Resultado de "Hugh Howey" em Todas as categorias

Ray Bradbury warned of a world where our literary history is taken from us. In Burn the Ashes, some of the best science-fiction authors working today continue to explore the dystopic worlds they introduced in Ignorance Is Strength.

War is peace. Freedom is slavery. Ignorance is strength. George Orwell once wrote of a world where abuse of power begins with an abuse of language and a bastardization of truth. Some of today's most exciting voices in speculative fiction explore the ramifications of those ideas in Ignorance Is Strength.

Into the darkness within; or else the light.... When Margaret Atwood wrote these words, she left open the possibility that even our darkest tales may harbor a glimmer of hope. In Or Else the Light, the third and final entry in the Dystopia Triptych, more than a dozen of the best minds in science fiction conclude their stories with a descent into darkness, or perhaps a ray of light.

The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next.

Unsere Welt ist zerstört, begraben unter mächtigen Sanddünen, die alles verschluckt haben, was die Zivilisation einst ausmachte. Die wenigen Überlebenden an der Oberfläche führen ein einfaches, entbehrungsreiches Dasein. Doch sie haben sich eine besondere Fertigkeit angeeignet: das Sandtauchen. Tief unter den Dünen begeben sie sich auf die Suche nach den wertvollen Artefakten aus vergangener Zeit. Dabei finden sie etwas, das ihnen äußerst gefährlich wird.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. "The Apocalypse Triptych" will tell their stories.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.

Fünfhundert von uns wurden ausgeschickt, um diesen Planeten zu kolonisieren. Nur etwa fünfzig haben überlebt. Wir wachten fünfzehn Jahre zu früh auf und hatten bloß die Hälfte unserer Ausbildung erhalten. Man erwartete von uns nicht zu überleben... wir sollten bloß eine Aufgabe erfüllen.

In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platforms that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, the CBS network re-aired a program about the effects of propranolol on sufferers of extreme trauma. A simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity’s broad history, mankind discovered the means for bringing about its utter downfall. And the ability to forget it ever happened.

The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

Juliette, now mayor of Silo 18, doesn’t trust Silo 1, especially its leader, Donald. But in the world of the Silos, there is no black and white—everything is shades of gray. Donald may not be the monster Juliette thinks he is, and may in fact be key to humanity’s continued survival. But can they work together long enough to succeed?

In this barren home, siblings Conner, Rob, Palmer and Violet daily carve out a future. They live in the shadow of their father and oldest sister, Vic, two of the greatest sand divers ever to comb the desert’s depths. But these branches of their family tree are long gone, disappeared into the wastes beyond, leaving the younger siblings scratching in the dust, hopeful for a better life. On the other side of No Man’s Land, Anya was born beside the abundant mines knowing her prospects would be to marry, have a family, and work in ore, in service to the Empire of the East.

For centuries, men and women have manned lighthouses to ensure the safe passage of ships. It is a lonely job and a thankless one for the most part. Until something goes wrong. Until a ship is in distress. In the twenty-third century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren’t supposed to.

When a robot defies his programming, is he broken? Or is he something else?

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.