Resultado narrado por "Tony Robinson" em Todas as categorias

This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.

All is not well within the Unseen University. The endemic politics of the place have ensured that it has finally got what it wished for: the most powerful wizard on the disc - which could mean that the death of all wizardry is at hand. And that the world is going to end, depending on whom you listen to. Unless, of course, one inept wizard can take the University's most precious artefact, the very embodiment of magic itself, and deliver it halfway across the disc to safety.

Throughout history, there's always been a perfectly good reason to start a war. Never more so if it is over a "strategic" piece of old rock in the middle of nowhere. It is, after all, every citizen's right to bear arms to defend what they consider to be their own. Even if it isn't. And in such pressing circumstances, you really shouldn't let small details like the absence of an army get in the way of a righteous fight with all the attendant benefits of out-and-out nationalism.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but that looks completely different. It plays by different rules. Certainly it refuses to succumb to the quaint notion that universes are ruled by pure logic and the harmony of numbers. But just because the Disc is different doesn't mean that some things don't stay the same.

When the very fabric of time and space are about to be put through the wringer, in this instance by the imminent arrival of a very large and determinedly oncoming meteorite, circumstances require a very particular type of hero. Sadly, what the situation does not need is a singularly inept wizard, still recovering from the trauma of falling off the edge of the world. Equally it does not need one well-meaning tourist and his luggage, which has a mind of its own¿which is a shame, because that's all there is.

Shortlisted for the British Book Awards, Children's Book of the Year, 2007.
Tiffany Aching is a trainee witch now working for the seriously scary Miss Treason. But when Tiffany witnesses the Dark Dance, the crossover from summer to winter, she does what no one has ever done before: she leaps into the dance. And into the oldest story there is.

Up on the chalk downs they call The Wold, witches are banned: ever since the Baron's son vanished in the woods. Anyway, as all witches know, chalk's no good for magic. Nine-year-old Tiffany Aching thinks her Granny Aching, a wise shepherd, might have been a witch, but now Granny Aching is dead, and it's up to Tiffany to work it all out when strange things begin happening.

An aura of mean-minded resentfulness is thick in the streets of Ankh-Morpork. Insurrection is in the air. The Haves and Have-Nots are about to fall out all over again. The Have-Nots want some of their own magic. But magic in the hands of amateurs is a dangerous thing. The City Watch is the last line of defence against such unnatural goings-on. But when even the Watch have trouble telling right from wrong, you know that law and order ain't what they used to be. But that's all about to change.

A real witch never casually steps out of her body, leaving it empty. Eleven-year-old Tiffany Aching does. And there's something just waiting for a handy body to take over. Something ancient and horrible and that can't die. Tiffany returns in this exciting new adventure, helped as before by the Nac Mac Feegle - the rowdiest, toughest, smelliest bunch of fairies ever to be thrown out of Fairyland for being drunk at two in the afternoon. They'll fight anything!

Tiffany Aching, the young witch from The Wee Free Men, A Hat Full of Sky and Wintersmith is back in a new adventure featuring Discworld characters both familiar to fans (such as Tiffany, the Wee Free Men, Granny Weatherwax and Nanny Ogg) and new (meet Wee Mad Arthur, the Nac Mac Feegle on the...

Other children receive xylophones. Susan just had to ask her grandfather to take his vest off. Yes. There's a Death in the family. It's hard to grow up normally when Grandfather rides a white horse and wields a scythe: especially when you have to take over the family business, and everyone mistakes you for the Tooth Fairy. And especially when you have to face the new and addictive music that has entered Discworld. It's lawless. It changes people. It's called Music With Rocks In.

Maurice, an amazing cat who has survived four years on the toughest streets in the whole of the Discworld, reckons that rats are dumb - clever, OK, but dumb. Maurice, however, is smart, smart enough to recognize that there's a new kind of rat around: rats who have been eating wizards' rubbish and can now talk. Smart enough to get a pretty amazing idea when he spots a stupid-looking kid playing the flute....Now Maurice has his very own "plague of rats" and his own Pied Piper.

Fate is a word that springs to the lips when to call something coincidence seems mealy mouthed. Destiny is another such. But the problem with destiny is, of course, that she is not always careful where she points her finger. One minute you might be minding your own business on a normal, if not spectacular, career path; the next you might be in the frame for the big job. Like saving the world.

Time is a resource. Everyone knows it has to be managed. And on Discworld, that is the job of the Monks of History, who store it and pump it from the places where it's wasted (like underwater; how much time does a codfish need?) to places like cities, where there's never enough time. But the construction of the world's first truly accurate clock starts a race against, well, time for Lu Tze and his apprentice, Lobsang Ludd. Because it will stop time. And that will only be the start of everyone's problems.

Never let real life get in the way of a good story, especially when a good story involves three witches, including a fairy godmother, and travelling to a faraway land to make sure that a servant girl doesn't marry a prince. It looks as though a happy ending may be averted before catastrophe strikes. But unfortunately, the forces of good are up against a godmother who has made Destiny an offer it can't refuse.

Three witches gathered on a lonely heath. A king has been cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the crown of the kingdom are both missing. The omens are not auspicious for the new incumbent, for whom ascending this tainted throne is a more complicated affair than you might imagine - particularly when the blood on your hands just won't wash off, and you're facing a future with knives in it.

DEATH IS MISSING: PRESUMED...ER...GONE....which leads to the kind of chaos you always get when an important public service is withdrawn. Meanwhile, on a little farm far, far away, a tall dark stranger is turning out to be really good with a scythe. There's a harvest to be gathered in.

"Look after the dead," said the priests, "and the dead will look after you." Wise words in all probability, but a tall order when you have just become the pharaoh of a small and penniless country whose largesse, and indeed treasury, is unlikely to stretch to the building of a monumental pyramid to honour your dead father. And particularly when your only visible means of support is a recently acquired qualification from the Guild of Assassins.

Reality is all very well in small doses. It's a perfectly conventional and convenient way of neutralising the imagination. But sometimes when there's more than one reality at play, imagination just won't be neutralised, and the walls between realities come tumbling down. Unfortunately there's usually a damned good reason for there being walls between them in the first place. To keep things out. Things who want to make mischief and play havoc with the natural order.

Eric is the Discworld's only demonology hacker. Pity he's not very good at it. All he wants is his three wishes granted. Nothing fancy: to be immortal, to rule the world, and have the most beautiful woman in the world fall madly in love with him. The usual stuff. But instead of a tractable demon, Eric calls up Rincewind, the most incompetent wizard in the universe, and his extremely intractable and hostile travel accessory, the Luggage.