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O beijo conta a história de uma moça que deseja se casar com um rapaz rico, mas tem um relacionamento com outro homem. Neste conto, Kate Chopin aborda a questão do dinheiro que se sobrepõe ao amor.

Katherine O'Flaherty was born on the 8th February 1850 in St Louis, Missouri to parents of French and Irish descent. At age 5, she was sent to the Sacred Heart Academy and, apart from a 2 year period at home when her father died, remained there until graduating in 1868. Whilst there she began writing and became an avid reader of almost anything that crossed her path. Kate married Oscar Chopin in 1870 and the couple moved to New Orleans, and later to the rural setting of Cloutierville, Louisiana to raise their 6 children. In 1882 her husband died leaving her in a deep trench of debt.

Step beyond the lamplight and into the gilded darkness of a vanished world. Ghost Stories from the Gilded Age is a classic ghost story anthology featuring eerie tales by female authors who defied convention—Charlotte Perkins Gilman, Edith Wharton, Kate Chopin, and more. Narrated by an all-star ensemble of Audie, SOVAS, and One Voice award winners and nominees, this haunting audiobook collection blends Gothic elegance with supernatural unease.

Louise Mallard, una mujer con problemas cardíacos, recibe la impactante noticia de la muerte de su esposo en un accidente ferroviario. A solas en su habitación, Louise experimenta una transformación emocional. Al principio, se siente abrumada por la pérdida, pero pronto descubre en su soledad un sentimiento de libertad desconocido hasta entonces. El relato explora las complejas emociones que surgen al imaginar una vida de independencia y autodeterminación. Sin embargo, el retorno inesperado de su esposo desencadena un final sorpresivo y devastador.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. It is difficult to propose a more gifted exponent of the short story than Kate Chopin. Her individual jewels may be brief but are laden with atmosphere and character as they run their enchanted course. Her genius will always endure.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The plains of the American Mid-West are home to some very fine exponents of the literary craft. Throughout this vast landscape stories seem to be everywhere offering their experiences as works just awaiting the final touches and flourishes of these famed authors. They deliver in very talented ways.

This book contains the following works: Edgar Allan Poe: The Gold Bug, William Shakespeare: Romeo And Juliet, Johann Wolfgang Von Goethe: Faust, Mark Twain: Adventures of Tom Sawyer, Leo Tolstoy: The Death of Ivan Ilyich (Translator: Constance Garnett), Arthur Conan Doyle: The Lost World, Henry James: The Turn of the Screw, Antoine de Saint-Exupery: The Little Prince (Translator: Marina Zhigalova), Oscar Wilde: The Picture of Dorian Gray, Kate Chopin: The Awakening.

The Awakening is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics.

With its realistic portrayal of female marital infidelity, an anudience accustomed to the pieties of late Victorian romantic fiction were shocked by Chopin's radical portrayal of a woman trapped in a stifling marriage, seeking passionate physical love outside the confines of her domestic situation.

Como fiel reflejo de la sociedad en que se desarrolla, la literatura muestra los cambios y terrenos que ha ganado la mujer a lo largo de la historia. Aún queda mucho camino que recorrer pero Medea, Sherezade, Morella, Madame Bovary e, incluso, Lisbeth Salander han ayudado a defender y...

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

No conto “Cartas”, publicado pela primeira vez em 1895, uma mulher guarda consigo um pacote de cartas comprometedoras, que precisam ser mantidas em segredo a qualquer custo. Quando o marido as encontra, um conflito interno se apodera dele. Lealdade, ciúmes e resignação permeiam esta obra.

Este conto fala de Tonie, um jovem tímido que mora em Chênière Caminada com sua mãe. Esse personagem também aparece no romance O despertar, da mesma autora.

Este conto, publicado pela primeira vez em 1896, traz a história de uma atriz parisiense que anualmente se refugia no convento de freiras onde cresceu.

Uma das primeiras histórias de Kate Chopin, este conto, publicado em 1892, retrata um pouco da vida e dos hábitos dos moradores da região da Acadiana, na Louisiana (EUA). A história de dois casais se transforma rapidamente durante um baile.

No conto “O divórcio da senhora Célestin”, publicado pela primeira vez em 1894, a senhora Célestin conversa com o advogado Paxton sobre a possibilidade de se divorciar.

Neste conto, Kate Chopin mergulha no coração amoroso e na mente cheia de fantasias de um homem que tinha vários nomes e nenhum deles definido.

Este conto, de 1893, explora a questão do amor e da aceitação, quando uma mulher idosa finalmente supera seus preconceitos.

Neste conto, publicado pela primeira vez em 1894, Manna Loulou conta a história de Zoraide, uma mulher escravizada criada como afilhada da sua senhora.