Resultado narrado por "Moira Quirk" em Todas as categorias

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.

How big is the universe? How many numbers are there? And is infinity + 1 is the same as 1 + infinity? Such questions occur to young children and our greatest minds. And they are all the same question: What is infinity? In Beyond Infinity, Eugenia Cheng takes us on a staggering journey from elemental math to its loftiest abstractions. Along the way, she considers how to use a chessboard to plan a worldwide dinner party, how to make a chicken-sandwich sandwich, and how to create infinite cookies from a finite ball of dough.

One look at Harry Pye, and Georgina knows she's not just dealing with a servant, but a man. Harry has known many aristocrats - including one particular nobleman who is his sworn enemy. But Harry has never met a beautiful lady so independent, uninhibited, and eager to be in his arms. Still, it's impossible to conduct a discreet liaison when poisoned sheep, murdered villagers, and an enraged magistrate have the county in an uproar.

Country bred Lucy Craddock-Hayes is content with her quiet life, until the day she trips over an unconscious man - a naked unconscious man - and loses her innocence forever. Viscount Simon Iddesleigh was nearly beaten to death by his enemies. Now he's hell-bent on vengeance. But as Lucy nurses him back to health, her honesty startles his jaded sensibilities - even as it ignites a desire that threatens to consume them both. Yet as his honor keeps him from ravishing her, his revenge sends his attackers to her door.

At the height of WWII, five idealistic young Americans receive a mysterious letter from the OSS, asking them if they are willing to fight for their country. The men and women from very different backgrounds - a Texan athlete with German roots, an upper-crust son of a French mother and a wealthy businessman, a dirt-poor Midwestern fly fisherman, an orphaned fashion designer, and a ravishingly beautiful female fencer - all answer the call of duty, but each for a secret reason of his or her own. They bond immediately, in a group code-named Dragonfly.

Sophie, a dressmaker and charm caster, has lifted her family out of poverty with a hard-won reputation for beautiful ball gowns and discreetly embroidered spells. A commission from the royal family could secure her future - and thrust her into a dangerous new world. Revolution is brewing. As Sophie's brother, Kristos, rises to prominence in the growing anti-monarchist movement, it is only a matter of time before their fortunes collide. When the unrest erupts into violence, she and Kristos are drawn into a deadly magical plot. Sophie is torn - between her family and her future.

Why are men in charge? After years in the male-dominated field of mathematics and in the female-dominated field of art, Eugenia Cheng has heard the question many times. In x + y, Cheng argues that her mathematical specialty - category theory - reveals why. Category theory deals more with context, relationships, and nuanced versions of equality than with intrinsic characteristics. Category theory also emphasizes dimensionality: much as a cube can cast a square or diamond shadow, depending on your perspective, so too do gender politics appear to change with how we examine them.

When secret organizations are forced to merge after years of enmity and bloodshed, only one person has the fearsome powers - and the bureaucratic finesse - to get the job done. Facing her greatest challenge yet, Rook Myfanwy Thomas must broker a deal between two bitter adversaries: the Checquy - the centuries-old covert British organization that protects society from supernatural threats, and the Grafters - a centuries-old supernatural threat.

The final book in USA Today best-selling author Kristen Callihan's critically acclaimed Darkest London series!

Lowland Way is the suburban dream. The houses are beautiful, the neighbors get along, and the kids play together on weekends. But when Darren and Jodie move into the house on the corner, they donʼt follow the rules. They blast music at all hours, begin an unsightly renovation, and run a used-car business from their yard. It doesn’t take long for an all-out war to start brewing. Then, early one Saturday, a horrific death shocks the street. As police search for witnesses, accusations start flying - and everyone has something to hide.

Fourteen-year-old Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners - and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality. But Sophronia soon realizes the school is not quite what her mother might have hoped.

Philip Thane — rogue, rake, and scoundrel extraordinaire — hadn’t wanted to visit some dumpy provincial town to give a speech, but he’d struck a devil’s bargain with old Henrietta Penhallow, the imperious family matriarch. Nor did he expect that once he got there, he’d somehow be living the same day over and over again. It’s strange! It’s terrible! On the other hand, it is giving him time to cozy up to the delectable, brainy Margaret Allen, in town to research the book she’s writing. Philip is sure she’ll fall starry-eyed into his arms.

For generations, every Frankenstein has found their true love and equal, unlocking lifetimes of blissful wedded adventure. Clever, pretty (and odd) Angelika Frankenstein has run out of suitors and fears she may become the exception to this family rule. When assisting in her brother Victor’s ground-breaking experiment to bring a reassembled man back to life, she realizes that having an agreeable gentleman convalescing in the guest suite might be a chance to let a man get to know the real her. For the first time, Angelika embarks upon a project that is all her own.

Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to a deathless pirate lord, Mary offers her skills to his arch-rival in exchange for protection—and, more importantly, his help in sending the pirate to a watery grave. But Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships.

Cairo, 1869. When a bomb goes off at the Khedivial Opera House celebrating the opening of the new Suez Canal, visiting Assassin Pierrette Arnaud investigates, only to uncover a plot to eradicate free will… To her surprise, her old friend and teacher Simeon Price arrives in Egypt on the same trail, seven years after they allied to stop the Templars in London. But there’s no time to reminisce as the Templars maneuver Europe and Africa like pieces on a chessboard, wreaking havoc on a global scale.

Eskara is free of the Pit, but far from safe. She is beset by the ghosts of those she has killed, and plagued by the ancient horror that possesses her. Enemies dog her heels, determined to see the last Orran Sourcerer dead. Worse still, there is new player in the game, one far more dangerous than anything she has faced before. But there is one place that might offer her both the safety she needs to survive, and the power she needs to strike back; Ro’shan, the flying home of a God. Eska will soon learn that all power comes with a cost, and some prices are too high.

Eskara Helsene is missing. She left her queendom, her friends, her children, even her own name behind. No one has seen the Corpse Queen for a decade. Someone is murdering Sourcerers, forcing them to reject their magic and opening scars in reality, and monsters from the Other World are pouring through. When an old acquaintance turns up out of the blue, Eska has no choice but to investigate the murders and the holes in reality. Can she stop the murderer before the entire world is consumed? And will the conflict reveal her true nature?

At just 15, Eskara Helsene fought in the greatest war mankind has ever known - and lost. There is only one place her enemies would send a Sourcerer as powerful as her: the Pit, a prison sunk so deep into the earth the sun is a distant memory. Now, she finds herself stripped of her magic; a young girl surrounded by thieves, murderers, and worse. In order to survive she will need to make new allies, play the inmates against each other, and find a way out. Her enemies will soon find out that Eskara is not so easily broken.

Eskara has lost everything. The War Eternal has cost her everything she loves, and the Iron Legion has taken the rest. Yet there is something that is still hers, something that kept her warm during her time in the Pit: anger and a lust for vengeance. First on the list of those who must pay: the Emperor of Terrelan. Her friends counsel peace, but her inner demons push for war. Will she find a way to reap her vengeance? Or will the enemies of her past catch up to her first? One thing is certain. The world will soon know fear when the Corpse Queen ascends her throne.

Sirileth has broken the world. The ground bleeds, the seas rage, and the skies are torn asunder. Eska will not let her daughter face the consequences alone, but can she help without donning the mantle of the Corpse Queen once more? And will the people of Ovaeris accept help from a monster? They might not have a choice as a stable portal to the Other World is now open, and the Beating Heart of Sevorai is ever ravenous.