Resultado de "Fyodor Dostoevsky" em Todas as categorias

By the time Dostoevsky was 40, he had spent four years in prison and a further four years in the army as punishment for his part in a political conspiracy. His health was broken. He was gaunt, fervid, anxiety-ridden, and close to bankruptcy. It was in this state he wrote Notes from the Underground, a masterpiece of the psychology of theoutsider.

Dostoevsky’s Underground Man is a composite of the tormented clerk and the frustrated dreamer of his earlier stories, but his Notes from the Underground is a precursor of his great later novels and their central concern with the nature of free will. Initially musing on his “sickness” and the detested notion of self-interest, the maladjusted and willful Underground Man turns to a series of incidents from years earlier.

"I am a sick man.... I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

A groundbreaking new translation of Dostoyevsky's most radical work of fiction. In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory, and even sadistic nature. Yet in Dostoyevsky's most extreme and disturbing character, there is the uncomfortable flicker of recognition of the human condition. When the narrator ventures above ground, he attends a dinner with a group of old school friends.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

"Brat'ya Karamazovy" - posledniy roman Dostoevskogo, kotoryy avtor pisal dva goda. Roman zadumyvalsya kak pervaya chast' ehpicheskogo proizvedeniya "Istoriya Velikogo greshnika". Proizvedenie bylo okoncheno v noyabre 1880 goda. Roman "Brat'ya Karamazovy" vklyuchaet v sebya slozhnuyu, otlichno vystroennuyu i psihologicheski vyverennuyu detektivnuyu istoriyu, pri ehtom v kanve detektivnogo syuzheta obyknovennoe (na pervyy vzglyad) ugolovnoe proisshestvie ne tol'ko spletaetsya s istoriey lyubovnogo sopernichestva, no i vstraivaetsya v obshchuyu kartinu sovremennogo Dostoevskomu obshchestva.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky and is generally considered the culmination of his life's work. Published in November 1880, Dostoevsky spent nearly two years writing the novel set in 19th-century Russia. Fydor Karamazov, a mean and disreputable landowner, has three sons, Dmitry, a profligate army officer; Ivan, a writer with revolutionary ideas; and Alexey, a religious novice.

Crime and Punishment is Fyodor Dostoevsky’s novel about the nature of law and morality, told through the eyes of a murderer and his internal conflict.

The Gambler brilliantly captures the strangely powerful compulsion to bet that Dostoevsky, himself a compulsive gambler, knew so well. The hero rides an emotional roller coaster between exhilaration and despair, and secondary characters such as the grandmother, who throws much of her fortune away at the gaming tables, are unforgettable.

This magnificent novel is about the murder of a miserly, aged pawnbroker and her younger sister by a radical, destitute St. Petersburg student named Raskolnikov, and the emotional, mental, and physical effects that follow. It is a remarkable masterpiece about a man's turbulent inner life and his relationship to others and to society at large. Dostoevsky explored the human condition on many levels in this great piece, and among the main themes the novel explores is the rather strange theory that criminals have a spiritual need to be punished - that indeed they demand it.

The Gambler is a psychologically probing novel concerning the gambling episodes, tangled love affairs, and complicated lives of Alexis Ivanovitch, a young gambling addict; Polina Alexandrovna, the woman he loves; a pair of French adventurers; and other characters. Narrated by Alexis, this short novel is based on Fyodor Dostoevsky's own experiences as a compulsive gambler.

Just two years after completing Crime and Punishment, which explored the mind of a murderer, Fyodor Dostoevsky produced another masterpiece: The Idiot. This time the author portrays a truly beautiful soul and one of Dostoevsky's greatest characters---Prince Muishkin, a saintly, Christ-like, yet deeply human figure. The story begins when Muishkin arrives on Russian soil after a stay in a Swiss sanatorium.

A predecessor to such monumental works as Crime and Punishment and The Brothers Karamazov, Notes from the Underground represents a turning point in Fyodor Dostoevsky's writing toward the more political side. In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

A desperate young man plans the perfect crime - the murder of a despicable pawnbroker, an old woman no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime - to transgress moral law - if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, and a fascinating detective thriller infused with philosophical, religious, and social commentary.

The novels of Fyodor Dostoevsky, including the classic Crime and Punishment, secured the great Russian writer an exalted position in the literary pantheon of 20th-century authors. The Gambler stands as one of the literary genius’ most highly regarded shorter works.

In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

Prince Myshkin has just returned to Russia after several years in a Swiss sanitarium and soon finds himself in a complicated love triangle. Myshkin's honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. This new abridgement was completed exclusively for Mission Books by Russian Studies scholar Thomas Beyer to keep the important religious themes of the novel intact.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.