Resultado narrado por "Taryn Ryan" em Todas as categorias

Liv and Toni were once inseparable. While their parents focused on Mandy, their little sister with special needs, the two older sisters leaned on each other for love, support and security. When they were in their teens, and Liv needed a lifesaving operation, Toni didn’t hesitate to do whatever it took to help her. Since then, their lives have gone in different directions. They live in different cities and rarely see each other. But now it’s Toni who needs help from Liv. Because she’s desperate for a baby.

When I begin to receive threatening messages, one thing becomes clear: Cassandra wants me out of her son’s life, and she will do anything to get what she wants. Including destroying me. But that’s okay. No matter what she does, I’m confident that Miles and I will be forever. Because I know Cassandra’s darkest secret. The one she’ll do absolutely anything to keep. I have a plan, while she has no idea who she’s dealing with. And by the time my darling mother-in-law realizes, it will be far too late for her to run…

Riga, 1943. Cycling the streets to deliver fresh loaves, Zenta passes empty houses, curtains open, doors unlocked, their occupants forced out by Russian or German hands. Above the newly built town hall, a Nazi flag waves in the breeze. Since her brother became a soldier and her sister joined the resistance, Zenta is all her parents have left. Then one morning her sister returns. Tired, worn, with a newly rounded belly, Estere is as determined as ever to fight for their freedom.

The small town of Rislake in the picturesque Blue Mountains is about to be engulfed by a major bushfire. The order has been given for the residents to clear out. But a last sweep uncovers one person is missing: Tracey Hilmeyer, wife of one of the firefighters tackling the blaze. Detective Kennard is in town to help with crowd control, but instead he finds himself driving straight towards the inferno to look for Tracey at the Hilmeyer home. When he gets there, he finds her dead at the bottom of the stairs, and it’s clear she was murdered.

A FARMING LIFE shares the uplifting stories of women from six rural families as their resilience is tested by personal loss, illness, fractured relationships, natural disasters and the challenges that come with working in a traditionally male-dominated world. These women are all hands-on farmers - in fact, most are responsible for managing their own farms - and their defiance, tenacity and genuine humility shines through, as does their hope for the next generation of young women already lining up to follow in their footsteps.

Katelyn smiles around at her husband and friends, gathered to celebrate her 36th birthday in their beautiful home decorated with fairy lights. But the next day Katelyn wakes up shaken and terrified in a hospital bed. She doesn’t remember the sweet taste of birthday cake icing, or how angry her best friend was at midnight, or the terrible things her husband said. She doesn’t remember the party at all. When she asks her husband what happened the night of the party he says "nothing". But her blood runs cold at the way his voice lilts slightly. The way it always does when he is lying.

Tinsel Munroe has busted her guts to get where she is. Yet her dream of working in radio hasn’t turned out to be everything she hoped it would. Sure, she has her own show—aptly titled The Graveyard Shift—where she celebrates the sounds of cult-cinema, but the wage is barely enough to cover her rent and the midnight hours are putting a strain on her relationship with her boyfriend. Even after three years at Melbourne’s coolest station, she’s seemingly no closer to a prime-time slot.

The Kane family, Lorcan, Naiyana and their young son, relocate from Perth to Kallayee, an abandoned mining town in the Great Victoria Desert to start over again, free from their chequered past. The town seems like the perfect getaway: peaceful, quiet, remote. Somewhere they won’t be found. But life in Kallayee isn’t quite as straightforward as they hope. There are noises in the earth, mysterious shadows and tracks in the dust, as if the town is coming back to life. But the family can’t leave. No one can talk sense into them. And now, no one can talk to them at all.

In 1841, Australia's first children's book was published, the anonymous writer known only as 'a lady long resident in New South Wales'. The identity of the author was one of the most puzzling literary mysteries until 1981, when she was finally given a name: Charlotte Waring Atkinson. Today, her great-great-great-great-granddaughters Kate Forsyth and Belinda Murrell are also celebrated authors. They grew up on stories about Charlotte's life of love, grief and violence - and her struggle to assert an independent spirit.

