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Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world.

We are our stories. We tell them to stay alive or keep alive those who only live now in the telling. In Faha, County Clare, everyone is a long story...Bedbound in her attic room beneath the falling rain, Plain Ruth Swain is in search of her father. To find him Ruthie must first trace the jutting jaw lines, narrow faces, and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to her father.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.

Jim Foley loves his parents, his brother, his sister, Dickens and God, although not necessarily in that order. Later, he loves Kate, enough to make her his wife; later still, he loves his children, Jack and Hannah. This is Jim's story, from early days spent in County Clare to early adulthood in America, and back to Clare again.

In the years following the death of Jesus Christ, John the Apostle, now a frail, blind old man, lives in forced exile on the desolate island of Patmos with a small group of his disciples. It is against this turbulent background and inspired by Jesus's radical message of love and forgiveness that John comes to dictate his Gospel.

'When I was 12 years old God spoke to my father for the first time. God didn't say much. He told my father to be a painter and left it at that.... ' So begins Niall Williams' magical tale about love and destiny. Nicholas Coughlan and Isabel Gore were made for each other - but fate doesn't always take the easiest or the most obvious route to true love. For a start, Nicholas and Isabel have never met and nor are they likely to, without some kind of divine intervention. But as God, ghosts, a series of coincidences and seemingly chance events and encounters conspire to bring the couple together.

Francis Foley is a proud, stubborn man, and cannot stand to be beholden to anyone. Quick to anger and slow to forgiveness, it is his temper that, one day, costs his sons their home -- and their mother. This will not be the last of their losses however: as the four boys and their father embark on an odyssey to find untenanted land they can call their own, their already diminished family is divided still further.

Thirty-five years ago, when they were in their 20s, Niall Williams and Christine Breen made the impulsive decision to leave their lives in New York City and move to Christine’s ancestral home in the town of Kiltumper in rural Ireland. In the decades that followed, the pair dedicated themselves to writing, gardening and living a life that followed the rhythms of the earth.

Thirty-four years ago, when they were in their 20s, Niall Williams and Christine Breen made the impulsive decision to leave their lives in New York City and move to Christine’s ancestral home in the town of Kiltumper in rural Ireland. In the decades that followed, the pair dedicated themselves to writing, gardening and living a life that followed the rhythms of the Earth.

Nach einer Glaubenskrise zieht der siebzehnjährige Seminarist Noel für einen Sommer zu seinen Großeltern nach Faha, einem kleinen irischen Dorf, in dem nichts sich je ändert; auch der Regen nicht, der das Dorf seit Anbeginn begleitet. Bis er eines Tages, wir schreiben die Karwoche des Jahres 1958, plötzlich aufhört. An diesem Tag kommt auch Christy in das Örtchen, ein weitgereister Mann, der im Auftrag der Regierung durch das Land zieht und für die Elektrifizierung wirbt. Christy wird Untermieter bei Noels Großeltern und für den jungen Mann ein Freund und Mentor.

London is a city of dreamers. A city of possibility and experiment. A city of fervent imaginings and courageous aspirations. For centuries, it has been the capital of utopian thought. The Infinite City tells this history for the first time. In his soaring new book, Niall Kishtainy draws us into the imaginative worlds of Thomas More, the Diggers, William Morris and Extinction Rebellion protestors and shows how London’s spirit has been one of visionary imagination amid relentless change and innovation.

Headless bodies are turning up along the Mexican border. The Mexican government blames overzealous US Border guards. The border guards blame drug runners. In a village just on the Mexican side of the border, they have other ideas. There are legends, older even than the Mayan civilization that has died away, of a God. A bat-headed vengeful demon. Someone is fanning the flames of that superstition, and the piles of bodies continue to grow.