoluter Liebling sie war, zerbricht an diesem Unglück. Vor allem für die drei älteren Schwestern dreht sich fortan alles um diesen Verlust und die Beantwortung der Frage nach dem Warum. Dreißig Jahre später taucht Olivias Lieblingsspielzeug wieder auf. Sie beauftragen den Privatdetektiv Jackson Brodie, der jedoch kaum Hoffnung hat, den Fall nach all den Jahren lösen zu können. Für die drei Schwestern ist Olivias Verschwinden das Drama ihres Lebens.

Cambridge is sweltering, during an unusually hot summer. To Jackson Brodie, former police inspector turned private investigator, the world consists of one accounting sheet – Lost on the left, Found on the right – and the two never seem to balance. Jackson has never felt at home in Cambridge, and has a failed marriage to prove it.

It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident - an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander - until he becomes a suspect. With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn she takes her masterful plotting one step further.

Jackson Brodie has relocated to a quiet seaside village in North Yorkshire, in the occasional company of his recalcitrant teenage son Nathan and ageing Labrador Dido, both at the discretion of his former partner Julia. It’s a picturesque setting, but there’s something darker lurking behind the scenes. Jackson’s current job, gathering proof of an unfaithful husband for his suspicious wife, seems straightforward, but a chance encounter with a desperate man on a crumbling cliff leads him into a sinister network - and back into the path of someone from his past.

In 1940, 18-year-old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, but Juliet finds herself once more under threat.