Resultado narrado por "Verona Westbrook" em Todas as categorias

Hannah, Lady Beeston, can't say she's sorry that her husband is dead. The past 10 years have been anything but blissful, and seeing as they culminated in her being shot (albeit accidentally), she just can't find it in her heart to be sad. But it leaves her with a bad leg and an uncertain future - two things she isn't sure she can get past. Dr. Graham Alcott is more than happy with his quiet bachelor lifestyle. He spends his days tending to the sick and his nights studying by candlelight.

As Britain settles into a short-lived peace, the characters of Pride and Prejudice pick up very nearly where the novel left off, in a new series of stories focused on love and family. Elizabeth Bennet finds the joy of her marriage and honeymoon are followed by the demands of becoming Mrs. Darcy, all while helping her shy new younger sister come out into society.

In Edwardian London, a lady's maid is thrown out into the cold. But despair is not on Francine's agenda and we meet a young girl of remarkable resilience.

Mrs. Hudson is possibly the most famous landlady in literature. Presiding over 221B Baker Street, she saw many clients, villains, and Baker Street Irregulars during the tenancy of Sherlock Holmes and Dr. Watson. This series of columns, thoughts, recipes, and memoirs are from a long-running column in the Sherlockian journal Canadian Holmes. In it, the author, Wendy Heyman-Marsaw, puts herself in Mrs. Hudson's shoes.

Cv/VAR 154 publishes a study of photography and art in which authors Marina Vaizey and Anne Blood consider the historical impact of photography from pioneers Hill and Adamson, William Fox Talbot, and Louis Daguerre to contemporary practitioners such as Andreas Gursky and Boris Mikhailov. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Andy Warhol, and Richard Hamilton, and innumerable creative voices. The volume includes biographical details of leading figures and a guide to national collections and study centres.

Lady Daphne Rosamond never thought of herself as missing out. She believes that love will find her when the time is right. That is until she visits a fortune teller. Now, she is determined to create her own future. Marcus made her a promise years ago, and she's ready for him to make good on it. He would give Daphne her first kiss once she was of an appropriate age. Not one to turn down a beautiful woman, he delivers on the promise. One passionate moment that neither will soon forget follows, but how could either of them have guessed where one stolen moment would lead?

Fitzwilliam Darcy is in a difficult situation. His father is pressing him to propose marriage to the last woman in the world he would wish to take as his wife. With a fortnight to announce his betrothal, he makes the acquaintance of Elizabeth Bennet, who is in a predicament of her own. Could Darcy be willing to consider Elizabeth as a solution to his problem and to hers? And can Elizabeth ascertain enough of Darcy's character to trust him upon nothing but a first impression?

One night, to decide his entire life's happiness. Chastened by Charles Bingley following Mr. Bennet's untimely death, Fitzwilliam Darcy determines he will offer marriage to Elizabeth Bennet, but she marries another. Years later, a widowed Elizabeth is mistress of Longbourn, and has vowed she will never marry again. A house party at Netherfield brings them back together, but Darcy will have to win more than her heart if he is to have any chance at making her mistress of Pemberley.

Esther Whitton has gladly spent the last few months enjoying the quiet calmness of a Yorkshire winter, devouring books and attempting to keep herself from falling for a man she knows she can never have. But when her Great-uncle Danby announces they're all going to London for the season, she decides it's time to step out of her comfort zone and follow her heart before it's given away to another.

Country House Collection documents the development of stately homes in England with a trajectory from Medieval times to a burgeoning of the neo-classical style of building in the early to mid 18th-century. The grand houses that appeared in rural locations manifested statements of a ruling class composed of self-made landowners, merchants and families of historic lineage and title.