It’s a dream come true for Frances Palmer: a voyage from Australia to England on the Empress of the Sea, together with her fiancé, Jack Sullivan, and her uncle Sal, a.k.a. ‘Salvatore the Magnificent’. They’ve been hired to entertain the passengers with magic tricks and daring stunts. But all is not well below deck, with jealousy and larceny ruffling the cheerful atmosphere. Frances and Jack soon find themselves in stormy seas, together with newfound allies.

To overcome her tragic past and move on, Bingun school teacher Tilly Schroder longs to love again, but her yearning lies neglected. Instinct tells her there is more behind the accidents five years ago, but how to uncover the truth? When a stranger returns to the district, change rustles into the small country town. New information comes to light, the catalyst for long hidden revelations. Can Tilly resist his mysterious appeal to finally break free and leave the past behind?

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

Isla and Ben are devoted parents to their beloved daughter, Reese. She is their little miracle, the child they thought they’d never have, until donors made her existence possible. But Isla has never told Reese about her biological parents. She wants to be honest with her daughter, but can she bear to open up old wounds? A Child of My Own is a heartbreaking, gripping, and emotional story about motherhood, loss, and friendship, perfect for fans of Jodi Picoult, Kelly Rimmer, and Kate Hewitt.

Paige and Nick are happy. They have a beautiful home, a loving family, and most importantly, they would do anything for each other. Now, they are having a baby, and it feels like all their dreams are coming true. But joy turns to despair when they discover that Paige has a rare, life-threatening heart condition and they lose their longed-for child. Heartbroken, the couple must accept the reality that they may not become parents after all. Just as they begin to come to terms with their loss, Paige unexpectedly falls pregnant again.

Crime fiction is the single most popular genre in international publishing, and Australia has some of the finest practitioners when it comes to walking the mean streets and nailing the bad guys. Australia's best crime writers - Michael Robotham, Kerry Greenwood, Shane Maloney, Peter Corris, Tara Moss and more - share the secrets to their success, their best-ever writing tips and their favourite 'must reads'. An ideal guide for aspiring writers and crime fiction fans alike.

I never thought I would end up here. Alone, in a cold one-bedroom apartment, only seeing my precious daughter once a week. Another woman is living the life that was once mine. I wish I was still married to my ex-husband, the love of my life. I dream of tucking my five-year-old child into her ballerina bed sheets every night. I miss living in a beautiful house, the perfect family home, with a winding staircase and a sprawling garden. I’d do anything to be with my family again. To start over and prove to them that I’ve changed, that I won’t lose control like before.

1931. Frances Palmer is overjoyed when her brother, Rob, returns to Adelaide as a racecourse veterinarian. But all is not well on the turf, and when a man is murdered, there's only one suspect - Rob. Frances and her boyfriend, charming night-club owner Jack Sullivan, along with ex-vaudevillian Uncle Sal and their friends, have only one chance to unmask the real murderer by infiltrating the racecourse. The odds are against them...luckily, putting on a dazzling show where everything depends on sleight of hand is what they do best. But nothing is a dead cert against a cold-blooded killer.

It’s the phone call every mother dreads. I’m climbing into the car after a trip to the grocery store. As the engine starts, my phone rings. It’s my stepdaughter, Shelby, who is babysitting my three-year-old Millie. "I only went upstairs for a second," she says through her sobs. "She’s gone." When the police turn up, Shelby’s story starts to unravel. What is she hiding? Then I get a message saying, "Your husband is not who you think he is." Suddenly, my family feel like strangers. Everyone has a secret - even me.

Kree Garrett's younger brother Seth is all the family she has left, so when he goes missing while working in the Australian outback, she races from America to join in the search. To everyone's relief, Seth is rescued just in time by local volunteers and Kree finds, in an abandoned historic Cobb & Co coach house, the opportunity to thank the community she's fallen in love with. But it isn't only the town she's fallen for....

Adelaide, 1931: Telephone switchboard operator Frances’ life is difficult as sole provider for her mother and adopted uncle. But it’s thrown into turmoil when she overhears a suspicious conversation on the phone, planning a murder. If a life is at risk, she should tell the police; but that would mean breaking her confidentiality clause and would cost her the job. And Frances soon begins to doubt the evidence of her own ears - it was a very bad line, after all. She decides to put it behind her and meets slightly dangerous nightclub owner Jack.