Resultado narrado por "ADA" em Todas as categorias

Inspired by her wildly popular New York Times essay "The Wedding Toast I'll Never Give", Ada Calhoun provides a funny (but not flip), smart (but not smug) take on the institution of marriage. Weaving intimate moments from her own married life with frank insight from experts, clergy, and friends, she upends expectations of total marital bliss to present a realistic - but ultimately optimistic - portrait of what marriage is really like.

Carrie-Anne Trombley has always been invisible. But behind her book-smart, snarky attitude is a girl desperate to know what it feels like to belong. Bryan Hughes has always been Mr. Popular. But behind his goofball, jock exterior is a guy desperate to know what it feels like to be wanted. It starts with a challenge; one last school project before graduation. There's no denying how much they get under each other's skin. There’s just one problem...the end of high school is right around the corner. And their plans for the future didn't include falling in love.

The original sin was a cruel seduction meant to take what belonged to another. That's the game Michael Killian intends to play when he kidnaps my husband and demands my soul in exchange for his freedom. He wants me as his pawn between silken sheets. An object of revenge. There's just one thing he should remember. The snake was the devil's pawn too. And snakes bite.

She called it a cruel seduction meant to take what belongs to another. I call it taking back what belongs to me. Because from the start she was mine. From the moment I saw her photo, she was mine. When her dark eyes narrowed on me, she was mine. Even before she gave herself to me, she was mine. And she always be mine.

La deuxième histoire de la série "Quelqu'un pour maman !" est "Un loup-garou pour maman !" Le petit Mahari est de retour. Sa première tentative pour trouver l'amour pour sa mère ne s'est pas si bien passée.

A 25 anni dalla prima pubblicazione di "Una bambina e basta" (edizioni e/o, 1994), Lia Levi ripercorre la sua storia al tempo delle leggi razziali e ne fa dono ai bambini di oggi. Lia ha appena finito la prima elementare, quando la mamma le dice che a settembre non potrà più tornare in classe. Mussolini, che comanda su tutti, non vuole più i bambini ebrei nelle scuole. In realtà non vuole gli ebrei a Torino, dove Lia abita con la famiglia, né a Milano e nemmeno a Roma. Non li vuole da nessuna parte. Con le valigie sempre in mano, i perché nella testa di Lia crescono ogni giorno.

Paganina nasce negli anni Trenta, da un padre così ateo che voleva chiamarla Ateina (ma poi non se l'era sentita). Paganina ha un carattere forte e indipendente, e una inclinazione per l'eroismo e gli eroi. Così quando incontra Guglielmo, che è stato partigiano con suo fratello Spartaco e ha fatto saltare da solo un camion di tedeschi, sa che è lui l'eroe che vuole al suo fianco. Le basta presentarsi, "Sono Paganina", per dare inizio a un amore che attraverserà tutta la vita. Una vita che sarà percorsa da altre grandi passioni, su tutte quella della politica.

I might live in a mansion in South Florida, but my daddy was a biker, and I was definitely daddy's girl. When I found out my mom and stepdad had something horrible planned for me, I ran. Straight to the Dixie Reapers - the only place I'd ever thought of as home - but it wasn't my daddy's arms I ended up in.

I was 17 when my daddy gave me to Torch, who inked me, kissed me, then watched me walk away. I was supposed to return after I graduated, but instead I ran. Now I'm back, ready to face whatever fate awaits me. He's probably pissed, and rightly so. It was only supposed to be a short separation, but three years have passed. I expected yelling, maybe some public humiliation. It never occurred to me he'd kiss me so deeply, so passionately that I'd be begging for more. He'll be my first, my last, my only...because I'm his, and he's never going to let me forget it.

L'opera parla del cambiamento evolutivo. Dell'avvento dell'uomo dopo l'uomo. L'autrice Calloni Williams ci offre il racconto delicato ed appassionante fatto da Lisa alla bambina del futuro. La bambina ancora non esiste, la donna l'ha vista in una visione e rappresenta l'umanità che verrà. La protagonista racconta di sé, di sua madre e di sua nonna come di tre generazioni che hanno preparato e reso possibile la trasformazione. Lisa narra l'aspetto femminile dell'evoluzione e lo racconta alla bambina del futuro.

Oskar, un newyorkese di nove anni a suo modo geniale, ama inventare singolari dispositivi. Inventa camicie di becchime per farsi trasportare in volo dagli uccelli in caso di emergenza, inventa un sistema di tubi collegato ai cuscini di tutti i letti di New York per raccogliere le lacrime di chi piange prima di dormire, riversarle nel laghetto del Central Park e mostrare ogni giorno il livello di sofferenza della sua città. A Oskar capita di piangere sul cuscino, da quando suo padre è morto nell'attacco alle Torri Gemelle.

Follow along as Ada Calhoun and Audible editor Courtney Reimer—both Gen X women living the chaos and joy Calhoun chronicles in her new work, Why We Can't Sleep — go about their busy days to illustrate the universality of the modern midlife crisis.

My father needs a pawn as he plays King with the Irish Mafia. Releasing me from the asylum walls that kept me from my revenge, I'm free to play a few games of my own. Games I plan on winning. The taste of revenge sits sweetly on my tongue as I watch her, Claire, my new obsession. I keep her safe in a cage made of glass. Safe from the cravings she stirs in me. I watch her, my hunger growing with every move she makes.

Elleck Aurum, King of the Autumn Realm and ruler of Evernigh, has spent too much time in battle and wants nothing more than peace in his beloved kingdom. In a time when tensions are high between the four realms, the people of his kingdom are scared and restless. When the Spring and Summer Realm leaders are murdered and winter magic invades the land, Elleck is called to action once again.