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He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle or if he fits with the people on the other side of the tracks.

Walking through his own house at night, a young boy thinks he sees another person stepping through a doorway. The figure reminds him of his long-dead father, who drowned mysteriously before his family left the reservation. When he follows, it he discovers his house is bigger and deeper than he ever knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have.

When the lights go out and the slideshow begins, middle manager Jennifer has a disturbing vision: a headless colleague right across the boardroom table. Is it a trick of the light, or a vision of the future? She tries to brush it off and salvage the afternoon—but when her ex unexpectedly drops off her son at the office after school, suddenly her whole world takes an alarming turn.

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else's business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge.

Not all monsters are fantasy. Some are very real, and they walk among us. They're our friends, family, neighbors, and co-workers. They're the people we're supposed to trust...and they know it. Contained within this anthology are 35 never-before-published works by supremely talented authors and best-selling novelists. Brace yourself for the unexpected and unimaginable horror of...human monsters.

It's been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There's a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there's one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

Cuatro amigos infringieron una norma sagrada de su tribu cuando eran adolescentes. Ahora, ya adultos, algo los persigue y amenaza con matarlos. Esta electrizante novela hizo que Stephen Graham Jones se llevara el Premio Bram Stoker y el Premio Ray Bradbury en 2020. A través de las páginas de El único indio bueno las tradiciones colectivas colisionan con ciertos comportamientos modernos, abriendo paso a un tipo muy especial de horror: el de un mundo desolado pero lleno de poderes sorprendentes, donde las fuerzas de la naturaleza pueden hacerse cargo de las venganzas paranormales.

The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

There are lines that probably shouldn't be crossed, doors that should stay shut, thoughts that shouldn't be considered. In these three novellas by Stephen Graham Jones, the dead talk, ancient evil opens its eyes, and that guy across the parking lot, he's watching you, and has been for a while now. Lock the door; tell yourself it's nothing; turn the radio up. It won't matter. You're already three miles past where you meant to stop.

Millie Two Bears lives alone in a trailer in the heart of the Blackfeet Nation in Montana. Since her husband went to jail, she’s been on the outs with the reservation. And it’s not just people she has to contend with. Now the prairie dogs are moving in on her patch of land. When a strange woman comes into Millie’s life, and Millie’s rodent war escalates, a fateful confrontation with vengeance, secrets, and survival is just underfoot.

This year’s selection of science fiction and fantasy stories, chosen by series editor John Joseph Adams and bestselling author of the Divergent series Veronica Roth, showcases a crop of authors that are willing to experiment and tantalize readers with new takes on classic themes and by exchanging the ordinary for the avant-garde. Folktales and lore come alive, the dead rise, the depths of space are traversed, and magic threads itself through singular moments of love and loss, illuminating the circulatory nature of life, death, the in-between, and the hereafter.

A neighborhood won't let its residents forget the past. One taste draws two lovers into a nightmarish addiction. A harsh winter forces strange creatures down from the mountains. At sea level, where it's safe, things like this can't happen. But when you're sky high in Denver, Colorado, anything goes...including your sanity. Beware of Terror at 5280', a horror fiction anthology featuring dark tales set in and around Denver and the Front Range of the Rocky Mountains, penned exclusively by local authors.

From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

Ben and Marian Rolfe are desperate to escape a stifling summer in their tiny Brooklyn apartment, so when they get the chance to rent a mansion in upstate New York for the entire summer for only $900, it’s an offer that’s too good to refuse. There’s only one catch: Behind a strange and intricately carved door in a distant wing of the house lives elderly Mrs. Allardyce, and the Rolfes will be responsible for preparing her meals.

Una spietata caccia all’alce che si tramuta in una tragedia, un incubo adolescenziale che torna a perseguitare quattro adulti, un’acuta riflessione sul costo della rottura con le tradizioni. Un horror mozzafiato, campione di vendite e pluripremiato, capace di unire la tensione di una storia horror a una fine analisi sociale.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

A spellbinding and surreal coming-of-age story about a young boy living on the fringe with his family - who are secretly werewolves - and struggling to survive in a contemporary America that shuns them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that.