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George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures 70 years after his death is testament to the prescience of his thinking and his prolific creativity.

Never has the Revolutionary War been so entertaining. Shaw stands "do or die" melodrama on its head, with a cast of unforgettable characters, from the deliciously urbane "Gentlemanly Johnny" Burgoyne, to the misguided romanticism of beautiful young Judith Anderson, to the Devil's Disciple himself, a dashing young American hero who disdains heroism, even as he makes the ultimate sacrifice for honor and country.

To celebrate Radio 3's 50th anniversary, Man and Superman was directed by Sir Peter Hall, and preserved for all time in this lush audio dramatization. "A comedy and a philosophy", Man and Superman is based on the Don Juan theme, and using all the elements from Mozart's Don Giovanni, Shaw reordered them so that Don Juan becomes the quarry instead of the huntsman. Boasting an outstanding cast including Ralph Fiennes, Juliet Stevenson, Dame Judi Dench, John Wood, Nicholas Le Prevost, and Paul Merton.

Children, if they are to grow up as citizens, must learn a good deal that their parents could not teach them even if they had the necessary time. The statesman must make provision for this teaching or he will presently find himself faced with the impossible task of maintaining civilization with savages instead of citizens

Don Juan in Hell is an excerpt (Act 3, Scene 2) from George Bernard Shaw’s Man and Superman. It is often performed as a standalone play. In it, three characters from Mozart’s Don Giovanni (Don Juan, Dona Ana, and the statue of the Commendatore, Dona Ana’s father) meet in Hell and, joined by the Devil, have a philosophical debate on a variety of subjects, including Heaven and Hell, men, women and marriage. In the end, they all decide where they will spend eternity.

Pygmalion by George Bernard Shaw is the fascinating tale of Henry Higgins, a professor of speech and phonetics who takes on the task of teaching Eliza Doolittle, a lower-class flower seller, how to "act like a lady".

Taking place on a single day in May 1909, a self-made millionaire and his family invite their future nobleman-in-law for a visit to their estate in Surrey, England. In this delightfully clever play, issues of gender, class, politics, and family are all targets for Shaw's keen wit.

This witty masterpiece combines high comedy with social commentary as it deflates romantic misconceptions of love and warfare. First produced on the London stage in 1894, Arms and the Man is one of the most frequently acted and studied of Shaw's plays.

George Bernard Shaw's warm and witty play continues to challenge conventional wisdom about male/female relationships. Candida concerns a beautiful married woman's choice between the two men who love her.

The Emporor of Rome and the Queen of the Nile as only Shaw could have imagined them! He is a self-doubting cynic who is experiencing a mid-life crisis and she is an imperious and impertinent child on the threshold of womanhood. This recording also includes Shaw's alternate Prologue and his post-text notes.

Henry Higgins, un profesor de fonética arrogante, apuesta que puede transformar a Eliza Doolittle, una vendedora de flores de baja clase con un acento grueso, en una dama de la alta sociedad mediante el refinamiento de su habla. A medida que Eliza se somete a esta metamorfosis, la obra despliega un agudo comentario sobre las rígidas estructuras de clase y el poder del lenguaje.

Arms and the Man is a comedy by George Bernard Shaw that takes place in 1885, during the Serbo-Bulgarian War. Raina Petkoff is engaged to the gallant Sergius Saranoff, hero of the recent Bulgarian victory over the Serbs. But she is distracted by the abrupt arrival of Captain Bluntschli, a Swiss mercenary who fought for the Serbian army. He takes refuge in her bedroom after the battle and although he is initially threatening, reveals that he carries chocolate creams instead of bullets. Will Raina marry the posturing Sergius or the chocolate cream soldier?

When Vivie learns that her mother's harlotry is the origin of her financial support, nothing in her world can ever be the same. There are serious consequences for her suitor, her mother, and herself.

Wild, wacky, and wonderful are the characters involved in this debate-in-one-sitting. The Tarlton conservatory is the scene of many a Shavian skirmish: parents vying with children, sibling rivalry, and the battle of the sexes. An airplane crashing into the greenhouse, a gunner, and a Polish daredevil complicate matters even further!

In this poignant play Candida, the wife of the Rev. James Morell is loved by th esensitive young poet, Eugene Marchbanks. The two men agree that Candida must make her choice. But she has different ideas.

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

A Cockney flower girl is transformed into a charming woman of the world by a professor of phonetics. This is the play that was later to be adapted as the musical, My Fair Lady.

Barbara, the granddaughter of an earl, is busy saving souls in the Salvation Army while her father, maintaining that poverty is the worst of crimes, runs a munitions factory.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights. Shaw's play has been adapted numerous times, most notably as the 1938 film Pygmalion, the 1956 musical My Fair Lady and its 1964 film version.