Resultado narrado por "Sneha Mathan" em Todas as categorias

India, 1857. Meera's future has been planned for her for as long as she can remember. As a child, her parents married her to a boy from a neighboring village whom she barely knows. Later, on the eve of her thirteenth birthday, she prepares to leave her family to live with her husband's—just as her strict religion dictates. But that night, Indian soldiers mutiny against their British commanders and destroy the British ammunition depot, burning down parts of Delhi. Riots follow, and Meera's husband is killed.

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena–a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man–Smita comes face to face with a society where tradition carries more weight than one's own heart, and a story that threatens to unearth the painful secrets of Smita's own past.

In Phantom Plague, Vidya Krishnan, traces the history of tuberculosis from the slums of 19th-century New York to modern Mumbai. In a narrative spanning century, Krishnan shows how superstition and folk remedies made way for scientific understanding of TB, such that it was controlled and cured in the West.

After years of dancing in Mumbai’s bars, Tara Mondal was desperate for a new start. So when a client offered her a life-changing payout to indulge a harmless, if odd, fantasy, she accepted. The setup was simple: wear a blue-sequined saree, enter a crowded railway station, and escape from view in less than three minutes. It was the last time anyone saw Tara.

Set during the partition of British India in 1947, a time when neighbor was pitted against neighbor and families were torn apart, award-winning author Chitra Banerjee Divakaruni’s novel brings to life the sweeping story of three sisters caught up in events beyond their control, their unbreakable bond, and their incredible struggle against powerful odds.

Translating Myself and Others is a collection of candid and disarmingly personal essays by Pulitzer Prize–winning author Jhumpa Lahiri, who reflects on her emerging identity as a translator as well as a writer in two languages. With subtlety and emotional immediacy, Lahiri draws on Ovid's myth of Echo and Narcissus to explore the distinction between writing and translating, and provides a close reading of passages from Aristotle's Poetics to talk more broadly about writing, desire, and freedom.

Sharp-eyed, stubborn, and passionate, Jindan was known for her beauty. When she caught the eye of Maharaja Ranjit Singh, she was elevated to royalty, becoming his youngest and last queen—and his favorite. And when her son, barely six years old, unexpectedly inherited the throne, Jindan assumed the regency. She transformed herself from pampered wife to warrior ruler, determined to protect her people and her son’s birthright from the encroaching British Empire.

A colony survives among the icy rings of a planet, hiding from alien robots determined to destroy them … at a remote site on the edge of the Arctic Circle, a group of scientists, engineers, and physicians gather to gamble humanity’s future on one last-ditch experiment … a man who can’t feel pain has been bioengineered to be a killing machine, but he refuses to give in to his fate … a man is contacted by three future versions of himself, each trying to save their world from destruction.

This modern, groundbreaking YA anthology explores the complexity and beauty of interracial and LGBTQ+ relationships where differences are front and center. When people ask me what this anthology is about, I'm often tempted to give them the complicated answer: It's about race and about how being different from the person you love can matter but how it can also not matter, and it's about Chinese pirate ghosts, black girl vigilantes, colonial India, a flower festival, a garden of poisons, and so, so much else.

India, 1922: In the kingdom of Satapur, a curse seems to have fallen upon the royal family, whose maharaja died of a sudden illness shortly before his teenage son was struck down in a tragic accident. The kingdom is now ruled by an agent of the British Raj on behalf of Satapur's two maharanis, the dowager queen and the maharaja's widow. The royal ladies are in dispute over the education of the young crown prince, and a lawyer's council is required. Just one person can help them: Perveen Mistry, India's only female lawyer.

With The Best Science Fiction of the Year: Volume 3, award-winning editor Neil Clarke provides a year-in-review and 27 of the best stories published by both new and established authors in 2017.

Calcutta, 1886. Ottilie Russell is adrift between two cultures, British and Indian, belonging to both and neither. In order to support her little brother, Thaddeus, and her grandmother, she relies upon her skills in beetle-wing embroidery that have been passed down to her through generations of Indian women. When a stranger appears with the news that Thaddeus is now Baron Sunderson and must travel to England to take his place as a nobleman, Ottilie is shattered by the secrets that come to light.

Thirsty for fresh blood? Sink your teeth into vampire stories from young adult fiction's leading voices. In this delicious new collection edited by Zoraida Córdova and Natalie C. Parker, you’ll find stories about the lurking vampires of social media, the rebellious vampires hungry for more than just blood, the eager vampires coming out - and going out for their first kill - and other bold, breathtaking, dangerous, dreamy, eerie, iconic, powerful creatures of the night.

India’s only female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.

With The Best Science Fiction of the Year: Volume Six, award-winning editor Neil Clarke provides a year-in-review and 33 of the best stories published by both new and established authors in 2020.

This exceptional and powerful anthology explores the joys, heartbreaks and triumphs of immigration, with stories by critically acclaimed and best-selling YA authors who are shaped by the journeys they and their families have taken from home - and to find home.

1964. Pakistan. Rozeena is running out of time. She'll lose her home—her parents' safe haven since fleeing India and the terrors of Partition—if her medical career doesn't take off soon. But success may come with an unexpected price. Meanwhile the interwoven lives of her childhood best friends—Haaris, Aalya, and Zohair—seem to be unraveling with each passing day. The once small and inconsequential differences between their families' social standing now threaten to divide them. Then one fateful night someone ends up dead and the life they once took for granted shatters.

Escaping from an abusive marriage, seventeen-year-old Lakshmi makes her way alone to the vibrant 1950s pink city of Jaipur. There she becomes the most highly requested henna artist - and confidante - to the wealthy women of the upper class. But trusted with the secrets of the wealthy, she can never reveal her own....

In this transfixing novel, a young woman comes of age in 1960s- and 1970s-era Bombay, a vanished world that is complex and indelibly rendered. Vidya’s childhood is marked by the shattering absence and then the bewildering reappearance of her mother and baby brother at the family home.

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena—a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man—Smita comes face to face with a society where tradition carries more weight than one’s own heart, and a story that threatens to unearth the painful secrets of Smita’s own past.