Resultado narrado por "JD Jackson" em Todas as categorias

Isaac Gallant is the heir apparent to the First Admiral. Unwilling to let his mother’s tyranny stand, he joins the rebellion and leads his ships into war against the might of his own nation. Betrayal and failure, however, see Isaac Gallant and his allies captured. Rather than execute her only son, the First Admiral instead decides to exile them, flinging four million dissidents and rebels through a one-shot wormhole to the other end of the galaxy. There, Isaac finds himself forced to keep order and peace as they seek out a new home without becoming the very dictator he fought against.

Captain Isaac Gallant is the only son of the dictator of the Confederacy, his career slowed by a dozen measures to protect his reputation and safety alike - but he has no intention of being a pampered child. He is determined to do his duty. An attempt to force his crew to acknowledge their own duties puts his ship in a unique position to intervene when an overwhelming rebel attack is launched on one of the Confederacy’s most critical facilities.

Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music.

A successful film professor and podcaster, Bodie Kane is content to forget her past: the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the 1995 murder of a classmate, Thalia Keith. Though the circumstances surrounding Thalia's death and the conviction of the school's athletics coach, Omar Evans, are the subject of intense fascination online, Bodie prefers-needs-to let sleeping dogs lie.

The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language.

Ever since high school, somebody’s been playing the echo game on Will Williams. A look-alike with the same tattoos and the same name has been following him. Starting by implicating Will in petty crimes, and escalating to offenses with serious prison terms, he’s undermined every attempt Will has made to get his life on track. Now, drifting from city to city, Will’s doing everything in his power to outrun his shadow.

Poison-tongued film critic Reginald Wright is known for his creative insults and intolerance for the garbage culture, insufferable rudeness, and thoughtless racism of predictably common people. Now, against his better judgment, and with a marriage in crisis, he’s attempting a getaway in the Poconos that quickly fulfills his every low expectation. In fact, it’s becoming a nightmare. And that’s just what Reginald needs to wake up.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

Some locales seem to come with their own soundtrack. Don Ho and his tiny bubbles provide the background music for Hawaii, Edith Piaf for Paris. The reggae of Bob Marley evokes Jamaica. The soundtrack for Alabama is without question provided by our troubled troubadour Hank Williams. The 2016 biography Hank by Mark Ribowsky paints a dark picture of the musician's short, alcoholic, drug-filled life: a life of loneliness and pain. He goes so far as to call Hank's life story "noir-ish"....

First published in 2002, Freedom Dreams is a staple in the study of the Black radical tradition. Unearthing the thrilling history of grassroots movements and renegade intellectuals and artists, Kelley recovers the dreams of the future worlds Black radicals struggled to achieve.

Mike Epps is one of America’s favorite and funniest people, but the path to fame was paved with opportunities to mess it up. And mess it up he did. Growing up in “Naptown” - what people who live there really call rough-around-the-edges Indianapolis - Epps was drawn to a life of crime, but as he quickly discovered, stealing and dealing didn’t really fit his sweet sensibilities. Not to mention he wasn’t very good at it - take, for example, the day he had to call the cops on himself when a dog wouldn’t let him leave a house he was burgling.

Following Narrative of the Life of Frederick Douglass and My Bondage and My Freedom, this third memoir by the iconic abolitionist expands on Douglass’s time in bondage, his escape, and his reinvention as an influential statesman—providing many details that, in earlier years, would have endangered himself and others. It also offers a fascinating window into Douglass’s political activism and his connections to major American figures of the mid-nineteenth century, including Harriet Beecher Stowe, John Brown, and three different US presidents.

Follow Wakanda’s high-tech king across the savannah, into the deepest jungles, and up snow-capped mountains in this prose adaptation of the landmark comics series by Don McGregor, Rich Buckler, and Billy Graham. This arc expands on the life and culture of the Wakandans, also introducing us to Panther’s historic enemies. See T’Challa channel the strength of his ancient bloodline to take out foes, including the breakout character Killmonger!

From the mid-1980s into the early 1990s, the greatest athlete of all time streaked across American sports and popular culture. Stadiums struggled to contain him. Clocks failed to capture his speed. His strength was legendary. His power unmatched. Video game makers turned him into an invincible character—and they were dead-on. He climbed (and walked across) walls, splintered baseball bats over his knee, turned oncoming tacklers into ground meat.

Despite its omnipresence and long history, imprisonment is a deeply troubling practice. In the United States and elsewhere, prison conditions are inhumane, prisoners are treated without dignity, and sentences are extremely harsh. Mass incarceration and its devastating impact on black communities have been widely condemned as neoslavery or “the new Jim Crow.” Can the practice of imprisonment be reformed, or does justice require it to be ended altogether?