Resultado narrado por "Anna Cordell" em Todas as categorias

Zofia's son, Janek, has vanished without a trace. Leaving behind her native Warsaw, she arrives in London, determined to uncover the truth - and she's certain that a celebrated writer called Steve holds the key to Janek's disappearance. To fund her DIY investigation, Zofia takes on a string of cleaning jobs - a professional trajectory she finds very much beneath her. Armed with little more than her stubborn resolve and a second-hand detective manual, Zofia gathers evidence.

Stella’s life hasn’t quite gone to plan. She imagined that, at forty, she’d be settled with a supportive husband, two kids and a dog. Instead, she’s single and living at home with her mum, Bonnie, and grandmother, Florence. She passes the evenings in her childhood bedroom, obsessively searching for the perfect sperm donor. Unbeknownst to Stella is that Bonnie and Florence both also had difficult journeys to motherhood. And now that they’re writing down their stories for Stella’s unborn child, the truth about their family is becoming harder to conceal.

Michelle will never get tired of the view from her office window. Jagged mountains—and the wintry streets of Reykjavik, Iceland. It's a perk of her new job at Kimia Pharmaceuticals. Her old life—a dreary 9-to-5 and a cheating ex back in London—already feels a million miles away. Still, there's something strange about Michelle's new colleagues. They're all young, beautiful . . . and aloof. But then Michelle meets Lars, a jittery researcher from the restricted upper floors. She thinks she's alone in the elevator, until he squeezes between the doors. Just in time.

From the military kitchens which cook for soldiers and volunteers, to the chefs who shifted from fine dining to turning out hot meals and loaves of bread for families in need—food has become a central part of Ukraine's war effort. Food is a weapon, a lifeline, a means of survival. It's also a powerful symbol of national identity and memory for the millions of people who've been forced from their homes.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

It’s 1913 when Mina, the young and carefree daughter of a Jewish merchant, roams into a forest on the edge of the Baltic Sea looking for mushrooms. Instead, she encounters a gang of unruly, charismatic Bolsheviks—an adventure that will become the stuff of familial lore for generations to come. Intending to save her from further corruption, and in an act that forever changes the trajectory of their family’s life, Mina and her eldest brother, Jossel, board a ship to England.

A letter and a hand-drawn map arrive at the police station for the attention of Detective Bethany Smith: Dear Police, I did a vile thing. There's a body at the dot. Have fun working out where that is. Watch your step when you get there. From, Me. The map leads them to Shadwell Hill. They search the area and find a human-sized mound of dirt. DS Wilkins recognizes the unearthed victim. It's sixty-five-year-old Margaret Allthrop, a minor royal and local celebrity. But her burial was anything but regal . . .

Ellie White is found dead at the bottom of her own garden, propped up against a stone fountain. Detective Inspector Bethany Smith arrives at the scene of the crime still dressed in her funeral attire. Her head thick with emotion. Her colleagues think she's mad. But she wants to be there. She needs to be there. Even if what she sees makes her skin crawl. The next day another body is discovered. The victim has suffered a similar gruesome fate. Left for dead at the bottom of his garden where the creepy-crawlies can get to him.

A letter and a hand-drawn map arrive at the police station for the attention of Detective Bethany Smith. The map leads them to Shadwell Hill. They search the area and find a human-sized mound of dirt. DS Wilkins recognizes the unearthed victim. It's sixty-five-year-old Margaret Allthrop, a minor royal and local celebrity. But her burial was anything but regal.

In North London, Claudia Rubin is in her heyday. Wife, mother, rabbi – and sometimes moral voice of the nation – everyone wants to be with her at her son Leo's glorious wedding. That is, until Leo jilts his bride, and the gleaming bubble surrounding the Rubins threatens to burst. Frances – Claudia's calm, mature, married daughter – tries to hold the nucleus of the family together, but the stress forces her to re-examine her own life, leading her to make a decision as shocking as Leo's choice to bolt.

Detective Bethany Smith is called out to 21 Bladen Avenue, the home of Jason and Georgia Holt. It's one of the worst murder scenes she's ever seen. In the middle of the living room, Jason lies motionless in front of the fireplace. He's been opened up like a can of tuna. His innards have been removed. His face is pulp. Jason's wife found him. No one should ever have to see their spouse like that. Days later, in another home across the city, a young woman answers the phone: "How does it feel to have killed someone while you're in the process of removing their baby?"

Detective Inspector Bethany Smith arrives at the scene of the crime still dressed in her funeral attire. Her head thick with emotion. Her colleagues think she's mad. But she wants to be there. She needs to be there. Even if what she sees makes her skin crawl. The next day another body is discovered. The victim has suffered a similar gruesome fate. Left for dead at the bottom of his garden where the creepy-crawlies can get to him.

This cold call is murder. Detective Bethany Smith is called out to 21 Bladen Avenue, the home of Jason and Georgia Holt. It's one of the worst murder scenes she's ever seen.

Kitty Cox is adjusting to a new life alone. She’s spent several years caring for her ailing husband but now she’s having to adjust to a life without him.When Kitty’s old friend Vee reappears in the village in desperate need of a place to stay, Kitty quickly sees an obvious solution to both their dilemmas. She invites Vee, her new partner Raf and young son Bear to move in with her for the summer.

Sergeant Belinda 'Billy' Kidd is driving home from the airport, jet-lagged and ready to resign from a career that has left her traumatised. Menopause has robbed her confidence too - now she's a traffic cop who's afraid to drive. When brake lights haemorrhage up the motorway, the cars grind to a halt. Moments later she finds a dead driver in a black sedan. He has a metal skewer in his neck. But how? The killer can't have left the scene without being spotted by the dozens of witnesses - so he must still be there, among them.

The land, sea and skyscapes of the UK are constantly shifting. Species, landmarks and ways of life slip in and out of existence, and firm ground is often just out of reach. Weaving together stories drawn from literature, local history and her own family heritage, Oxford professor Fiona Stafford leads us along coastlines and through forests and fens, revealing the forces, both natural and human, which leave places unrecognisably changed.

A biography of the remarkable, and in her time scandalous, seventeenth-century writer Margaret Cavendish, Duchess of Newcastle.

"There is a fish on the sand; I see it clearly. But it is not on its side, lying still. It is partly upright. It moves. I can see its gills, off the ground and wide open. It looks as though it’s standing up." A few decades into the twenty-first century, in their permanently flooded garden in Cornwall, Cathy and her wife Ephie give up on their vegetable patch and plant a rice paddy instead. Thousands of miles away, ex-pat Margaret is struggling to adjust to life in Kuala Lumpur, now a coastal city. In New Zealand, two teenagers marvel at the extreme storms hitting their island.

Can their friendship survive the darkest days of war? When Abigail arrives for a new start in Bristol in the late 1930s, she knows life won’t be easy - particularly as she is the unmarried mother of three-year-old Emily Grace. But as the war starts to take over the city and threaten their very existence, will Abigail’s new friends, Carrie and Eileen, be enough to keep herself and her daughter safe?

The legal speed limit for vehicles traveling along the Old Military Road was 60 miles an hour, and he was breaking it. If a car rounded a corner in the opposite direction, it would end up in a ditch, because this driver was not in the mood to slow down for anyone. The sound of cannon fire blasted from his top pocket, and he reached for his phone. He took his eyes off the road to read the text, grunted, and handed the phone to the person seated beside him. The passenger glanced at the short message, looked up, and saw they were approaching a humpback bridge. "You're going too fast."