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In this volume our classic authors turn their words to the religion of Christianity. It’s a fascinating subject for our authors who can explore faith and belief in ways that we rarely subject ourselves to. Whatever your faith these stories raise questions and that are of interest to us all.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

This audiobook includes 10 Great Russian Short Stories: The Mantle by Nikolai Gogol, Mumu by Ivan Turgenev, First love by Ivan Turgenev, An Avenger by Anton Chekhov, Darkness by Anton Chekhov, The Death of Ivan Illyich by Leo Tolstoy, Notes from the Underground by Fyodor Dostoevsky, The Little Angel by Leonid Andreyev, The Dream of a Ridiculous Man by Fyodor Dostoyevsky, A Troublesome Visitor by Anton Chekhov.

The Beauties: Essential Stories is a captivating collection that brings together some of the most remarkable and beloved works by the acclaimed Russian writer Anton Chekhov. This anthology showcases Chekhov's unparalleled talent for depicting the complexities of human nature, the intricacies of relationships, and the nuances of everyday life. Each story in this collection is a testament to Chekhov's unparalleled ability to capture the subtlest emotions and psychological depths of his characters.

Uncle Vanya is a play by the Russian playwright Anton Chekhov. It was first published in 1897. The play portrays the visit of an elderly professor and his glamorous, much younger second wife, Yelena, to the rural estate that supports their urban lifestyle. Two friends—Vanya, brother of the professor's late first wife, who has long managed the estate, and Astrov, the local doctor—both fall under Yelena's spell while bemoaning the ennui of their provincial existence. Sonya, the professor's daughter by his first wife, who has worked with Vanya to keep the estate going, suffers from her unrequited feelings for Astrov.

"Defenceless Creature" - a story by Anton Pavlovich Chekhov. Written in 1887, first published on February 28, 1887 in the magazine Oskolki. The story describes with irony a stubborn man who achieves his goals by relying on the pity of those around him.

"The Lady with the Dog" is a short story by Anton Chekhov. First published in 1899, it describes an adulterous affair between an unhappily married Moscow banker and a young married woman that begins while both are vacationing alone in Yalta.

"The Horse-Stealers" - a story by Anton Pavlovich Chekhov. Written in 1890, first published in the magazine "New Time" No. 5061, April 1, 1890, signed Anton Chekhov.

Soon after two o'clock one night, long ago, the cook, pale and agitated, rushed unexpectedly into my study and informed me that Madame Mimotih, the old woman who owned the house next door, was sitting in her kitchen."She begs you to go in to her, sir..." said the cook, panting. "Something bad has happened about her lodger... He has shot himself or hanged himself...""What can I do?" said I. "Let her go for the doctor or for the police!""How is she to look for a doctor! She can hardly breathe, and she has huddled under the stove, she is so frightened... You had better go round, sir."

"About Love" is an 1898 short story by Anton Chekhov. The third and final part of the Little Trilogy, started by "The Man in the Case" and continued by "Gooseberries". The story begins with the love affair between the cook of the house, Nikanor and servant (beautiful woman) Pelageya. Nikanor, who is a drunkard, often verbally abuses and even beats his lover Pelageya when he is drunk. So Pelageya only wants to live with him without getting married. On the other hand, Nikanor doesn't want to be with her without getting married.

In "A Nervous Breakdown", Vasilyev feeling distressed after his visit to few brothels for the first time. Guilt, disgust and shame and of that little voices debating inside his mind that lead him to a symptom of a nervous breakdown. A quirky storytelling, quite distressing but entertaining.

Doctor Starchenko and Lyzhin, a young deputy examining magistrate, arrive at Syrnya to attend to the case of Lesnitsky, an insurance agent, who, upon arrival to the village three days before, entered the local zemstvo house, ordered himself a samovar, unpacked his food packets, and then all of as sudden shot himself. The suicide was so bizarre, that the inquest was deemed to be necessary.

Champagne is a short story by Anton Pavlovich Chekhov, written in 1887. The story is written in the first person. The young head of a remote railway stop lived with his wife and without children in solitude, amusing himself with vodka and watching passing trains. Life was boring. One day before celebrating the New Year, he sat with his wife at the festive table, drank enough and thought about boredom. We waited for the clock to show the arrival of the New Year. At five minutes to twelve he uncorked the bottle, the cork flew out, and the bottle slipped out of his hands and fell to the floor.

Misery by Anton Chekhov is a short story that explores the working-class, human despair, and suffering in Tsarist Russia. Chekhov's brief portrait of working-class life follows a sledge driver named Iona as he attempts to process his grief about his son's untimely death.

The Looking Glass is a short story by Anton Chekhov about a young woman named Nellie who is sitting in her room and staring into a mirror. Nellie is dreamy and lost in thoughts of her future and the man she loves. As she stares into the mirror, she sees the reflection of her future husband and begins to imagine her life with him. Suddenly, Nellie's dream is interrupted by a crisis. Her husband is ill and Nellie rushes to the doctor's house for help.

One great example of Chekhov's minimalism is found in The Beauties, a very short "story" - I use the term loosely, because it is really just two snapshots, two unrelated anecdotes in which a man describes seeing true beauty in two different women. These women are imperfect, yet enigmatically alluring. Chekhov's genius lies in the way he manages to convey with such apparent effortlessness a profound sense of the mystery of beauty, and of the sadness of those who observe and think.

Kashtanka — Anton Chekov's short story about a dog with two masters — is a fable about the conundrum of the creative life. The dog Kashtanka belongs to a drunken carpenter who takes her out one day, but on the way home loses her in the confusion of a military parade. The story is told by an omniscient narrator who privileges Kashtanka's point of view, so we follow the dog's subsequent adventures largely from her eyes.

The short story focuses on a schoolmistress who is returning home after collecting her salary from the town. The weather is terrible, and makes the journey far longer than it should be. She meets a man named Hanov, an aging man who is joyful and seemingly ignorant of the misery of life. On this journey, Marya Vassilyevna ponders her life, her happiness and the repetition of it all. When a train goes past, she sees a woman who looks much like her late mother, which fills her with joy she hasn't felt in a very long time.