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Nietzsches einziger sprachphilosophischer Essay, geschrieben 1873, veröffentlich 1896, vorgetragen von Benjamin Lucas.

Friedrich Nietzsche's "The Antichrist" might be more aptly named "The Antichristian," for it is an unmitigated attack on Christianity that Nietzsche makes within the text instead of an exposition on evil or Satan as the title might suggest. In The Antichrist, Nietzsche presents a highly controversial view of Christianity as a damaging influence upon western civilization that must come to an end. Regardless of ones religious or philosophical point of view, The Antichrist makes for an engaging philosophical discourse.

"The Twilight of the Idols", Nietzsche says in Ecce Homo: “If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called ‘Idols’ on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs.

"The Joyful Wisdom", written in 1882, just before "Zarathustra", is rightly judged to be one of Nietzsche's best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life.

Es una de las últimas obras del filósofo alemán Friedrich Nietzsche. Aunque fue escrito en 1888, su controvertido contenido hizo que Franz Overbeck y Heinrich Köselitz retrasaran su publicación, junto con Ecce homo, hasta 1895. El libro es una crítica del cristianismo en conjunto, y de conceptos modernos como el igualitarismo y la democracia, a los cuales ve como consecuencia persistente de los ideales cristianos.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

In 1869, at the age of twenty-five, the precociously brilliant Friedrich Nietzsche was appointed to a professorship of classical philology at the University of Basel. He seemed marked for a successful and conventional academic career. Then the philosophy of Schopenhauer and the music of Wagner transformed his sense of purpose. The genius of such thinkers and makers - like the genius of the ancient Greeks - was the only touchstone for true understanding. How then was education to answer to such genius? Something more than sturdy scholarship was called for.

In 1887, with the view of amplifying and completing certain new doctrines which he had merely sketched in "Beyond Good and Evil" (see especially "Aphorism 260"), Nietzsche published "The Genealogy of Morals". This work is perhaps the least aphoristic, in form, of all Nietzsche's productions. For analytical power, more especially in those parts where Nietzsche examines the ascetic ideal, "The Genealogy of Morals" is unequalled by any other of his works.

Dieses ist nicht nur Nietzsches Lobpreis auf Arthur Schopenhauer und seine Philosophie, sondern eine schonungslose Abrechnung mit der Universitätsphilosophie seiner Zeit. Nur seiner Zeit? Sollte man nicht auch heutigen Universitäten diesen Text hinter den Spiegel stecken?

Though many of us might answer "yes" to that question, attracting more joy into our lives is not always easy - life and stress can seem to hinder our well-being, despite our best efforts. What’s worse, studies have shown that pressuring yourself to feel happy and upbeat when you feel down can actually take a toll on us psychologically! So, where do you begin? The solution lies in understanding the innate psychological forces that conspire against us.

Friedrich Nietzsche, 1844-1900, gilt als einer der bedeutendsten Philosophen des ausgehenden 19. Jahrhunderts. "Also sprach Zarathustra", das philosophische Werk über die Suche nach dem Übermenschen, ist zweifellos Nietzsches persönlichstes Werk...

Friedrich Frieden unterlegt auf diesem Hörbuch die Gedankenwelt Nietzsches mit unterschiedlichster instrumentaler Musik und diversen akustischen Stilmitteln, um der universellen Natur Nietzsches gerecht zu werden. Nietzsches rasierklingenscharfer Verstand analysiert alle Bereiche der menschlichen Kultur. Von der Kunst über die Religion bis zu den europäischen gesellschaftlichen Strukturen.

"The Birth of Tragedy" stands alongside Aristotle’s "Poetics" as essential works for all who seek to understand poetry and its relationship to human life. In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche’s analysis and integration of the Apollonian and the Dionysian.

Más allá del bien y del mal, preludio de una filosofía del futuro, es uno de los textos fundamentales de la filosofía del siglo XIX, de Friedrich Nietzsche. Publicado en 1886, Nietzsche atacaba en él lo que consideraba vacuidad moral de los pensadores de su siglo, falta de sentido crítico alguno de los autodenominados moralistas y su pasiva aceptación de la moral heredada judeo-cristiana.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

Published in 1886, Beyond Good and Evil: Prelude to a Philosophy of the Future is a work which expands the ideas on Nietzsche’s previous work, Thus Spake Zarathustra. The book comprises 296 aphorisms arranged thematically into nine chapters. In the preface, Nietzsche accuses past philosophers of dogmatism, and in the first chapter he claims that every famous philosophy is merely a personal confession.

Más Allá del Bien y del Mal representa una de las páginas más interesantes y vitales de la filosofía axiológica. Los libros de Nietzsche no son únicamente teoría; son, ante todo, un llamado a la acción, al acrecentamiento de nuestra voluntad. Sus palabras deben atenderse muy pronto porque vivimos en una época dominada por el servilismo, la ceguera y el menosprecio de nosotros mismos.

El Anticristo, es una de las últimas obras de Friedrich Nietzsche. Publicado en 1895, el libro es una crítica del cristianismo en conjunto, y de conceptos modernos como el igualitarismo y la democracia, a los cuales ve como consecuencia persistente de los ideales cristianos. Nietzsche identifica en el cristianismo todo el mal social, por cuya causa el mundo sufre, y el mal moral, que oprime al hombre.

"Ich kenne mein Loos. Es wird sich einmal an meinen Namen die Erinnerung an etwas Ungeheures anknüpfen, – an eine Krisis, wie es keine auf Erden gab." "Ecce homo" ist ein Buch der Lebenskunst, das keinem anderen gleicht. Nietzsche polemisiert darin heftig gegen Moral, Seele, Geist, freien Willen und sogar Gott. Und er verkündet eine Weisheit, zu der es gehört, dass sie niemals schon gefunden, sondern immer erst zu suchen ist.