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La gaya ciencia, también traducido como "El gay saber" o "El alegre saber", es una de las obras capitales del filósofo Friedrich Nietzsche, escrita en 1882. Con ella se cierra el periodo "negativo" (de destrucción de la metafísica cristiana) y se abre el periodo afirmativo (de construcción de nuevos valores), en el que se destaca la obra "Así habló Zaratustra". Para Friedrich Nietzsche el cristianismo inventó un mundo ideal, inexistente, alejado de todo contacto con el mundo real.

The last works completed before Nietzsche's final years of insanity, Twilight of the Idols and The Antichrist contain some of his most passionate and polemical writing. Both display his profound understanding of human nature and continue themes developed in The Genealogy of Morals, as the philosopher lashes out at the deceptiveness of modern culture and morality. Twilight of the Idols attacks European society, Christianity, and the works of Socrates and Plato; The Antichrist explores the history, psychology, and moral precepts of Christianity.

Friedrich Nietzsche (1844-1900), betrachtete 1888 in seiner "Götzen-Dämmerung" bald vor dem Ende seiner Schaffenszeit noch einmal die großen Themen seiner Philosophie. Vom Willen nach Realität und Wahrhaftigkeit getrieben, deckt Nietzsche alle Illusionen von Moral, Religion, Philosophie (Metaphysik, Erkenntnistheorie, Ästhetik), Wissenschaft, Kunst, Kultur und Politik auf. Sein Auge erblickt décadence schon bei Sokrates und Platon, nicht anders im Christentum und zuletzt noch im Pessimismus Schopenhauers.

Alle soglie della follia, Nietzsche sosterrà di aver fatto all'umanità, con lo "Zarathustra", il più grande dono che essa abbia mai avuto: "Questo libro, una voce che passa sui millenni, non solo è il libro più alto che esista [...], ma anche il più profondo, generato dalla più intrinseca ricchezza della verità, una fonte inesauribile dove non si può calare il secchio senza farlo risalire colmo d'oro e di bontà". Perciò Nietzsche gli assegnerà una posizione preminente fra tutti i libri.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

Dans ce court texte qui réfléchit la lumière déclinante de nos idéaux, Nietzsche ausculte nos anciennes idoles. C'est toute l'histoire de la philosophie qui est ainsi passée au scalpel, et qui tombe parfois en mille morceaux. L'humour le dispute ici à la sévérité - cruauté de bon aloi. Au carrefour de la métaphysique et de la morale, "Le crépuscule des idoles" interroge les notions fondamentales de la philosophie, telles que la raison, la volonté, la vérité. Ce titre aux accents wagnériens est emblématique de la pensée nietzschéenne.

On the Genealogy of Morality (The Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil. The three essays trace episodes in the evolution of moral concepts with a view to confronting moral prejudices, specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece.

Enjoy this Friedrich Nietzsche collection combining two of Nietzsche's most noteworthy pieces, Thus Spoke Zarathustra and Beyond Good and Evil, into one audiobook!

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. The reference to the Antichrist is not intended to refer to the biblical Antichrist but is rather an attack on the slave morality and apathy of Western Christianity. Nietzsche's basic claim is that Christianity is a poisoner of western culture and perversion of the words of and practice of Jesus.

Questa è l'opera più amata dallo stesso Nietzsche, con qui questi prosegue la propria strada di allontanamento da Schopenhauer e da Wagner. Vengono trattati i temi della morte di Dio e la parabola dell'avvento del superuomo; è un trattato esoterico di filosofia e di morale, scritto in un linguaggio poetico e metaforico.

"Gott ist tot!" Dieser Satz aus Nietzsches Werk hallt bis heute in den Köpfen wider. Nietzsche ging es darum, traditionelle Werte zu überwinden und an die Stelle alter Moralvorstellungen die Selbstbestimmung des freien Geistes zu setzen. Friedrich Nietzsche in 100 Minuten bietet einen Leitfaden durch sein Werk und verhilft zu einem umfassenden Verständnis seiner Thesen. Mit der Stimme von Helge Heynold werden Sie Schritt für Schritt mit der diesem radikalen Philosophen eigenen Sprache vertraut gemacht und behutsam und erhellend durch sein Werk geführt.

Wahrscheinlich hat niemand über Richard Wagner schöner und grausamer geschrieben als Friedrich Nietzsche...

Friedrich Nietzsches Gedichte erklingen mit Klavieren, Cellos, Geigen und der Stimme Friedrich Friedens auf wuchtig-harmonische Art und Weise ohne dabei künstlich oder kitschig zu wirken. Auf einem wilden Ritt durch die Jahrhunderte begegnet man Mitleid, Furcht, Wut, Wille, Lebensfreude und Tugendhaftigkeit.

Der Wiener Schauspieler Otto Clemens spricht Zarathustra, begleitet von Peter N. Gruber am Kontrabass...

Friedrich Nietzsche war ein deutscher Philosoph und klassischer Philologe. Er gilt als Zertrümmerer von Werten und Verkünder des Neuen...

One of Nietzsche’s earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher expresses his frustration with the contemporary world and urges man to embrace Dionysian energy once more. He refutes European culture since the time of Socrates, arguing that it is one-sidedly Apollonian and prevents man from living in optimistic harmony with the sufferings of life.

In On the Genealogy of Morals, subtitled "A Polemic", Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards 'morality' evolved and the way congenital ideas of morality were heavily colored by the Judaic and Christian traditions.

In Beyond Good and Evil, Friedrich Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality, which Nietzsche subjects to a destructive critique, in favor of what he regards as an affirmative approach that fearlessly confronts the contextual nature of knowledge.

Ecce homo, "behold the man", are the words Friedrich Nietzsche chose as the title for his literary self-portrait. A main purpose of the book was to offer Nietzsche's own perspective on his work as a philosopher and human being. Ecce Homo also forcefully repudiates those interpretations of his previous works purporting to find support there for imperialism, anti-Semitism, militarism, and Social Darwinism.

Lo que en el título se denomina ídolo es sencillamente lo que hasta ahora fue llamado verdad. El ocaso de los ídolos, dicho claramente: la vieja verdad se acerca a su final. Así escribió Nietzsche sobre este libro en Ecce Homo. Friedrich Nietzsche escribió El ocaso de los ídolos (también conocido como Crepúsculo de los ídolos) o cómo se filosofa con el martillo al comienzo del otoño de 1888, en la época que él considera la más fecunda de su vida.