Resultado de "H.P. Lovecraft" em Todas as categorias

"The Tomb" tells of Jervas Dudley, a confessed daydreamer. While still a child, he discovers the padlocked entrance to a mausoleum belonging to the Hyde family, whose nearby mansion had burnt down many years previously. Jervas attempts to break the padlock, but is unable to. Dispirited, he takes to sleeping beside the tomb. Eventually, inspired by reading Plutarch's Lives, Dudley decides to patiently wait until it is his time to gain entrance to the tomb.

In the story, an unnamed narrator describes his nightly obsession with the Pole star, and his recurring dreams of a city under siege. The narrator struggles with determining whether his reality is real, or if his dream is the true reality. Critics have noted autobiographical elements in the story, and have connected it with Lovecraft's experiences of uselessness during World War I.

"The Tree" is a macabre short story by American horror fiction writer H. P. Lovecraft. It was written in 1920, and published in October 1921 in The Tryout. Set in ancient Greece, the story concerns two sculptors who accept a commission with ironic consequences. Lovecraft wrote "The Tree" early in his career. He was dismissive of the story in a 1936 letter. Such stories, he said, "if typed on good stock make excellent shelf-paper, but little else."

"The Picture in the House" is a short story written by H. P. Lovecraft. It was written on December 12, 1920, and first published in the July 1919 issue of The National Amateur - which was published in the summer of 1921. Plot: While riding on his bicycle in the Miskatonic Valley of rural New England, a genealogist seeks shelter from an approaching storm in an apparently abandoned house, only to find that it is occupied by a "loathsome old, white-bearded, and ragged man," speaking in "an extreme form of Yankee dialect...thought long extinct."

"The Descendant" is a story fragment by American horror fiction writer H. P. Lovecraft, believed to have been written in 1927. It was first published in the journal Leaves in 1938, after Lovecraft's death. Inspiration: Lovecraft may have been referring to this attempt at a story when he wrote that he was "making a very careful study of London...in order to get background for tales involving richer antiquities than America can furnish."

The story traces the history of the eponymous street in a New England city, presumably Boston, from its first beginnings as a path in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood," each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down, polluted slum, with all of the street's old houses falling into disrepair.

"Dagon" is a short story by American author H. P. Lovecraft, written in July 1917, one of the first stories he wrote as an adult. It was first published in the November 1919 edition of The Vagrant (issue #11). Dagon was later published in Weird Tales and is considered by many to be one of Lovecraft's most forward looking stories.

Plot: Barzai the Wise, a high priest and prophet greatly learned in the lore of the "gods of earth", or Great Ones, attempts to scale the mountain of Hatheg-Kla in order to look upon their faces, accompanied by his young disciple Atal. Upon reaching the peak, Barzai at first seems overjoyed until he finds that the "gods of the earth" are not there alone, but rather are overseen by the "other gods, the gods of the outer hells that guard the feeble gods of earth!" Atal flees, and Barzai is never seen again.

"He" is a short story by American horror writer H. P. Lovecraft. Written August 1925, it was first published in Weird Tales, September 1926. Plot: The story's anonymous narrator has moved from New England to New York City, and greatly regrets it. One night, while wandering in a historic part of Greenwich Village, he happens upon a man dressed in garments from the 18th century. The man offers to show the narrator the secrets of the town.

"The Cats of Ulthar" is a short story written by American fantasy author H. P. Lovecraft in June 1920. In the tale, an unnamed narrator relates the story of how a law forbidding the killing of cats came to be in a town called Ulthar. As the narrative goes, the city is home to an old couple who enjoy capturing and killing the townspeople's cats. When a caravan of wanderers passes through the city, the kitten of an orphan (Menes) traveling with the band disappears.

"The Outsider" is a short story by American horror writer H. P. Lovecraft. Written between March and August 1921, it was first published in Weird Tales, April 1926. In this work, a mysterious man who has been living alone in a castle for as long as he can remember decides to break free in search of human contact and light. "The Outsider" is one of Lovecraft's most commonly reprinted works and is also one of the most popular stories ever to be published in Weird Tales.

"The Silver Key" is a short story written by H. P. Lovecraft in 1926, considered part of his Dreamlands series. It was first published in the January 1929 issue of Weird Tales. It is a continuation of "The Dream-Quest of Unknown Kadath", and was followed by a sequel, "Through the Gates of the Silver Key", co-written with E. Hoffmann Price. The story and its sequel both feature Lovecraft's recurring character of Randolph Carter as the protagonist.

"The Horror at Red Hook" is a short story by American writer H. P. Lovecraft. Written on August 1-2, 1925, it was first published in the January 1927 issue of Weird Tales. The story begins with Detective Malone describing an on-duty incident in Red Hook, Brooklyn, that gave him a phobia of large buildings. Back-tracking to where it all began, Red Hook is described in detail, with its gangs and crime, and hinting at an occult underbelly.

Five fantastical tales from the mind of H. P. Lovecraft that center around a theme of illicit substances: some used to transcend the veil of reality, some used to keep one's sanity in check. All of the stories are quite psychedelic and unreal, quite mystical, and quite frightening.

A meteorite from cosmic space falls to earth on a backwoods Massachusetts farm. The space rock possesses peculiar qualities and mystifies even the brightest university scientists. But it soon becomes clear that this is no ordinary meteor, as its otherworldly influence unleashes a creeping wave of despair, death, and decay into the land and its inhabitants.

In the penumbra between time and space resides the nexus of our consciousness. From the darkness, our momentum percolates forth—carving its trajectory into what will no longer be a void.

In a small village a cruel elderly couple are killing their neighbor's pets with gleeful abandon. When an orphan traveling with a band of gypsies has his beloved kitten killed by the weird old couple, he retaliates in a horrifying act of supernatural revenge.

The Lurking Fear includes examples of Lovecraft's earliest weird fiction including "Hypnos", "What the Moon Brings", "Imprisoned with the Pharaohs", and "Memory" (inspiration for the 2014 film of the same name), as well as the title story, "The Lurking Fear", a traditional horror study commissioned by George Julian Houtain to be run as a serial in Home Brew magazine in 1923 that has served as the source material for multiple films and been adapted into a comic book.

Doug Bradley's Spine Chillers, Volume 2, presents four classic stories from the masters of horror literature. It kicks off with Charles Dickens' friend and collaborator Wilkie Collins' eerie tale of a man's dream of his own murder that comes too true, 'The Dream Woman'. Second on the bill is the master of American literature Edgar Allan Poe's classic story of doomed love 'The Oval Portrait'.

Steven Jones, an entertainment producer from Chicago, journeys to London in search of new acts. There, he discovers the strange and disturbing wax museum of Rodgers and his inscrutable associate Orabona. Is the mad artist able to conjure up the world's most horrifying waxen effigies through his occult inspirations, or is there a darker secret lurking behind the wax and paint?