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Everyone who writes about Henry Miller begins by taking a side. Either he was a liberator who tore the last Victorian veil off human life, or he was a vulgar egotist who mistook his own appetites for wisdom. This book refuses both chairs at that tired table. It proposes something stranger and more useful: that Miller was never really a writer at all, and that the question of whether to admire him has been distracting us for eighty years from the one thing he was genuinely good for.

Scritto nel 1953, "Plexus" è la seconda parte del trittico "La Crocifissione rosea", un'opera scritta da Miller negli anni che vanno dal 1949 al 1960. In questa opera autobiografica Miller racconta gli anni del suo soggiorno newyorkese e del suo incontro con la sua seconda futura moglie (nel romanzo tratteggiata con il nome di Mona). Tema costante nell'audiolibro è la vocazione artistica del giovane scrittore, che da Mona viene incoraggiato con forza a scrivere, inducendolo a rifiutare ogni impiego fisso.

Mentre la guerra si avvicina, Henry Miller si gode l'occasione di fare un viaggio in Grecia, la prima vera vacanza da vent'anni e forse l'ultima almeno per un lungo tempo. Si imbarca da Marsiglia alla volta del Pireo per raggiungere l'amico Lawrence Durrell che si trova a Corfù. Inizia così un'avventura alla scoperta di un mondo stupefacente, mitico, unico, dove gli si rivelano bellezza e miseria di un paese che è ancora un sacro recinto, con ritmi, tempi, riti tutti suoi.

Henry Miller was one of the most distinctive voices in twentieth-century literature. Better known in Europe than in his native America for most of this career, he achieved international success and celebrity during the 1960s when his banned "Paris" books - beginning with Tropic of Cancer - were published here and judged by the Supreme Court not to be obscene. Until then he had toiled in relative obscurity and poverty.

In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller's title for this, one of his most appealing books; first published in 1957, it tells the story of Miller's life on the Big Sur, a section of the California coast where he lived for 15 years. Big Sur is the portrait of a place - one of the most colorful in the United States - and of the extraordinary people Miller knew there.

"Nexus" è il terzo volume del ciclo "La crocifissione rosea", scritto tra il 1949 e il 1960, una trilogia cruciale per l'autore del "Tropico del cancro". I tre libri, inizialmente banditi dalle autorità americane, rappresentano il percorso della cosiddetta "illuminazione spirituale" di Miller attraverso l'arte e il sesso, fino alla sua piena consapevolezza di scrittore.

Drawing on previously unpublished eyewitness accounts, prizewinning historian Donald L. Miller has written what critics are calling one of the most powerful accounts of warfare ever published. Here are the horror and heroism of World War II in the words of the men who fought it, the journalists who covered it, and the civilians who were caught in its fury. Miller gives us an up-close, deeply personal view of a war that was more savagely fought - and whose outcome was in greater doubt - than one might imagine. This is the war that Americans on the home front would have read about had they had access to previously censored testimony.

Drawing from the author's original, uncensored journals, Fire follows Anaïs Nin's journey as she attempts to liberate herself sexually, artistically, and emotionally. While referring to her relationships with psychoanalyst Otto Rank and author Henry Miller, as well as a new lover, the Peruvian Gonzalo More, she also reveals that her most passionate and enduring affair is with writing itself.

"Questa è la sola storia vera che io abbia raccontato fino adesso," dice Miller nell'epilogo scritto per questo bellissimo racconto. Un'affermazione strana perché si tratta forse della sua unica storia di fantasia pura. Ma Miller chiarisce: "I miei personaggi sono tutti reali, presi dalla vita, dalla mia vita, mentre Augusto è l'unico che nasce dal regno della fantasia. Ma che cos'è questo regno della fantasia che ci circonda e assedia da ogni parte, se non la realtà stessa?".

Daisy Miller is a beautiful American girl abroad. Assured, flirtatious, and at odds with reserved European etiquette, she meets two men: Mr. Winterbourne, a world-weary compatriot in full pursuit, and Mr. Giovanelli, a passionate Italian with questionable motives. Unmindful of the scandals she incites and of the risks to her reputation, Daisy believes that she is also impervious to fate.

Henry James’s classic tale of an American girl abroad, doomed for her wild and unconventional ways...

Una morte sconvolgente, ossessivamente annunciata, preparata con implacabile meticolosità e infine celebrata dinanzi al mondo come un rituale spettacolare e tragico. L'uscita di scena di Mishima ha rappresentato al tempo stesso l'apoteosi del personaggio, condannato da un demone inquieto a una vita perennemente sopra le righe, e la parola conclusiva dello scrittore, la sigla di un'opera in cui gioventù, bellezza e morte appaiono intrecciate in un destino ineluttabile.

American expatriate Frederick Winterbourne has long resided in Switzerland, where society follows strict rules for proper behavior. When Daisy Miller of Schenectady, New York arrives in Vevey, however, Winterbourne soon finds that he must reckon with his own assumptions about what makes someone "proper" and "good."

Miss Daisy, una muchacha americana hermosa y libre de mediados del siglo XIX, pasa unas semanas en Suiza para continuar después su periplo europeo en Roma. Su belleza y comportamiento desenfadado deslumbran al joven Winterboune, y a su vez irrita a la tía del joven, paradigma de la rígida sociedad de la época.

Henry Miller’s Tropic of Cancer chronicles the bawdy adventures of a young expatriate writer, his friends, and the characters they meet in Paris in the 1930s with unapologetic gusto, and is now considered, as Norman Mailer said, ""one of the ten or twenty great novels of our century."" The...

The innocent and insolent Daisy confronts the traditions of old Europe and confounds all of the people (especially the men) who surround her. All throughout the story, there are classic Jamesian views on the differences between English and American societies.

Daisy Miller is a beautiful and flirtatious rich young American visiting a Swiss spa. There she meets upper class expatriate American, Frederick Winterbourne, who is warned about her reckless ways with men by his aunt. Their relationship and Daisy's with the Italian lawyer Mr. Giovanelli leads to a climactic scene in the Coliseum in Rome, followed by tragedy and regret.

Daisy Miller is one of James' most haunting characters. In this reading, Mullen brings her to life in all her innocent playfulness and melancholic yearning.

Asher ist nicht das, was ich brauche ... aber er ist das, was ich will. Eine Rooftop-Party in Boston. Eine Nacht, die alles verändert. Ein Geheimnis, das zwei Menschen verbindet … und alles zerstören könnte. "Was uns bleibt" – die Geschichte von Hazel und Asher. Ein Roman über Wunden, die nie ganz heilen, und den Mut, trotzdem für das eigene Glück zu kämpfen. Standalone. In sich abgeschlossen. Kein Cliffhanger.

"Sexus" er første bind i Henry Millers selvbiografiske trilogi om sit kærligheds- og sexliv, efter han forelsker sig i den mystiske danserinde Mona, som han forlader sin første kone, Maude, for. Bogen er hudløst ærlig og fortæller også, hvordan hans begær for Maude blussede op igen, mens skilsmissen stod på. "The Rosy Crucifixion"-trilogien består af romanerne "Sexus", "Plexus" og "Nexus" og regnes for et af hovedværkerne inden for den erotiske litteratur.