Resultado narrado por "Andre' Santana" em Todas as categorias

In 2018, novelist Jami Attenberg, faced with a looming deadline, needed writing inspiration. Using a bootcamp model, she and a friend set out to write one thousand words daily for two weeks straight. They opened this practice to Attenberg’s online community and soon hundreds then thousands of people started using the #1000WordsofSummer hashtag to track their work and support one another. What began as a simple challenge between two friends has become a literary movement—write 1,000 words per day without judgement, or bias, or concerns about writer’s block, and see what comes of it.

In September of 2019, Luis Alberto Quiñonez—known as Sito— was shot to death as he sat in his car in the Mission District of San Francisco. He was nineteen. His killer, Julius Williams, was seventeen. It was the second time the teens had encountered one another. The first, five years before, also ended in tragedy, when Julius watched as his brother was stabbed to death by an acquaintance of Sito’s. The two murders merited a few local news stories, and then the rest of the world moved on. But for Laurence Ralph, Sito’s murder forced him to revisit the subject in a profoundly different way.

Born and raised in Baltimore, Maryland, Michael Phelps began swimming at age seven at the urging of his mom. As a young boy, Michael was brimming with energy—more energy than most other kids his age—and Mrs. Phelps thought this sport could help keep him calm and focused. As Michael grew older, his skills improved, and he transformed into one of the greatest swimmers in the world, winning twenty-eight Olympic medals.

Romantic love has been one of the most essential elements of storytelling for centuries. But for Black people in the United States and across the diaspora, it hasn't often been easy to find Black romance joyfully showcased in entertainment media. In this collection, revered authors and sparkling newcomers, librarians and academicians, and avid fans and reviewers consider the mirrors and windows into Black love as it is depicted in the novels, television shows, and films that have shaped their own stories.

For six amateur bakers, competing in Bake Week is a dream come true. When they arrive at Grafton Manor to compete, they're ready to do whatever it takes to win the ultimate prize: The Golden Spoon. But for the show's famous host, Betsy Martin, Bake Week is more than just a competition. Grafton Manor is her family's home and legacy - and Bake Week is her life's work. But as the competition commences, things begin to go awry. At first, it's small acts of sabotage. But when a body is discovered, it's clear that for someone in the competition, The Golden Spoon is a prize worth killing for.

In these tense, macabre stories, bodies fall from the sky, perfect nails conceal grisly secrets and violence pulses behind gleaming façades. From hellish visions to obsessive relationships, acclaimed author Agustina Bazterrica takes us to the dark heart of human desires and fears. Shocking, brutal, yet glinting with sharp humour, "Nineteen Claws and a Black Bird" is a breathtaking dive into human monstrousness from a master of contemporary horror.

Although it is debated when and where capoeira—an art form that blends martial arts, dance, acrobatics, music, and spirituality—originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros—what people in power called the poor Black communities they disdained.

In the dead of night, a truck arrives in Slaughterville, a small town curiously named after its windowless slaughterhouse. Seven mysterious kids with suitcases step out of the vehicle and into an abandoned home on a dead-end street, looking over their shoulders to make sure they aren't noticed. But Ravani Foster covertly witnesses their arrival from his bedroom window. Timid and lonely, Ravani is eager to learn everything he can about his new neighbors: What secrets are they hiding? And most mysterious of all...where are the adults?

In a compelling, linear narrative, Miller takes listeners along as she investigates a brutal crime: the August 4, 1892, murders of wealthy and prominent Andrew and Abby Borden. The accused? Mild-mannered and highly respected Lizzie Borden, daughter of Andrew and stepdaughter of Abby. Most of what is known about Lizzie’s arrest and subsequent trial (and acquittal) comes from sensationalized newspaper reports; as Miller sorts fact from fiction, and as a legal battle gets under way, a gripping portrait of a woman and a town emerges.

