Resultado de "Fyodor Dostoyevsky" em Todas as categorias

Fyodor Dostoyevsky is a titanic among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

Also known as Demons, The Possessed is a powerful socio-political novel about revolutionary ideas and the radicals behind them. It follows the career of Pyotr Stepanovich Verkhovensky, a political terrorist who leads a group of nihilists on a demonic quest for societal breakdown. They are consumed by their desires and ideals, and have surrendered themselves fully to the darkness of their "demons". This possession leads them to engulf a quiet provincial town and subject it to a storm of violence.

Loosely based on sensational press reports of a Moscow student’s murder by fellow revolutionists, The Possessed depicts the destructive chaos caused by outside agitators who move into a provincial town. The enigmatic Stavrogin dominates the novel. His magnetic personality influences his tutor, the liberal intellectual poseur Stepan Verhovensky, and the teacher’s revolutionary son Pyotr, as well as other radicals.

"Djadjushkin son" - radiospektakl' po motivam odnoimennoj povesti Fjodora Dostoevskogo. Povest' byla opublikovana v Sankt-Peterburge v 1859 godu. V provincial'nyj gorod Mordasov priezzhaet staryj bogatyj knjaz' K. Odna iz mestnyh dam, Mar'ja Aleksandrovna Moskaljova, stremitsja vydat' za nego zamuzh svoju doch' Zinu. Takim obrazom Mar'ja Aleksandrovna zhelaet steret' v mordasovskom obshhestve pamjat' o neudachnom romane Ziny i uchitelja ejo mladshego brata.

The short works of Dostoevsky exist in the very large shadow of his astonishing longer novels, but they too are among literature's most revered works and offer keys to understanding the themes in his longer works. Contained in this volume are the short stories "White Nights", "A Disgraceful Affair", and "The Dream of the Ridiculous Man", three of Dostoevsky's most troubling, moving, and poignant works.

At its heart, The Insulted and the Injured is a story of human tragedy and suffering, but it is also a love story. Narrated by a fictitious young author, Vanya, this book tells the story of Natasha and her lover, Alyosha, who also happens to be the son of the cruel Prince Valkovsky.

Crime and Punishment follows the story of a boy named Raskolnikov who commits a heinous crime because he believes he is in fact extraordinary. Through an internal battle of whether to confess or not, we follow him through his interactions with a drunk, a prostitute, the government, and his family. We see him do incredible acts of kindness, suffer the consequence of his crime on a physical level, and fall in love with an unlikely character, all while trying to reconcile his ability to be extraordinary.

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in 12 monthly installments during 1866. Later, it was published in a single volume. It is the second of Dostoyevsky's full-length novels following his return from five years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing.

Living in a squalid room in St. Petersburg, the indigent but proud Rodion Raskolnikov believes he is above society. Obsessed with the idea of breaking the law, Raskolnikov resolves to kill an old pawnbroker for her cash. Although the murder and robbery are bungled, Raskolnikov manages to escape without being seen. And with nothing to prove his guilt and a mendacious confessor in police custody, Raskolnikov seems to have committed the perfect crime. But in Dostoyevsky’s world of moral transgressions, with its reason and its consequences, Raskolnikov’s plan has a devastating hitch.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Dostoevsky’s narrator is the anonymous voice of the masterful novella. Retired and isolated from society, he is bitter, contemptuous, and contemplative as he presents his anecdotes and philosophical outlooks. Presented as an extract from the narrator’s memoirs, Notes from the Underground is divided into two parts. Opening with a monologue attacking Western philosophy, Dostoevsky follows this theoretical exploration with the anti-hero’s accounts of various destructive and restorative life experiences.

The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disatrous consequences of rationalism.

Often considered one of the first ever psychological thrillers, Crime and Punishment is a gripping tale of a poverty-stricken young man in Saint Petersburg, Russia, who hatches a plan to kill someone for money. Once the deed is done, he finds himself racked with guilt, confusion and disgust for his act. In this new recording, Will Poulter gives new life to the troubled protagonist, Rodion Raskolnikov, in a performance that will have you questioning where we draw the line between right and wrong.

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Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821, to distinguished multi-ethnic parents from a Lithuanian background. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. His next was unable to emulate that success but his short stories helped provide an income. ‘The Dream of a Ridiculous Man’ is one of his many classic short stories that turn a splinter of the ordinary into the spiralling descent of chaos.

As Dimitry struck him, Grigory screamed and fell back, the blood streaming horribly from his head. Dimitry bent over him, trying to stop the flow with his handkerchief which turned soaking red in an instant. Alexey, Ivan and Dimitry Karamazov were sent away by their father, Fyodor, when they were very young and never knew a father's love. Now what will Dimitry's bitter quarrel with Fyodor lead to?

After being treated for epilepsy at a Swiss sanatorium, Prince Muishkin returns to St. Petersburg to reconnect with a wealthy distant relative and her family. Guileless and charming, Muishkin endears himself to everyone he meets, and they place him in the center of high society’s conflicts. Soon Muishkin becomes caught in a sphere of jealousy, betrayal, extortion, and murder. And he finds his loyalties divided between two women - one needing love, the other salvation.

Upon its first publication in 1846, "Poor Folk" was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

"The Grand Inquisitor" is a central chapter of Dostoyevsky's novel The Brothers Karamazov. The middle brother, Ivan, is having a conversation with his younger brother, Alyosha. Ivan represents the rationalist and nihilistic ideology that permeated Russia in the 19th Century. Alyosha's beliefs counterbalance his brother's. He embodies hope. Ivan tells Alyosha a vision where the grand inquisitor, during the Spanish inquisition, encounters Jesus Christ, who has made a return to Earth.