Resultado de "Herman Melville" em Todas as categorias

Amaso Delano versucht dem in eine Flaute geratenen spanischen Sklavenschiff "San Dominick" zu helfen...

Sie sind längst mythische Figuren: der weiße Wal und Kapitän Ahab, sein von unauslöschlichem Hass getriebener Jäger. Aber Herman Melvilles Bericht von diesem ungeheuerlichen Abenteuer kann man immer wieder entdecken. Die neue Hörspielproduktion des Moby-Dick wurde schon mehrfach ausgezeichnet, unter anderem mit dem Preis der deutschen Schallplattenkritik als "künstlerisch herausragende" Neuveröffentlichung.

New York, Mitte des 19. Jahrhunderts: In einem nicht nennenswerten Bürohaus, in einer nicht nennenswerten Anwaltskanzlei sitzt ein Schreiber, blickt auf seine Arbeit, auf sein Büro, auf sein Leben und beschließt: "Ich möchte lieber nicht." Sein Vorgesetzter versteht nicht, was er damit meint, und versucht seinen ehemals produktiven Angestellten zu motivieren. Doch was er auch macht, Bartleby ist sich sicher: "Ich möchte lieber nicht!"

Durante una travesia maritima, un grupo de esclavos negros se rebelan para obligar a que sean llevados de nuevo a su hogar africano. Esta es la base argumental de la novela, que forma parte de una antologia llamada Cuentos de la plaza que tienen en comun la descripcion de personas que viven por fuera de la sociedad.

Herman Melville is now seen as one of the great figures in American literature, a man who expanded the role of the novel and gave new and complex depths to the meaning of a story. His best work uses the form of the novel or the story as a means of carrying and discussing concerns about the nature of humanity, the role of God, and a sometimes satiric, sometimes bitter, examination of colonialism and capitalism.

The life of a Scrivener can be a dull one. After all, your entire occupation has to do with the handwritten copying of law documents. But when Bartleby arrives, he turns the office upside down with the enigmatic phrase: “I prefer not to.”

Written some 40 years after Moby Dick, Melville's Billy Budd is a moving tale of good versus evil. Set aboard a British navy ship at the end of the eighteenth century, a young, innocent sailor's charm and good nature put the men around him at ease. Ship life agreed with Billy. He made friends quickly and was well liked, which infuriated John Claggart, the ship's cold-blooded superior officer.

This classic story of a New York lawyer and his oddly rebellious clerk is as relevant today as when it was first published in 1853. Herman Melville brings us into a small Wall Street law office and introduces us to the lawyer and his quirky staff, the quirkiest of whom is poor, quiet Bartleby, whose increasing refusals to participate in office procedures lead to increasingly bewildering and tragic consequences.

The Nantucket whaling ship, the Pequod, spirals the globe in search of Moby Dick, the mythical white whale of the Southern Oceans. Driven on by the obsessive revenge of Captain Ahab, the crew and the outcast Ishmael find themselves caught up in a demonic pursuit which leads inexorably to an apocalyptic climax.

Pierre Glendinning is the 19-year-old heir to the manor at Saddle Meadows in upstate New York. Engaged to the blonde Lucy Tartan in a match approved by his domineering mother, Pierre encounters the dark and mysterious Isabel Banford, who claims to be his half sister, the illegitimate and orphaned child of his father and a European refugee. Driven by his magnetic attraction to Isabel, Pierre devises a remarkable scheme to preserve his father's name, spare his mother's grief, and give Isabel her share of the estate.

Herman Melville’s classic masterpiece tells the story of the wandering sailor Ishmael and his voyage on the whaleship Pequod, commanded by Captain Ahab. Ishmael soon learns that Ahab seeks one specific whale, Moby Dick, a white sperm whale of tremendous size and ferocity. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg, and Ahab intends to take revenge. The first line—"Call me Ishmael"—is one of the most famous opening lines in American literature.

Evoking Chaucer's Canterbury Tales, this is a story of interlocking tales from a group of steamboat passengers traveling down the Mississippi toward New Orleans. Aboard the Fidèle can be found all manner of con men, from those selling stock in failing companies and herbal cure-all "medicines" to those who are raising money for supposed charitable organizations and those who simply ask for money outright.

A ship of whalers seeks the large white whale that caused the captain to lose his leg. This audio classic novel has been carefully abridged and adapted into 10 short, easy-to-understand chapters. This format enables listeners of all ages and English language abilities to understand and enjoy the story. This adventure tale is appropriate for children and adults.

The outcast youth Ishmael, succumbing to wanderlust during a dreary New England autumn, signs up for passage aboard a whaling ship. The Pequod sails under the command of the one-legged Captain Ahab, who has set himself on a monomaniacal quest to capture the cunning white whale that robbed him of his leg: Moby-Dick. Capturing life on the sea with robust realism, Melville details the adventures of the colorful crew aboard the ship as Ahab pursues his crusade of revenge, heedless of all cost.

Billy Budd, an orphaned, illegitimate child suffused with innocence, openness, and natural charisma, has been impressed into service aboard the HMS Bellipotent. He is adored by the crew, but for unexplained reasons arouses the antagonism of the ship's Master-at-Arms John Claggart, who falsely accuses Billy of conspiracy to mutiny.

The selections in this collection include classic short stories "Bartelby the Scrivener" by Herman Melville, "The Truth About Pyecraft" by H. G. Wells, "The Angel Child" by Stephen Crane, "A Journey" by Edith Wharton, "Phyllis and Rosamond" by Vriginia Woolf, and "The Flight of Betsey Lane" by Sarah Orne Jewett.

Herman Melville’s tale of corporate discontent, Bartleby, the Scrivener, tells the story of a quiet, hardworking legal copyist who works in an office in the Wall Street area of New York City. The business where he works handles the official financial paperwork of wealthy men. One day, Bartleby’s employer requests he proofread one of the documents he has copied. Bartleby declines the assignment with the inscrutable “I would prefer not,” the first of what will become many refusals.

The collision of good and evil in this magnifcent novella is brilliantly depicted when an honorable young sailor is tried for unwittingly killing his cruel master-at-arms. In this, his last work, Melville explores the conflict between social authority and individual freedom, justice, and abstract good.

This is the epic sea adventure, a harrowing tale of slavery and revolt aboard a Spanish ship, is often regarded as Melville's finest short story. The balance of forces is complete, the atmosphere one of epic significance, the light cast upon the hero intense to the highest degree, the realization of the human soul profound, and the telling of the story orchestrated like a great symphony.

In Manhattan, an elderly lawyer's business is growing. Having two scriveners in his employ, the lawyer advertises for a third to meet demand. Enter Bartleby, a glum albeit quality scrivener. However, the lawyer quickly discovers that something is off with his new employee. When asked to perform any duties outside of writing, Bartleby responds with a canned "I would prefer not to." Soon Bartleby is living at the office and performing less and less at work.