Resultado narrado por "Stephen Rose" em Todas as categorias

I don't do boyfriends. Or dating. Or random hookups. Not when fictional men do it so much better, and not when my heart has been through the wringer. So when retired MMA fighter Matt Haywood crashes into my life, I'm not impressed. Quite the opposite actually. I avoid him at all costs. At least, I try.

Dive back into the sexy side of the Upper East Side with the second billionaire romance from USA Today best-selling author K. A. Linde. I finally have everything I ever wanted - fame and fortune and literary success. Only one problem: I lost my muse. He was tall, dark, and handsome. Broody, enigmatic, alluring, and right for me in every way. Until he wasn't. Until I lost everything. And I can't lose it all again. I'll do anything to keep it.

Author K. A. Linde presents One Cruel Night, a prequel to the Cruel series.

She was supposed to be a one-night stand. A way to sate my sexual appetite. I let her glimpse the man I am. The face that I hide behind my carefully cultivated life. But she ripped open that divide - and there's no going back. Now, she's here. In my city. I don't care that I'm Manhattan royalty and she's the help. Only that she's living in my summer home. With me. And I want more.

Lose yourself to the dark and glamorous underbelly of the Upper East Side in the final book in USA Today best-selling author K. A. Linde's billionaire romance Cruel Trilogy. Darkness swept in. Smothering everything in its inky black. In its wake, we became our own worst nightmares. How can we fight our way back? Do we even deserve to?

Gigi Hawthorne is starting from scratch. She just didn't realize until her crappy car broke down that she was going to be doing it in a small town in Vermont. With an eye for design and some serious decorating skills, she's managed to land a job making delectable treats for the patrons of the Busy Bean. Now she's up to her elbows in sugar and flour, but her thoughts are never far from her gorgeous, brooding landlord.

The myth of an epic, public life—its triumphs and tragedies—is a particularly American obsession. ROAR is a metafictional exploration of such a life and attendant fame of an extraordinary, and completely made up, man.