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Lord Byron's satirical take on the legend of Don Juan is a moving and witty poem that sees the young hero in a reversal of roles. Juan sheds his image as a womanizer and instead becomes the victim of circumstance as he is relentlessly pursued by every woman he meets. Comprising 17 cantos of rhyming iambic pentameter, the poem is a crisp and accessible meditation on the madness of the world.

The story is of a female slave, Leila, who loves the Giaour, an infidel, and is in consequence bound, thrown in a sack, and drowned in the sea by her Turkish lord, Hassan. In revenge the Giaour kills Hassan, then in grief and remorse banishes himself to a monastery.

Byron's exuberant masterpiece tells of the adventures of Don Juan, a handsome and charming young man naturally gifted with the ladies. After his first illicit love affair at the age of 16 in his native Spain, he is exiled to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favorite of the Empress Catherine, who sends him on to England.

Lord Byron was the most celebrated of all the Romantic poets. Troubled, handsome, sexually fluid, disabled, and transgressive, he wrote his way to international fame—and scandal—before finding a kind of redemption in the Greek Revolution. He also left behind the vast trove of thrilling letters (to friends, relatives, lovers, and more) that form the core of this remarkable biography.

The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable listeners to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture.

El corsario es, ante todo, un poema autobiográfico que narra las aventuras de un tal Conrad, un corsario rechazado por la sociedad -no así por las mujeres- debido a su comportamiento escandaloso. El poema inmediatamente atrajo la atención del público debido a la personalidad arrasadora de Byron, incluso algunos adeptos a la estadística afirman que se llegaron a vender diez mil copias durante su primer día en la calle.

In this narrative poem, the Pacha, Giaffir, has decreed that his beautiful daughter, Zuleika, is to be married to the rich and elderly Bey of Carasman. She confesses her grief to Selim, her beloved half-brother. Selim entreats Zuleika to meet him in a grotto later that night, where he appears in pirate garb. He declares that they are not brother and sister, but cousins and reveals that Giaffir murdered his father, Abdallah.

A narrative poem of 14 stanzas, written by Lord Byron following a visit to the Château of Chillon on Lake Geneva in 1816. It was inspired by the story of 16th-century Swiss monk and patriot François Bonivard, held captive in the dungeons of Chillon between 1532 and 1536.

"The Siege of Corinth" is a tragic narrative poem first published in 1816. It was inspired by the Ottoman siege of the Venetian-held Acrocorinth in 1715.

En el verano de 1816, Lord Byron invita al poeta Percy Bysshe Shelley y a su joven esposa, Mary, a su casa de Suiza. Los días son lluviosos y el anfitrión propone que cada uno escriba un relato de fantasmas. Así surgirá "Frankenstein o el moderno Prometeo", publicada en 1818 y considerada la primera novela del género de ciencia ficción.

The restorative power of the ocean brings Jane Austen and her beloved brother Henry, to Brighton after Henry’s wife is lost to a long illness. But the crowded, glittering resort is far from peaceful, especially when the lifeless body of a beautiful young society miss is discovered in the bedchamber of none other than George Gordon—otherwise known as Lord Byron. As a poet and a seducer of women, Byron has carved out a shocking reputation for himself—but no one would ever accuse him of being capable of murder.

Byron, more than any other poet, has come to personify the poet as rebel; imaginative and lawless, reaching beyond race, creed or frontier, his notorious flaws redeemed by a magnetism and ultimately a heroism that by ending in tragedy raised it and him from the particular to the universal. Everything about Lord George Gordon Byron was a paradox - insider and outsider, beautiful and deformed, serious and facetious, profligate but on occasion miserly and possessed of a fierce intelligence trapped forever in a child's magic and malices.

Lord Byron’s very name conjures up visions of the Romantic movement and outlandishly dressed bohemians, for if Alfred, Lord Tennyson was the poetic darling of the masses, Byron was the hero of the hedonists. While the traditional English literary hero was a nobleman rescuing a damsel in distress, Byron created the antihero, a man plagued by self-doubt and hidden sorrow. At the same time, his hero was also capable of facing reality once he had wrestled through his own angst, and even of occasionally acting nobly in the great tradition of the author’s Puritan forebears.

Byron was the ideal of the Romantic poet, gaining notoriety for his scandalous private life and being described by one contemporary as "mad, bad and dangerous to know". Here, Tyrone Power reads a selection of his finest work.

From the Levant to London's society salons to the canals of Venice, famed poet Lord Byron embarks on a life of adventure as the world's most notable vampire, following a dark trail of long-hidden secrets, ancient black arts, and the depths of evil.

Willkommen im Regency, dem Übergang vom 18. ins 19. Jahrhundert! Ian Mortimer nimmt uns mit in diese kuriose Zeit, die für viele schlichtweg für Übermaß steht. Zwischen der leicht langweilig anmutenden Eleganz des 18. Jahrhunderts und der prüden moralischen Überlegenheit der Frühviktorianer wirkt diese Epoche liederlich, grell, gefährlich, schockierend und anstößig – doch dabei höchst unterhaltsam und anziehend. Es ist das Zeitalter von Jane Austen und den Dichtern der Romantik, der Gemälde von John Constable, der eleganten Kleidung von Beau Brummell und der poetischen Freiheit von Lord Byron.

Love Letters of Great Men follows hot on the heels of the film and collects together some of history's most romantic letters from the private papers of Beethoven, Mark Twain, Mozart, and Lord Byron. For some of these great men, love is "a delicious poison" (William Congreve); for others, "a nice soft wife on a sofa with good fire, & books & music" (Charles Darwin). Love can scorch like the heat of the sun (Henry VIII), or penetrate the depths of one's heart like a cooling rain (Flaubert).

Herculine’s narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story—conversion therapy, a string of shitty low-paying jobs, and even shittier exes—but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she’s ever encountered.

Ein Meilenstein der Literaturgeschichte: Als Anfang des 19. Jahrhunderts Mary Shelley, Lord Byron und dessen Leibarzt John Polidori in Italien beisammen sind, erzählen sie sich gegenseitig Geschichten. Mary erzählt von Frankenstein; Byron nimmt die Herausforderung an und erzählt vom "Vampyr". Diese Erzählung dient als Grundlage für John Polidori, der mit dem Blutsauger Lord Ruthven die Blaupause für den modernen Vampir erschafft, wie wir ihn heute kennen: blass, kultiviert, romantisch – und dabei absolut gnadenlos. Die Schauergeschichte "Der Vampyr" ist wahrhaftig der Grundstein eines Genres.

Living in exile in Venice, the disgraced Lord Byron revels in the freedoms of the city. But when he is associated with the deaths of local women, found with wounds to their throats, and then a novel called The Vampyre is published under his name, rumours begin to spread that Byron may be the murderer. . .