Everyone who makes the journey faces an impossible choice. Hundreds of thousands of people who arrive every year at the US-Mexico border travel far from their homes. For years, the majority came from El Salvador, Guatemala, and Honduras, but many more have begun their journey much farther away. Some flee persecution, others crime or hunger. They may have already been deported, but the United States remains their only hope for safety and prosperity. They will take their chances.

For centuries, evidence of queer love in the ancient world has either been ignored or suppressed. Even today, only a few narratives are widely known: the wild romance of Achilles and Patroclus; the yearning love of Sappho's lyrics; and the three genders introduced in Plato's Symposium. Yet there is a rich literary tradition of queer Greek and Roman love that extends far beyond the prudish translations of these familiar handful of stories. In 300,000 Kisses, award-winning poet Seán Hewitt and renowned designer Luke Edward Hall collect these stories and bring them to vivid life.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

It’s senior-year spring break, and Noelle Meyer and Evan Sinclair have been kidnapped. Neither knows why they were chosen, only that they share a tragic past: Evan’s father got away with killing Noelle’s mother, effectively ruining her family when the death was ruled an accident. Despite the connection that should have made them enemies, the teens instead unite to face their other common denominator—their abductors. Noelle and Evan survive one sadistic circumstance after another, eventually making a harrowing escape. But every happy ending comes at a price…

After a lifetime of being homeschooled, Ham Hudson is hoping that a new year in a new school will help make him a whole new Ham. Instead, he’s saddled with an archnemesis to avoid, a confusing and exhausting social sphere to navigate, and a whole host of insecurities to add to his old ones. But then Ham meets Micah. Sympathetic and effortlessly cool, Micah quickly becomes a lifeline in a strange world. Ham wants Micah to think he belongs—to want him around as much as Ham wants to be around him.

Jack Nevin’s clever trickery and moral flexibility make him the perfect assistant to the Enchantress, one of the most well-known stage magicians in turn-of-the-19th-century Europe. Without Jack’s steady supply of stolen tricks, the Enchantress’ fame would have burned out long ago. But when Jack’s thievery catches up to them, they’re forced to flee to America to find their fortune. Luckily, the Enchantress is able to arrange a set of sold-out shows at Seattle’s Alaska - Yukon - Pacific World’s Fair Exposition.

Crest is not excited to be on their Journey: the month-long sojourn on land all teen merfolk must undergo. The rules are simple: Help a human within one moon cycle and return to Pacifica to become an Elder—or fail and remain stuck on land forever. Crest is eager to get their Journey over and done with. Humans are disgusting. They’ve polluted the planet so much that there’s a floating island of trash that’s literally the size of a country.

America is used to larger-than-life politicians, from Telfon Don to AOC and from Dark Brandon to MTG. The political arena has been injected with an unmistakable edge of celebrity flair and tabloid intrigue. Yet in 2022, a new player on the national scene outshone them all. George Anthony Devolder Santos, and his revolving door of pseudonyms, shed glaring new light on how far we’d let our politics slide as his claimed resume was shred to bits in the wake of a longshot run to office from New York’s 3rd Congressional District.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father. Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself.

Portico Reeves is the greatest superhero a lot of people have never heard of. He likes it that way—then no one can get in the way of him from keeping other other people safe. Super safe. He’s Stuntboy. He’s got the moves. And the saves. Except. There’s been one major fail. He couldn’t save his parents from becoming Xs. Which is a word that sounds like coughing up a hairball. But don’t talk to him about the divorce, because of the hairball thing, and also, it gives Portico the frets.

A small white plane hurtles from the sky, vanishing into the wilderness. Hiker Maggie Roby watches its final descent, certain that no one could have survived. But to her shock, a fifteen-year-old girl emerges from the wreckage, wounded but miraculously, impossibly alive. Maggie approaches with trepidation; she has secrets of her own, a past she can’t escape. Saving the girl means risking her future, but she can’t just abandon her, can she?