Resultado narrado por "Emily Tremaine" em Todas as categorias

They’re a privileged breed—glamorous, glossy, and demanding. When life is this fast, there are no guarantees. Status is everything, and you’re only ever as popular as your husband’s latest box-office hit. Elaine Conti: Bronx girl turned Hollywood hostess, determined to relaunch her husband’s fading acting career back into orbit. Angel Hudson: Married to a hot young actor and an innocent beauty prey to Hollywood’s most unscrupulous men. Montana Grey: Gorgeous renegade, ambitiously driven to succeed in the male-dominated world on the other side of the camera.

It's 2010. Staggeringly successful and brilliant tech entrepreneur Bix Bouton is desperate for a new idea. He's 40, with four kids, and restless when he stumbles into a conversation with mostly Columbia professors, one of whom is experimenting with downloading or 'externalising' memory. Within a decade, Bix's new technology, Own Your Unconscious—that allows you access to every memory you've ever had, and to share every memory in exchange for access to the memories of others—has seduced multitudes. But not everyone.

America, 2049: Summer temperatures are intolerably high, the fossil fuel industry has shut down, and humans are implanted with a 'Flick' at birth, which allows them to remain perpetually online. The wealthy live in the newly created Floating City off the coast, while people on the mainland struggle to get by. For Rose, a job as a hostess in the city's elite club, feels like her best hope for a better future.

Part deep dive reportage, part personal journey, part cabinet of curiosities, Butts is an entertaining, illuminating, and thoughtful examination of why certain silhouettes come in and out of fashion—and how larger ideas about race, control, liberation, and power affect our most private feelings about ourselves and others.

In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.

Meet Gilda. She cannot stop thinking about death. Desperate for relief from her anxious mind and alienated from her repressive family, she responds to a flyer for free therapy at a local church and finds herself abruptly hired to replace the deceased receptionist Grace. It's not the most obvious job - she's queer and an atheist for starters - and so in between trying to learn mass, hiding her new maybe-girlfriend and conducting an amateur investigation into Grace's death, Gilda must avoid revealing the truth of her mortifying existence.