Resultado de "Friedrich Nietzsche" em Todas as categorias

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a "slave morality". With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own "will to power" upon the world.

Nietzsche was one of the most revolutionary thinkers in Western philosophy and Thus Spoke Zarathustra remains his most influential work. It describes how the ancient Persian prophet Zarathustra descends from his solitude in the mountains to tell the world that God is dead and that the Superman, the human embodiment of divinity, is his successor. With blazing intensity, Nietzsche argues that the meaning of existence is not to be found in religious pieties or meek submission, but in an all-powerful life force: passionate, chaotic and free.

Was ist Wahrheit? Und was Lüge? Welche Rolle spielt die Sprache hierbei? Nur einmal hat sich Friedrich Nietzsche dem Thema der Sprache zugewandt - in diesem Essay aus dem Jahr 1873.

Philosophisches Werk? Erzählung? Wie auch immer - Zarathustra ist ein epochemachendes Werk. Nach langjähriger Einsiedelei begibt sich Zarathustra unter Menschen, um ihnen vom Übermenschen zu erzählen und seine Weisheit mit ihnen zu teilen - doch erfährt er nur Hohn und Spott.

Zaratustra se presenta como el profeta supremo fuente de sabiduría, un ermitaño que vive recluido en la montaña, donde a lo largo de su retiro reflexiona sobre la vida y la naturaleza del hombre. Cuando siente que es el momento adecuado, decide regresar al mundo para comunicar el fruto de su conocimiento. Así, esta obra narra los discursos que Zaratustra pronuncia entre los hombres para anunciar su nueva doctrina.

Cet écrit polémique est publié en 1887. Il suit, complète et éclaire "Par-delà le bien et mal". Nietzsche se donne pour objectif de montrer d'où viennent les valeurs morales contemporaines et pourquoi nous devrions en changer pour des valeurs plus saines. "La Généalogie de la morale" se compose d'une préface et de trois dissertations écrites dans un style brillant et puissant.

Als siebenundzwanzigjähriger Philologieprofessor veröffentlichte Nietzsche die "Geburt der Tragödie", ein Werk, in dem er sein kulturelles Weltbild präsentiert. Schopenhauer, die griechische Tragödie, die Musik Wagners, verbunden mit seinen Vorstellungen von Kulturphilosophie und Ästhetik: Beim Hören zeigt sich, dass hier ein Gigant im Werden begriffen ist. Mit dabei: Ein pdf-Dokument mit Titelliste.

Esta versión del audiolibro Así habló Zaratustra es la más barata que también tiene audio de calidad superior. Nosotros editamos el audio para su placer. Usamos procesos de la computadora y trabajo manual para crear una experiencia buena de volumen y calidad sin ruidos malos. ¡Es nuestro distinto placer presentarle nuestra versión de Así habló Zaratustra por Friedrich Nietzsche, narrado por Vanesa Amezquita!

Die Aphorismen der "fröhlichen Wissenschaft" befassen sich mit den unterschiedlichsten Themen des Lebens. In ihrer Tonalität kündigen sie Nietzsches "Also sprach Zarathustra" an. Faszinierend! Mit dabei: Ein pdf-Dokument mit Titelliste.

Nietzsches einziger sprachphilosophischer Essay, geschrieben 1873, veröffentlich 1896, vorgetragen von Benjamin Lucas.

Nach Jahren völliger Nichtbeachtung gelang es Nietzsche 1888 mit der Kampfschrift Der Fall Wagner wieder Aufmerksamkeit zu bekommen. In seinem letzten geistig wachen Lebensjahr nimmt die Auseinandersetzung mit Richard Wagner und dessen Musik einen zentralen Stellenwert ein. Immer wieder betont Nietzsche, dass Wagner ihn krank gemacht habe: "Ich heiße ihn Schirokko. Ein verdrießlicher Schweiß bricht an mir aus." Die radikale, aber auch vielschichtige Kritik an Richard Wagner wird von Fischer-Dieskau - Sänger, Musikschriftsteller und Wagner-Experte - großartig interpretiert.

Friedrich Nietzsche's "The Antichrist" might be more aptly named "The Antichristian," for it is an unmitigated attack on Christianity that Nietzsche makes within the text instead of an exposition on evil or Satan as the title might suggest. In The Antichrist, Nietzsche presents a highly controversial view of Christianity as a damaging influence upon western civilization that must come to an end. Regardless of ones religious or philosophical point of view, The Antichrist makes for an engaging philosophical discourse.

"The Twilight of the Idols", Nietzsche says in Ecce Homo: “If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called ‘Idols’ on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs.

"The Joyful Wisdom", written in 1882, just before "Zarathustra", is rightly judged to be one of Nietzsche's best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life.

Es una de las últimas obras del filósofo alemán Friedrich Nietzsche. Aunque fue escrito en 1888, su controvertido contenido hizo que Franz Overbeck y Heinrich Köselitz retrasaran su publicación, junto con Ecce homo, hasta 1895. El libro es una crítica del cristianismo en conjunto, y de conceptos modernos como el igualitarismo y la democracia, a los cuales ve como consecuencia persistente de los ideales cristianos.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

In 1869, at the age of twenty-five, the precociously brilliant Friedrich Nietzsche was appointed to a professorship of classical philology at the University of Basel. He seemed marked for a successful and conventional academic career. Then the philosophy of Schopenhauer and the music of Wagner transformed his sense of purpose. The genius of such thinkers and makers - like the genius of the ancient Greeks - was the only touchstone for true understanding. How then was education to answer to such genius? Something more than sturdy scholarship was called for.

In 1887, with the view of amplifying and completing certain new doctrines which he had merely sketched in "Beyond Good and Evil" (see especially "Aphorism 260"), Nietzsche published "The Genealogy of Morals". This work is perhaps the least aphoristic, in form, of all Nietzsche's productions. For analytical power, more especially in those parts where Nietzsche examines the ascetic ideal, "The Genealogy of Morals" is unequalled by any other of his works.

Dieses ist nicht nur Nietzsches Lobpreis auf Arthur Schopenhauer und seine Philosophie, sondern eine schonungslose Abrechnung mit der Universitätsphilosophie seiner Zeit. Nur seiner Zeit? Sollte man nicht auch heutigen Universitäten diesen Text hinter den Spiegel stecken?