Resultado narrado por "Lindsey Dorcus" em Todas as categorias

Lyra Bien intended to live a quiet life to avoid the attention of the magic-obsessed king in the fortress of Stonegate. Until Roark Ashwood—the prince’s silent guard and rumored killer for the crown—invades her village and uncovers the truth behind the silver scars in her eyes. To save her best friend from death, she’s forced to reveal her abilities, and is immediately claimed by the crown as the next melder.

A carefree New England vacation is just what sixteen-year-old Lucia needs to chase her sadness away. At least, according to her mom, who whisks them away for the summer with her ridiculously wealthy new boyfriend. Nothing bad happens in Nantucket, a charming island with cobblestone streets and million-dollar cottages. But when Lucia stumbles upon the body of a teenage girl on a beach, the discovery reopens old wounds from her past. With the dead girl's identity a mystery, Lucia takes it upon herself to investigate and crosses paths with Selah and her pack of devil-may-care besties.

Eleven-year-old stuttering Darby believes she's supposed to be perfect, just like her mother demands. But summer away at camp promises temporary escape. There, she befriends twelve-year-old Justin, who hasn't uttered a word since his dad died, and ten-year-old Naz, who is struggling to learn English. When mysterious calliope music from a nearby warehouse grants the trio power to communicate without words, they sneak inside to find out why.

Growing up in the small town of Winston, Pennsylvania feels like drowning. Leah goes to church every Sunday, works when she isn't at school, and takes care of her baby brother, Owen. Like every girl in Winston, Leah tries to be right and good and holy. If she isn't, the Lord of the Wood will take her, and she'll disappear like so many other girls before her.

Hidden underneath the small town of Haverly Arms lies an entrance to the Dragons Game, an extensive world where adventurers compete to collect power objects and progress to the next level. Temerity's father and brothers have been down in the game for years, leaving Temerity and her mother, plus their house goblin, Half-pint, to manage their tavern.

Join Detective Molly Malone in her first queer noir adventure! 1943, San Francisco. And Molly Malone has secrets. Between pretending to be the secretary of her own detective agency and late-night visits to her favorite gay club Whiskers (where a secret knock grants entry), Molly's life is lived in the shadows. But when distraught housewife Sylvia seeks help from a detective, Molly's professional and personal life begin to merge.

Mossa has returned to Valdegeld on a missing persons case, for which she’ll once again need Pleiti’s insight. Seventeen students and staff members have disappeared from Valdegeld University—yet no one has noticed. The answers to this case may lie on the moon of Io—Mossa’s home—and the history of Jupiter’s original settlements during humanity’s exodus from Earth. But Pleiti’s faith in her life’s work as a scholar of the past has grown precarious, and this new case threatens to further destabilize her dreams for humanity’s future, as well as her own.

With Prince Briar Rose's life on the line as he slowly turns into a monster at the hands of the Spindle Witch, treasure hunter Fi must escape from a tower to rescue him. Meanwhile, her axe-wielding partner Shane is on the hunt for a mysterious weapon that holds the key to the Spindle Witch's demise. But Shane must also protect her lover, the beautiful witch Red, from the Spindle Witch's executioner. As tensions rise and partnerships crumble, Fi and Shane need to work together again, putting their treasure hunting skills to the test at the greatest lost ruin of them all.

It’s 1927 and the strict laws of prohibition have done little to temper the roaring 20s nightlife, even in the nation’s capitol. Everyone knows the booze has never stopped flowing, especially amongst the rich and powerful, and seventeen-year-old Gertrude and her best friends Clara and Milly are determined to get a taste of freedom and liquor, propriety be damned. But after sneaking out of the Washington Female Seminary to visit a speakeasy, they return to discover that their controversial young headmistress, Mrs. Rose, has been murdered.

Devin Green wakes in the middle of the night to find two men in her bedroom. No stranger to a fight, she calls to her foster parents for help, but it soon becomes clear this is a planned abduction—one everyone but Devin signed up for. She’s shoved in a van and driven deep into the Idaho woods, where she’s dropped off with a cohort of equally confused teens. Finally, two camp counselors inform them that they've all been enrolled in an experimental therapy program.

From small indignities to unconscious slights, women experience situations at work every day that may seem small or unimportant but that effectively differentiate and exclude them. These are micro-offenses; the small, awkward, or uncomfortable moments that slow-build until the unwelcome environment takes hold and women disengage.

After her parents' divorce, sixteen-year-old Riley Grishin is forced to move from Portland, Oregon, all the way to Little Brook, Maine, a small town that serves as the headquarters for Titan Technologies, an international tech laboratory. Having left her friends and father behind, Riley spends most of her days running through the woods with her dog Tigger, and eavesdropping on her classmates—in particular, the gorgeous, but very strange, Aspen Montehugh. On the night of the homecoming game, Riley wakes up to find her town on fire, terrorized by an unseen monster.

Silbrey returns to the port city where she was first taught to kill. While there, she discovers there is more to her troubling past, something magical and foreboding, far beyond the familiar cobbled streets. Silbrey must decide if she'll take her revenge against the cruel guildmaster who trained her—or is mercy even an option? What begins as a fairy tale transforms into a sweeping multi-generational epic about love and loss—and a woman with a strange connection to the natural world.

Athena will need to defeat a necromancer who stole Mordigan’s heart from his chest and made a literal deal with the devil, although Athena wonders if she’s so different from this necromancer who wants to wrest control from the old men of the International Coven Council. She quickly learns a solo bounty hunter, no matter how powerful, is no match for the zealous mages who are willing to drown the Secondworld in blood—or worse, expose its existence—in order to grasp power.

The Château du Ciel was once the destination for the rich and famous to play, drink and ski—complete with a private railway to shuttle those desiring extra privacy—now, however, the guests are few and far between. The New Year’s Eve party was supposed to hoist the rundown hotel back to its former status, until a massive blizzard hits, trapping the guests who’ve come to celebrate the grand hotel’s last hurrah. The circumstances might even be romantic, if the hotel wasn't reputed to be haunted.

Ever since the hitman’s daughter, Mave Michael Francis, learned she is the owner of a crumbling grand hotel, life has been upside-down. Not only is she struggling to fit into her new role and to reconcile with her incarcerated father, but a string of bizarre burglaries is plaguing the nearby village. Meanwhile, the hotel director is running ghost tours to drum up desperately needed revenue, and Mave’s staff is scrambling to host an over-the-top goth wedding. Mave needs to ensure the event is a success to rescue the hotel from bankruptcy.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Vincent slipped between worlds once again, saving us all in the process. He's a Walker, it's what he does. Sure, he tried to kill me once, but that was in the past. The last thing I wanted was for him to go away, especially since our rocky past has authorities questioning his disappearance. A string of thefts is the perfect excuse to go to the city. Dodging the office is a little easier while helping MyTH on a case, but if Vincent doesn't surface soon, I don't need Gran to predict that my future contains bars.

We’re on bigfoot’s trail, trying to catch up to him before a hunter does. Rider is distant, Vincent is uneasy, and Ethan is way too excited about meeting a bigfoot. When we find traces of the stalker, the scent Rider is tracking and what I see in the path don't line up. Something strange is happening in the mountains. Are we tracking a hunter, or something else altogether different?

Breaker sacrificed everything - his home, his hand, even his relationship with his little brother - for the chance to escape Scarlatti’s war and find peace in their ancestral home. But time is running out. Supplies are low, Brody hasn’t recovered from his concussion, and Breaker’s right to lead is looking rather grim. When a stranger arrives, Breaker realizes the world outside Scarlatti is so much bigger than even he could ever dream.