Resultado narrado por "Justin Avoth" em Todas as categorias

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

After the end of the Cold War, neoliberalism, with its belief in the virtues of markets and competition, seemed to have triumphed. Communism had been defeated – and Friedrich Hayek, the spiritual father of neoliberal economics, had just about lived to see it. But in the decades that followed, Hayek’s disciples knew that they had a problem. The rise of social movements, from civil rights and feminism to environmentalism, were now proving roadblocks in the road to freedom, nurturing a culture of government dependency, public spending, political correctness and special pleading.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biographies invite us into the lives of the Caesars more vividly or intimately than those by Gaius Suetonius Tranquillus, written from the center of Rome and power, in the early 2nd century AD. By placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius succeeded in painting Rome’s ultimate portraits of power.

Forced by her parents to take holy orders, 16-year-old Suzanne is trapped in a monastic life and endures harrowing physical, sexual and emotional abuse. The depiction of her struggle for autonomy is coated in the mysticism and madness of her environment, as the overwhelming effects of power are laid bare. Diderot, a key figure of the Enlightenment, uses the novel to question the moral authority of the Church and pour scorn on its complicity in oppression and intolerance.

Naxos AudioBooks is proud to be bringing Francis Brett Young (1884–1964) back into the literary limelight. A justly celebrated writer in his time, he drew on his military and medical experience as well as his acute environmental observations to create authentically detailed and poetically rich novels of profound emotional depth. The coal-mining and heavy industry of the Black Country in the West Midlands, observed by the author as a boy, imbue his ‘Mercian’ novels.

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

The late 17th century saw the rise of a new phenomenon that would transform Britain forever: party politics. Beginning with a furious dispute over whether to allow a Roman Catholic - James II - to become king, the division between Whig and Tory marked the chief political battlelines of a ferociously polarised country for several tumultuous generations.

Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionary shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author-turned-magistrate, is threatening to confiscate the money in her husband’s bank account because he believes it might have been illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.

Roger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives.

February, 1945. Eight months have passed since the D-Day landings, when the Allies gained their foothold in North-West Europe. Since then the British Army has fought near continuously against the German military. Now, they stand ready for their greatest test: the battle for the German homeland. Drawing on the archive of the Imperial War Museums, this often-overlooked period of the war is brought vividly to life in the words of British soldiers who were there, from war-weary men who have survived many months of combat to new recruits facing Hitler's fanatic Panzer divisions for the first time.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

London, 1749. Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionery shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author and new magistrate, is threatening to confiscate the money in her husband’s bank account, because he believes it might be illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.

Former correspondents E. and Henerey, accustomed to loving each other from afar, did not anticipate continuing their courtship in an enigmatic underwater city. When their journey through the Structure in E.'s garden strands them in a peculiar society preoccupied with the pleasures and perils of knowledge, E. and Henerey come to accept—and, more surprisingly still, embrace—the fact that they may never return home.

Nicolas Nabokov, a Russian-born composer and cultural diplomat, befriended many of the 20th century’s greatest musicians and artists. With delightful anecdotes and personal reflections, his memoir is a truly unique historical document that enriches our understanding of the Cold War’s impact on culture.

This superb account of the siege emphasises the crucial importance of the siege while at the same time putting it in a far wider context. While seen as a climactic battle between the West and the East, it was also much more nuanced than that – both sides had many other interests and priorities beyond Malta. Suleiman the Magnificent had conquered and subsumed regions from Hungary to the Persian Gulf; Philip II was building an empire in America and Asia.

Goïmron gathers a small band of trusted companions, and they set off to find Tungdil and save Girdlegard from the mysterious Albae. But the story's only half-over. Brabandor's on the trail of something extraordinary; Rodana is trying to change her fate, and Klaey remains an unknown quantity: his lust for power is unparalleled, and he'll do anything to get it. And the most worrying question of all . . . will their quest, change Goïmron himself?

It is 1895. A high-speed steam train is the emblem of progress. Industry and invention are creating ever greater wealth and poverty. One autumn day an anarchist boards the Granville to Paris Express. The train carries others from all over the globe: the railway workers who have built a life together away from their wives, a little boy travelling alone for the first time, an artist far from home, a wealthy statesman and his invalid wife, and a young woman with a secret hidden under her dress.

When Lena helps her teenage daughter gather sounds for her media studies project, she doesn't expect her boom-microphone to pick up a conversation between her neighbours, the Morgans. And she’s certain they are planning a crime. Her family and friends tell her that she must have misheard. After all, the Morgans are a well-respected, upstanding couple in their early sixties. They’ve never been in trouble with the law. Yet Lena can’t stop thinking about it. Because what if she hasn’t misheard? What if she can prevent something awful happening?

‘The sweetness of her glance—or rather, my evil star already in its ascendant and drawing me to my ruin—did not allow me to hesitate for a moment...’ So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early 18th-century Paris—with its theatres, assemblies, and gaming-houses—via prison and deportation to a tragic denouement in the treeless wastes of Louisiana. It is one of the great love stories, and also one of the most enigmatic.

The Fable of the Bees—a satirical poem, prose discussion, three essays and six dialogues completed in 1729—exposes human vices but defends them as a necessity within a wealthy society. Mandeville’s bees thrive until they start living by honesty and virtue… then they are impoverished. Mandeville did not play by the rules: he satirized the sins of society but also ridiculed the widespread hypocrisy of deploring these sins whilst reaping their benefits. He and his work were attacked for the rest of the century.