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What does it mean to say that we live in a secular age? Almost everyone would agree that we - in the West, at least - largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean - of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others.

Everywhere we hear talk of decline, of a world that was better once, maybe fifty years ago, maybe centuries ago, but certainly before modernity drew us along its dubious path. While some lament the slide of Western culture into relativism and nihilism and others celebrate the trend as a liberating sort of progress, Charles Taylor calls on us to face the moral and political crises of our time, and to make the most of modernity’s challenges.

Probably no book published in the last decade has been so ambitious as Charles Taylor’s A Secular Age. He seeks nothing less than to account for the spread of secularism and decline of faith in the last 500 years. Now a remarkable roster of writers - including Carl Trueman, Michael Horton, and Jen Pollock Michel - considers Taylor’s insights for the church’s life and mission, covering everything from healthcare to liturgy to pop culture and politics. Nothing is easy about faith today. But endurance produces character, and character produces hope, even in our secular age.

First published in 1850, David Copperfield begins with avid the tragedy of David's brother dying when David is just a boy. After this episode, he is sent by his step-father to work in London for a wine merchant. When conditions worsen he decides to run away and embarks on a journey by foot from London to Dover. On his arrival, he finds his eccentric aunt, Betsey Trotwood, who becomes his new guardian.

Democracy is in trouble. Populism is a common scapegoat, but not the root cause. More basic are social and economic transformations eroding the foundations of democracy, ruling elites trying to lock in their own privilege, and cultural perversions like making individualistic freedom the enemy of democracy's other crucial ideals of equality and solidarity. In Degenerations of Democracy, three of our most prominent intellectuals investigate democracy gone awry, locate our points of fracture, and suggest paths to democratic renewal.

A faceless gang of bikers on a wild hunt through the streets of present-day Ottawa hurtles young Jacky Rowan across the threshold into the perilous land of Faerie. There, to her dismay, she is hailed as the Jack of Kinrowan, a once-and-future trickster hero whose lot is to save the Elven Courts from unimaginable evil.

In Modern Social Imaginaries, Taylor continues his recent reflections on the theme of multiple modernities. To account for the differences among modernities, Taylor sets out his idea of the social imaginary, a broad understanding of the way a given people imagine their collective social life. Retelling the history of Western modernity, Taylor traces the development of a distinct social imaginary.

Larisa recognized the KGB officer and recognized him as a traitor she had seen as a six-year-old child. Then he recognized her, as well, and Larisa was on the run. CIA agent Morrison wants to find her to save her, to hold her one last time. But Morrison knows his only hope now might be for revenge.

His name is Duran. Cuba's fanatical successor to Castro, he poses the ultimate threat to Soviet power - and American peace. Both countries want him dead. And while Soviet forces move to replace Duran with a political puppet, America formulates its own plan of action. A daring game of cross, double cross, and war.

Courtesy of my controlling father, Marshall and I have been living together for the last couple of years. Because of his profession, we’d managed to stay out of each other’s way. His age and respect for my father is what kept him from giving in to my flirtatious advances. Over the years, we’d managed not to cross that line, until that one slightly drunken night.

Urchin at War is the first volume in the 1517 Publishing's Urchin Series about the extraordinary life story of a kid and high school dropout who became a sought-after newsman, who covered the Kennedy assassination and the Vietnam War, and ended up being a Lutheran lay theologian.

Jacky Rowan once slew giants. In this thrilling sequel, she is tricked and then enslaved by a master of vicious Unseelie creatures. This cruel thief is bent on stealing his very sustenance—not only from Jacky—but from all of the Seelie faerie court. Only the Moon herself and a handsome young fiddler, unaware of Faerie and the power of his music, have the magic to set Jacky free.

Hard Times is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirizes the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it. Moreover, it is his only novel not to have scenes set in London. Instead, the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town.

This issue of Weird Tales presents a batch of entirely new short stories, flash fiction, poems, and an essay dealing with monsters who defy death, including zombies, vampires, mummies, and various and assorted revenants. There are some real heavy hitters here—bestsellers and names listeners might not yet know … but should. And will.

The Cricket on the Heart is a novella by Charles Dickens, published by Bradbury and Evans, and released 20 December 1845. Dickens began writing the book in October 1845 and finished it by December. Like all of Dickens’s Christmas books, it was published in book form, not as a serial. Dickens described the novel as “quiet and domestic innocent and pretty.” It is subdivided into chapters called “Chirps”, similar to the “Quarters” of The Chimes or the “Staves” of A Christmas Carol.

Since its publication nearly 70 years ago, George Orwell’s 1984 has been regarded as one of the most influential novels of the modern age. Politicians have testified to its influence on their intellectual identities, rock musicians have made records about it, TV viewers watch a reality show named for it, and a White House spokesperson tells of “alternative facts”.

As Robert watches the townspeople's hostility toward the German Artist Hoffman build, he worries about his sensitive cousin Elliot's friendship with the artist. And he wonders more and more about the family secret everyone seems to be keeping from him - a secret involving Robert's father, a bomber pilot in Europe. Will Elliot's ability to detach himself from the turmoil around him be enough to sustain him when prejudice and suspicions erupt into violence? And can Robert find a way to deal with the truth about his family's past?

How (Not) to Be Secular is what Jamie Smith calls "your hitchhiker's guide to the present" - it is both a reading guide to Charles Taylor's monumental work, A Secular Age, and philosophical guidance on how we might learn to live in our times. Taylor's landmark book, A Secular Age (2007), provides a monumental, incisive analysis of what it means to live in the post-Christian present - a pluralist world of competing beliefs and growing unbelief. Jamie Smith's book is a compact field guide to Taylor's insightful study of the secular.

It's Christmas in Los Angeles, 1927, and a bank officer named Perry Parker receives a bizarre ransom note, telling him that one of his twin daughters, Marion, has been kidnapped and that she'll be returned if he follows a series of explicit instructions. Little does Parker know, but his daughter is already dead - strangled and horribly dismembered by a madman who calls himself the "Fox."

The Pickwick Papers was Charles Dickens' first novel. Because of his success with Sketches by Boz published in 1836 Dickens was asked by the publisher Chapman & Hall to supply descriptions to explain a series of comic "cockney sporting plates" by illustrator Robert Seymour, and to connect them into a novel. The book became Britain's first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise.