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Eloise Bridgerton é uma jovem simpática e extrovertida, cuja forma preferida de comunicação sempre foram as cartas, nas quais sua personalidade se torna ainda mais cativante. Quando uma prima distante morre, ela decide escrever para o viúvo e oferecer as condolências. Ao ser surpreendido por um gesto tão amável vindo de uma desconhecida, Sir Phillip resolve retribuir a atenção e responder. Assim, os dois começam uma instigante troca de correspondências.

My dear Miss Bridgerton, We have been corresponding now for quite some time, and although we have never formally met, I feel as if I know you. I am writing to invite you to visit me here at Romney Hall. It is my hope that after a suitable period of time, we might decide that we will suit, and you will consent to be my wife. Did he think she was mad? Eloise Bridgerton couldn't marry a man she had never met! But before she knew it, she was in a hired carriage in the middle of the night, on her way to meet the man she hoped might be her perfect match.

Una apacible tarde de agosto, Aliona y Sofia, hermanas de once y ocho años, juegan a orillas del mar. Cuando emprenden el camino de regreso a casa, un extraño se ofrece a llevarlas en su coche. Ellas, confiadas ante la amabilidad del desconocido, aceptan. Las niñas solo se alarman al ver que dejan atrás el desvío que debían haber tomado. Cuando Aliona saca su móvil y el hombre se lo arrebata de las manos, las hermanas comprenden que están en peligro. La pesadilla acaba de comenzar.

What does it mean to create, not in "a room of one's own," but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, Ursula K. Le Guin, Audre Lorde, and Alice Neel. A meditation on maternal identity and artistic greatness, Phillips illuminates some of the most pressing conflicts in contemporary women's lives.

Sir Phillip si aspettava che Eloise Bridgerton, come tutte le zitelle, fosse bruttina e pronta a tutto pur di accasarsi. Ma si sbagliava. La giovane donna che gli si presenta è determinata e soprattutto bellissima. È lei però ad avere qualche dubbio, soprattutto quando scopre che Sir Phillip non è affatto un gentiluomo, e per di più ha due figli pestiferi che avrebbero proprio bisogno di una madre.

For over 12 years, Phillipa Sage worked alongside Clarkson, Hammond and May as their PA, gofer and fixer, where she saw the boys at their best and, hilariously, at their worst. A closet petrol head, Phillipa started working in the motor industry on live events over 20 years ago and first worked with Jeremy Clarkson and Andy Wilman (formerly Top Gear and now the Grand Tour’s executive producer) in 1997.

James Tiptree, Jr. burst onto the science fiction scene in the 1970s with a series of hard-edged, provocative short stories. Hailed as a brilliant masculine writer with a deep sympathy for his female characters, he penned such classics as Houston, Houston, Do You Read? and The Women Men Don't See. For years he corresponded with Philip K. Dick, Harlan Ellison, Ursula Le Guin. No one knew his true identity. Then the cover was blown on his alter ego: A 61-year-old woman named Alice Sheldon.

One August afternoon, on the shoreline of the Kamchatka peninsula at the northeastern edge of Russia, two girls - sisters, eight and 11 - go missing. In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women. Taking us through a year in Kamchatka, Disappearing Earth enters with astonishing emotional acuity the worlds of a cast of richly drawn characters, all connected by the crime: a witness, a neighbor, a detective, a mother.

An einem sonnigen Augusttag verschwinden an der Küste Kamtschatkas die Schwestern Sofija und Aljona spurlos. War es ein Badeunfall oder sind sie Opfer eines Verbrechens geworden? Wie eine düstere Wolke hängt der ungelöste Fall fortan über Kamtschatka und beeinflusst das Leben der unterschiedlichsten Frauen in einer gespaltenen, männerdominierten Gesellschaft.

Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence.

