Resultado de "E.M. Forster" em Todas as categorias

Lucy Honeychurch is a young English girl abroad in Italy for the first time and is ready to experience all the beauty, art, and romance it has to offer. She is hampered by the oppressive attentions of her chaperone, her prim cousin Charlotte, as well as the presence of a substantial British expatriate and tourist community in Florence.

Die Menschen leben in winzigen sechseckigen Waben tief unter der Erde, genießen jedoch allen Komfort. Ihr Alltag ist durch die "Maschine" perfekt geregelt. Ohne das Bedürfnis nach persönlichen Begegnungen kommunizieren sie über elektronische Hilfsmittel, die maximal miteinander vernetzt sind. Das Handbuch der Maschine ist zu ihrer Bibel geworden, wer nicht maschinenkonform denkt und handelt, wird verstoßen. Als der rebellische Kuno entdeckt, dass die Maschine langsam versagt, wagt er einen folgenschweren Ausbruch.

In this original adaptation of E.M. Forster’s novel, an encounter in Florence and an offer to exchange rooms brings George Emerson to the attention of Lucy Honeychurch. Their flirtation is cut short by Lucy’s chaperone, but when they meet again back home in England, Lucy must negotiate the demands of her station with the desires of her heart.

E.M. Forster's classic 1910 novel follows the lives and loves of the Schlegel sisters, Margaret and Helen, as they attempt to make connections with members of two very different families: the conservative, wealthy Wilcoxes, and the working-class Basts.

The story from which this collection takes its title describes the adventures of an imaginative boy who discovers an omnibus that enables him to travel to the past in the company of famous historical personages. When at his invitation, an incredulous adult accompanies him on a journey, the astonishing new vistas unfolding alarm the security-conscious older man, who wishes himself back in his comfortable suburban home.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

The earth's surface is no longer habitable. All humanity is sequestered beneath the ground, couched in isolation and contentment. The Machine provides the needs of humanity. Mankind becomes subservient drones to the life-supporting Machine. But what happens when the Machine stops?

Lucy Honeychurch and her older cousin, Miss Bartlett, tour Italy in the springtime. However, the pension they are staying at may as well be in London. The proprietress speaks a London cockney, the meat is overdone, and their windows give them a view of dirty alleys. However, when the socially clumsy Mr. Emerson offer to exchange rooms, this does anything but remedy the situation. You see, nobody knows what to make of the Emersons. It's so hard to know how to respond to people who speak the truth.

When attractive, impulsive English widow Lilia takes a holiday in Italy, she causes a scandal by marrying Gino, a dashing and highly unsuitable Italian 12 years her junior. Her prim, snobbish in-laws make no attempt to hide their disapproval, and when Lilia's decision eventually brings disaster, her English relatives embark on an expedition to face the uncouth foreigner.

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

E. M. Forster’s first novel explores the comic and tragic effects of culture clash between insular, provincial British personalities and sensual Italian culture and atmosphere. Lilia Herriton, an impulsive 33-year-old widow from London, travels to Tuscany, where she falls in love with both Italy and the handsome, carefree Gino Carelli, a dentist’s son 12 years her junior. When news reaches the snobbish Herriton family that Lilia intends to marry again, this time to an unsuitable Italian, the domineering Mrs. Herriton sends her son, Philip, to prevent the catastrophe - but he arrives too late.

A Room with a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor.

When Lilia, an English widow, marries a penniless Italian while on vacation, her dead husband's relatives are not amused. That the marriage should fail and Lilia die tragically are to be expected. But that she should have a baby, and that the baby should be raised Italian, of all things, are matters requiring immediate correction. E.M. Forster's first novel addresses cultural collisions and English middle-class sterility.

In this searching tragicomedy of manners, personalities, and world views, E.M. Forster explores the "idea of England" he would later develop in Howards End. Bookish, sensitive, and given to wild enthusiasms, Rickie Elliot is virtually made for a life at Cambridge, where he can subsist on a regimen of biscuits and philosophical debate.

A vibrant portrait of Edwardian England, Howards End examines personal relationships and conflicting values. The Schlegel sisters, Margaret and Helen, and their brother, Tibby, place their values in civilized living, music, literature, and conversation with their friends. The Wilcoxes, Henry and his children Charles, Paul, and Evie, are concerned with the business side of life and distrust emotions and imagination.

Jack Phillips's allergy to sunshine confines him to the shadows, leaving him lonely, and at risk of life-threatening burns every time he steps into the light. Shadow jumping on the rooftops at dusk, makes him feel alive. And free. But Jack's condition is suddenly worse than ever, and only his missing scientist dad can save him. As Jack and his new friend, Beth, begin their frantic search and delve into his dad's past for clues, they have no idea what they are about to uncover.

Lucy Honeychurch, an upper middle class girl, and her cousin, Charlotte, travel from England to Italy on vacation. While on the trip, the two women share a guest house with a man and his son George Emmerson. After switching rooms to offer the women a better view overlooking the scenic river, the Emmersons and Honeychurches get to know each other better. Mr. Emmerson suggests that Lucy and George may be a good match for each other.

"A Passage to India" is a novel written by E.M. Forster and published in 1924. It explores the complexities of human relationships and the clash of cultures during the British Raj in India. The novel revolves around the experiences of various characters, both British and Indian, in the fictional city of Chandrapore. The main plot follows Dr. Aziz, a young Indian Muslim physician, and his interactions with a British schoolteacher named Adela Quested.

In this rich new audio production, acclaimed British American actress Rebecca Hall brings one of E. M. Forster's most admired works to life in this classic tale of human struggle. A charming young Englishwoman, Lucy Honeychurch, is wooed by both free-spirited George Emerson and wealthy Cecil Vyse while vacationing in Italy. Though attracted to George, Lucy becomes engaged to Cecil despite twice turning down his proposals. On hearing of the news, George confesses his love, leaving Lucy torn between marrying the more socially acceptable Cecil or George, the man she knows would bring her true happiness. Should Lucy choose social acceptance or true love?

Aspects of the Novel is compiled from a series of lectures delivered in 1927 by E. M. Forster at Trinity College, Cambridge, in which he discussed the English language novel. By using examples from classic texts, he explores the seven universal aspects of the novel: story, characters, plot, fantasy, prophecy, pattern, and rhythm.