Resultado de "Katherine Mansfield" em Todas as categorias

What if a single day could strip away every comforting illusion? In “Revelations” by Katherine Mansfield, a woman’s carefully constructed sense of self is quietly undone as she moves through a series of encounters that force her to confront truths she would rather avoid. Set against the routines of social obligation and polite interaction, the story follows an emotional shift that unfolds not through dramatic action, but through subtle perception and inward reckoning.

What does it mean to escape when love, obligation, and habit quietly close in? In “The Escape” by Katherine Mansfield, a quiet domestic moment becomes the stage for an unspoken emotional reckoning between a husband and wife. As they prepare for an evening out, small gestures, clipped remarks, and inner reflections reveal the tensions beneath their long-standing marriage. What appears outwardly calm is charged with resentment, fatigue, and the desire—felt by both—for freedom from roles that no longer bring comfort.

A young English woman travels alone for the first time, eager to begin a new position abroad and convinced of her independence. Armed with good intentions and polite trust, she navigates foreign streets, unfamiliar customs, and her own expectations of kindness and respect. As the journey unfolds, small encounters and seemingly harmless gestures begin to carry an undercurrent of unease. The governess’s idealism is quietly tested, and her innocence leaves her vulnerable to misunderstandings she is not yet equipped to recognize.

Two former lovers meet again in a quiet drawing room, where politeness masks longing, hesitation, and unspoken desire. Every pause, every gesture, every carefully chosen word becomes charged with meaning as memory and emotion press against the fragile calm of the present moment. Beneath the surface of casual conversation, old feelings stir—regret, attraction, and the ache of what was never fully said.

Two young siblings—Sun and Moon—eagerly await a grand evening party held by the adults in their home, convinced it will be the most exciting event of their lives. As preparations unfold and the house fills with lights, music, and unfamiliar guests, the children drift between anticipation and confusion. Their innocent expectations slowly collide with the rules and indifference of the adult world, reshaping how they see the celebration—and each other.

In Feuille d’Album by Katherine Mansfield, a shy and socially awkward young man observes the woman who lives across from him, constructing an entire emotional world from brief glances and silent longing. His affection grows not through conversation or action, but through careful watching and inward reflection.

You step into the fragile inner life of Ada Moss, a woman clinging to dignity, memory, and fading hopes as her world quietly closes in around her. Once surrounded by admiration and applause, Ada now drifts through a city that feels increasingly cold and indifferent, where familiar faces blur and kindness becomes uncertain. As she moves from place to place, moments of pride, desperation, and self-deception flicker like scenes in a fading film.

You follow a respected, self-assured teacher whose orderly world begins to fracture beneath the surface. As Mr. Peacock moves through the routines of his day—his classroom, his colleagues, his home—small disturbances ripple outward, revealing tensions he would rather ignore. Beneath his cultivated manners and professional authority lies a growing sense of unease and emotional isolation.

In A Dill Pickle by Katherine Mansfield, a chance meeting in a café brings together two former lovers whose lives have taken very different paths. As they sit across from one another, polite conversation gives way to memory, regret, and subtle emotional power shifts. What begins as nostalgia slowly reveals deeper truths about ego, control, and the quiet wounds left by emotional neglect. Through fragmented dialogue and unspoken tension, Mansfield exposes how love can be distorted by self-absorption, and how one voice can dominate while another fades into silence.

follow Robert Salesby, a man who has carefully set aside his own desires in order to care for his fragile, demanding wife. In a quiet European hotel meant for rest and recovery, daily routines unfold with delicate precision—meals, walks, silences—each masking an undercurrent of exhaustion and unspoken resentment. As Robert moves through his days with practiced patience, the strain of self-denial begins to surface, revealing the quiet cost of love built on sacrifice alone.

Brimming with intensity, shrewd psychological insight and quiet epiphanies, Bliss and Other Stories compellingly explores the emotional complexity lying just beneath the surface of day-to-day niceties. Mansfield’s flair and impressionistic prose provides a poignant lens into the inner worlds of her characters.

Written in the tradition of her other works, this stunning anthology of short stories features narratives of great emotional depth, nuance and complexity. Exploring social class, family dynamics and failed romances, these stories offer powerful meditations on the profundity of everyday life.

Set in colonial New Zealand, The Aloe captures a moment of transition for the Burnell family as they move into a new home. At the heart of it all is Kezia, a perceptive young girl whose sharp eyes and quiet curiosity offer a child's view of adult tension, familial love, and the quiet dramas of everyday life. Through lush, lyrical prose, Mansfield explores the unspoken complexities of women's roles, family expectations, and inner longing—all from the inside out.

Exploring themes such as class, identity and the human experience, The Garden Party and Other Stories captures several moments of emotional revelation and self-discovery. From unveiling the horrors of the disparity of wealth in the title story, 'The Garden Party', to the devastating effects of loneliness and misogyny in 'Miss Brill', Mansfield's narratives never fail to leave their emotional stamp on their reader.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.

The Daughters of the Late Colonel is a 1920 short story by Katherine Mansfield. It was first published in the London Mercury in May 1921. In bed, Constantia suggests giving her late father's top hat to the porter, but her sister Josephine disagrees. After thinking about letters to be sent to Ceylon, they hear a noise coming from a mouse. Constantia thinks how sad it must be for the mouse with no crumbs around. The last time the sisters saw their father, Nurse Andrews was stationed by the bedside; the Colonel opened only one eye, glaring at his daughters before dying.

Mr. and Mrs. Dove is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 28 November 1921, and later reprinted in The Garden Party and Other Stories. Reginald is returning to Rhodesia the next day; it is his last day in England. Again he thinks of Anne; then he goes to Colonel Proctor's to say goodbye, and he is greeted by Anne, her parents being away. On seeing him she laughs, then he tells her he is leaving. They both look at her pet doves. She remarks how "Mr. Dove" is always running after "Mrs. Dove".

The Escape is a short story by Katherine Mansfield. It was published in Bliss and Other Stories. It was his fault, wholly and solely his fault, that they had missed the train. What if the idiotic hotel people had refused to produce the bill? Wasn’t that simply because he hadn’t impressed upon the waiter at lunch that they must have it by two o’clock? Any other man would have sat there and refused to move until they handed it over.