Auf einer Insel im Nordwesten der USA lebt Sam mit ihrer Schwester Elena und der schwerkranken Mutter in ärmlichen Verhältnissen. Sam arbeitet auf der Fähre, die die wohlhabenden Urlauberinnen und Urlauber zu ihren Feriendomizilen bringt, während Elena im Golfclub kellnert. Sie beide träumen von einem besseren Leben, davon, woanders neu anzufangen. Dann, eines Nachts, erblickt Sam einen Bären, der durch die dunklen Gewässer vor der Küste schwimmt. Noch kann sie nicht ahnen, dass das wilde Tier die Welt der beiden Schwestern völlig aus den Angeln heben und ihren lang gehegten Traum in Gefahr bringen wird.

Two worlds at war will bring them together…or tear them apart. Everson didn't want to be a soldier. His parents forced him to serve, as all good Indiran men should. The only problem? His first battle against their mortal enemies goes horribly wrong, and he winds up stranded on the enemy planet. Now, Everson has to survive in this strange new land where everyone is out to get him. Not to mention the planet Mano is covered in unforgiving desert. And he's the target of traitors who want to use him in a dastardly plot to overthrow their mad king, Xander the Firm.

In 21st century Britain, what does it mean to be working class? This book asks 24 working class writers to examine the issue as it relates to them. Examining representation, literature, sexuality, gender, art, employment, poverty, childhood, culture and politics, this book is a broad and firsthand account of what it means to be drawn from the bottom of Britain's archaic but persistent class structure.

This audio study guide for Disappearing Earth by Julia Phillips includes detailed summary and analysis of each chapter and an in-depth exploration of the book’s multiple symbols, motifs, and themes, such as nostalgia for an idealized past and hope in the face of loss. Featured content also includes commentary on major characters, 25 important quotes, essay questions, and discussion topics.

Much-loved broadcaster Fiona Phillips was sixty when she discovered that she had early-onset Alzheimer’s disease. She had cared for her parents who had both suffered from the disease and now she was facing the same heartbreaking diagnosis – under no illusions about what it would mean for her and her family.

Fleur Savagar is the most beautiful woman in the world . . . to everyone but herself. With her oversized hands and paddle-boat feet, her streaky blond hair and funny green eyes, she lives a life filled with secrets that began before she was born. That was when her bewitching mother left home to find James Dean and met Errol Flynn instead. Now Fleur has to grow up quickly, and life won't make that easy.

Paparazzi trap the president’s all-American boy with the self-proclaimed prince of Myrtle Beach - and Ben’s forced into a fake relationship with Wilder Ryder in this opposites attract gay comedy...Ben Quincy: I thought he'd make a good quickie, but we got caught. Then the stupid twink barfed on me at the top of the Ferris wheel - in the middle of a national broadcast. He's sexy as sin, but I’m saddled with a go-kart riding minigolf champ all summer long. The only good part is the hate sex. Someone save me from Wilder Ryder before something awful happens. Like more snakes.

Georgie York, once the costar of America's favorite television sitcom, has been publicly abandoned by her famous husband, her film career has tanked, her father is driving her crazy, and her public image as a spunky heroine is taking a serious beating. What should a down-on-her-luck actress do?

No one wants to be treated like an object, regarded as an item of property, or put up for sale. Yet many people frame personal autonomy in terms of self-ownership, representing themselves as property owners with the right to do as they wish with their bodies. Others do not use the language of property, but are similarly insistent on the rights of free individuals to decide for themselves whether to engage in commercial transactions for sex, reproduction, or organ sales. Drawing on analyses of rape, surrogacy, and markets in human organs, Our Bodies, Whose Property? challenges notions of freedom based on ownership of our bodies.

No Harm Done contains three ensemble performances of plays by Eugene Stickland about medical conditions ­- Closer and Closer Apart, Alzheimer's disease; Fade to Light, Stargardt, a form of blindness; and The Last Dance, Parkinson's disease. The first section of the audiobook contains the plays themselves and Stickland’s introductions to them, supplemented by commentaries by medical experts and spokespersons.