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Mirabai was a Rajput princess born to the Rathore clan in 1498 in Kudaki, Rajasthan, in northern India. Despite being one of the most significant saints in the Bhakti tradition and an immensely popular Hindu mystic and religious poet, very few facts are actually known about her life including her date of birth. It is clear that her mother died when she was very young and she was greatly influenced by her father, also a worshipper of Krishna. From a young age, Mirabai’s devotion to Krishna was absolute surrender and complete devotion.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of "The Battle Hymn of the Republic". Crawford was educated at St Paul's School, Concord, New Hampshire, and then on to Cambridge University, the University of Heidelberg and the University of Rome. In 1879, he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881, he returned to America to continue his Sanskrit studies at Harvard University.

Edgar Allan Poe's early literary works were poetic, but he quickly turned to prose. He worked for several magazines and journals till in January 1845, The Raven was published and became an instant classic. Poe was also an early proponent of the detective story and announced his entry to this genre with the classic short story 'The Murders in the Rue Morgue'.

English law is a pinnacle of human society. The phrase 'Be you ever so high the law is above you' inspires us all to believe that before it all are treated equally. But in the imposing wood-panelled courts, in front of the beady eyes of wig-decked judge, delivering justice tempered with mercy, our vision twists and falls prey to the mind.

Hugh John Lofting was born in Maidenhead, Berkshire, on January 14th, 1886 to English and Irish parents. Lofting was initially educated at Mount St Mary’s College in Spinkhill, Derbyshire, a Jesuit boarding school, from the age of eight. By 1905, at age 18, he was to study abroad, taking classes in civil engineering at the esteemed Massachusetts Institute of Technology (MIT) in the USA. Thereafter he embarked on a quest to travel widely before settling down to write of his adventures.

The short story is often viewed as an inferior relation to the novel. But it is an art in itself. To take a story and distil its essence into fewer pages while keeping character and plot rounded and driven is not an easy task. Many try, and many fail. Blackmore was one to succeed, as this audiobook ably demonstrates.

The intrigues of peaceful Barchester are of tremendous importance to its inhabitants, and Anthony Trollope enjoys observing how differently they impinge on the separate worlds of men and women. Men have to make a place for themselves in society; for them ambition is necessary and justified. Women, on the other hand, have to make marriage their career, and it is up to them to make as good a match as possible. For Trollope, however, genuine love is of the utmost importance to everyone and the only real basis for marriage.

When the Bates Motel looms up out of the storm, Mary Crane thinks it is her salvation. The rooms are musty but clean. The manager, Norman Bates, seems like a nice enough fellow, if a little strange. Then Mary decides to take a shower, and the nightmare begins....

Letitia Elizabeth Landon was born on 14 August 1802 in Chelsea, London. A precocious child she had her first poem published is 1820 using a single ‘L’ as her marker. The following year her first volume appeared and sold well. She published a further two poems that same year with just the initials ‘L. E. L.' It provided the basis for much intrigue. She became the chief reviewer of the Gazette and published her second collection, The Improvisatrice, in 1824. By 1826, rumours began to circulate that she had had affairs.

Bored by her new life with her husband in exotic Thailand, 19-year-old Emmanuelle decides to taste for herself the erotic fruits that the orient has to offer. The lovely young bride, a tantalising combination of innocent and temptress, has learned much about the secrets of love. Yet prior to her arrival in the tropics she never experienced the pleasure of unfettered eroticism. Guided and instructed on an odyssey of desire by the elderly Mario, Emmanuelle embarks upon a series of daring and uninhibited sexual encounters.

It is World War II, and Britain faces increasing pressure and burden as the Nazis swarm across Europe. When the Duke de Richleau is asked to look into how Nazi U-boats know exactly where and when supply convoys in the Atlantic will be, he discovers that evil occult forces are at work. The duke discovers that a voodoo adept from Haiti is travelling on the astral plane to gain information regarding the convoys.

Simon Inglis was a sports fan with a mission. Fed up with being labelled an ‘anorak’, yet repeatedly led astray by the glimpse of a grandstand across a crowded city, in the late 1990s he travelled the world in search of some deeper meaning behind his fascination. What is it, he asked, about men and neatly-edged turf, and about Irish priests and hurling? Why are two cricket grounds in Mumbai so close together? Why do freeloaders revere Chicago’s Wrigleyville, and what can we learn about crowd management and bladder control from the bullfights in Pamplona?

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? Ambrose Bierce is an author whose words take us one way and then send us another. These miniature masterpieces all have a central truth and plausibility that seems to vanish in an ending that can be anything from wry, to shocking to hallucinatory.