Resultado narrado por "Julia Whelan" em Todas as categorias

The second the test-the-sexy-scenes offer landed in my lap, I said yes. After all, I've been damn curious about a few things I've read in romance novels. Do buttons truly go flying across the floor when you rip off a guy's shirt? Is staircase nookie hella hot, or does it leave you with a big old bruise mark on your back? And don’t even get me started on all that panty shredding, and whether it even works. Time to find out as I embark on Project Sexy Scenes Research, at the request of my hotshot book editor bestie. All I need is a willing scene partner.

Charles Wallace Murry is old enough to start school, but his sister, Meg, and their friend Calvin know he isn't cut out for school on Earth - Meg worries that he'll be more misunderstood than ever. Luckily, with the help of the three celestial creatures - Mrs. Whatsit, Mrs. Who, and Mrs. Which - there is another place where Charles Wallace can get his education: Intergalactic P.S. 3, a public school in a completely different galaxy.

It's been three months since Amy escaped New Hope. Since she's seen Baby, or Kay, or Rice. And she's been surviving on her own, like she did before she was "rescued" and taken to what she thought was a safe haven. Then, in the midst of foraging for supplies, her former fellow Guardian's voice rings out in her earpiece. And in a desperate tone, Kay utters the four words Amy had hoped she would never hear: Dr. Reynolds has Baby.

Humans are tribal. We need to belong to groups. In many parts of the world, the group identities that matter most - the ones that people will kill and die for - are ethnic, religious, sectarian, or clan-based. But because America tends to see the world in terms of nation-states engaged in great ideological battles - capitalism vs. communism, democracy vs. authoritarianism, the "free world" vs. the "axis of evil" - we are often spectacularly blind to the power of tribal politics. Time and again this blindness has undermined American foreign policy.

Amy is watching TV when the world is attacked by Them. Most of the population is overtaken, but Amy manages to survive - and even rescue "Baby" a toddler she finds in an abandoned supermarket. Then, after years of hiding, they are miraculously rescued and taken to New Hope, a colony of survivors living in a former government research compound. While at first the colony seems like a dream, with plenty of food, safety, and shelter, New Hope slowly reveals that it is far from ideal. And Amy soon realizes that unless things change, she'll lose Baby - and much more.

Assigned to the same suite during their freshman year at Quincy-Hawthorn College, Lainey, Ji Sun, Alice, and Margaret quickly become inseparable. The leafy green campus they move through together, the idyllic window seat they share in their suite, and the passion and ferocity that school and independence awakens in them ignites an all-encompassing love with one another. But they soon find their bonds must weather threats that originate from beyond the dark forests of their childhoods, and come at them from institutions, from one another, and ultimately, from within themselves.

Marissa Dahl, a shy but successful film editor, travels to a small island off the coast of Delaware to work with the legendary - and legendarily demanding - director Tony Rees on a feature film with a familiar logline: Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: Turning pictures into stories. But she soon discovers that on this set, nothing is as it's supposed to be - or as it seems.

Set between the Upper East Side of Manhattan and a country enclave known as The Village, Is There Still Sex in the City? gathers Bushnell’s signature short, sharp, satirical commentaries on the love and dating habits of middle-aged men and women as they continue to navigate ever-modernizing relationships. Throughout, Bushnell documents 21st-century dating phenomena, such as the “Unintended Cub Situation” in which a sensible older woman suddenly becomes the love interest of a much younger man, and what it’s really like to go on Tinder dates as a 50-something divorcee.

A vivid novel about a young Olympic skier who loses everything and escapes to Buenos Aires, where she reinvents herself, meets a colorful group of ex-pats, and becomes enmeshed with a man keeping dark secrets of his own.

Meet Ivan and Prue: a married couple - both experts in language and communication - who nevertheless cannot seem to communicate with each other. Ivan is a tightly wound philosophy professor whose reverence for logic and order governs not only his academic interests, but also his closest relationships. His wife, Prue, is quite the opposite: A pioneer in the emerging field of biolinguistics, she is bold and vibrant, full of life and feeling. Thus far, they have managed to weather their differences. But lately, an odd distance has settled in between them.

