Resultado narrado por "James Monroe" em Todas as categorias

Ashira, a belle from the suburbs, is the wealthy acting CEO of her father’s booming building firm. That's when she’s not the dancer on the Gram and TikTok, dating the latest Black Hollywood shooting star. To her, Jas, a construction laborer, is a walking conundrum. He’s fruitlessly ambitious yet steadfast in his spiritual convictions. He’s enigmatic, well-read, regimented, and poor. Oh, and a felon. An incredibly disarming parolee who wants no connection to her. Until he does.

What does a young woman do when she is expected to have sex with her stepfather? Does she fight the lust that burns within her or succumb to it? Does she cross a line that she can never go back on, and give up every shred of honor she has? The lines of decency and societal norms are blurred in this book bundle of two collections of familial erotica, aimed at men in general, which provides the sort of wicked and disgraceful behavior that shocks but also excites in equal measure.

Ava couldn’t believe she’d let her best friend talk her into coming to a mind numbing holiday party on the night before Christmas. As Ava counts the minutes before she can leave, all she can think about is how much she wants to snuggle up on the sofa with a crappy holiday movie and drink too much eggnog (with rum). That is, until an old classmate, Elias Young, sits next to her at the party. Elias is way too charming to be any good for her, but fate forces Ava to put that tired theory to the ultimate test. Is it happenstance? Serendipity?

Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards, and often placed in solitary.

From podcasts and documentaries to online forums, true crime is booming. But as one Audible editor and self-professed crime obsessive observes, the genre is being pulled in new and different directions along with a changing social landscape. She wanted to know: Can we ethically engage in true crime as real concerns surface around the crimes, victims, and systemic issues that directly impact the humans we are hearing about?