Seeking women ages 18-32 to participate in a study on ethics and morality. Generous compensation. Anonymity guaranteed. When Jessica Farris signs up for a psychology study conducted by the mysterious Dr. Shields, she thinks all she’ll have to do is answer a few questions, collect her money, and leave. But as the questions grow more and more intense and invasive and the sessions become outings where Jess is told what to wear and how to act, she begins to feel as though Dr. Shields may know what she’s thinking...and what she’s hiding.

London, 1938. The effervescent "It girl" of London society since her father was named the ambassador, Kathleen "Kick" Kennedy moves in rarified circles. Eager to strike out on her own, Kick is soon swept off her feet by Billy Hartington, the future duke of Devonshire. But their love is forbidden, as Kick's devout Catholic family and Billy's staunchly Protestant one would never approve their match. And when war breaks like a tidal wave across her world, Billy is ripped from her arms as the Kennedys are forced to return to the States.

Chopin's heart is carried back to Warsaw in secret by his adoring sister. A woman must return to her native Poland in order to poison her terminally ill high school sweetheart, and a young man slowly descends into madness when his wife and child mysteriously vanish during a vacation and just as suddenly reappear. Through these brilliantly imagined characters and stories, interwoven with haunting, playful, and revelatory meditations, Flights explores what it means to be a traveler, a wanderer, a body in motion not only through space but through time.

After their devastating journey from the Anchor to Sophia, Clive and Clover Hamill, Gemma Poplin, and Paz Dedios have all been separated - not only in space, but in their convictions. In the Anchor, Clive would like nothing better than to never speak with Paz again, but when he is tapped to help with her interrogation, the two of them begin to reconcile their differences, which don’t run nearly as deep as they expected. In Sophia, as Clover learns more and more about the city and its enigmatic director, Zeno, his faith in his mission begins to waver.

After their mother’s probable suicide, Jazz and Olivia Moon struggle to move on with their lives. Olivia, an 18-year-old who can taste words and see sounds, blinds herself by staring at the sun, then decides to walk to the remote setting of her mother’s unfinished novel to resuscitate her hopes and dreams. Jazz, plagued by unresolved conflict with her mother and a hidden trove of her unsent letters, takes a job in a funeral home before being forced back into the role of her sister’s keeper.

When everything has been taken from you, what else is there to do but run? So that’s what Annabelle does - she runs from Seattle to Washington, DC, through mountain passes and suburban landscapes, from long lonely roads to college towns. She’s not ready to think about the why yet, just the how - muscles burning, heart pumping, feet pounding the Earth. But no matter how hard she tries, she can’t outrun the tragedy from the past year, or the person - The Taker - that haunts her.

Kitty Tessler is the winsome and clever only child of self-made hotel and nightclub tycoon Nicolas Tessler. Kitty may not have the same pedigree as the tennis club set she admires, but she still sees herself as every inch the socialite - spending her days perfecting her "look" and her nights charming all the blue-blooded boys. It seems like the fun will never end until Kitty's father issues a terrible ultimatum: she may no longer date the idle rich. Instead, Kitty must marry Andre, her father's second-in-command, and take her place as the First Lady of his hotel empire.

Mayu. Mayu. Mayu. His whispered plea intertwines with a girl's silent cry. Help. Help. Somebody help. Everywhere Mayu turns she can feel the unspoken cries of the suffering. No one else seems to notice those most in need - but Mayu is compelled to do something. When she meets seven-year-old Anna, whose eyes speak to the unthinkable abuses in her past, Mayu knows the only escape for this victim is more violence. Mayu must unearth a brutal courage she never knew she had…Help. Help. Somebody help.

Kate Skylar is an ordinary 17-year-old with an extraordinary destiny. A virgin, Kate suddenly finds herself pregnant with what she believes is the Son of God. But the Catholic Church is convinced Kate is carrying the Antichrist and, assisted by an artificial intelligence known as Grand Inquisitor, will stop at nothing to kill Ethan, her son. Ethan’s only protection is Conversatio, a secret organization dedicated to the Second Coming—which may have its own dark agenda.

No matter what the world throws her way, at least Ruthie Beamish has the house. Lovingly renovated, located by the sea in a quiet Long Island village, the house is her nest egg - the retirement account shared with her ex-husband, Mike, and the college fund for their teenage daughter, Jem. The catch? To afford the house, Ruthie must let it go during the best part of the year. It's Memorial Day weekend, and Ruthie has packed up their belongings for what Jem calls "the summer bummer": the family's annual exodus to make way for renters.