Títulos em Literatura e Ficção

O mundo ao redor de Millicent Carmichael, também conhecida como Missy, de 79 anos, está diferente. Embora se apresse em dizer que considerava seu papel de dona de casa e mãe pouco satisfatório, a verdade é que Missy levou uma vida agitada cuidando de dois filhos e de um marido respeitado no mundo acadêmico. Agora que ele não está mais ao seu lado, que ela brigou com a filha e o filho se mudou para a Austrália, levando consigo seu amado neto, Missy passa os dias bebendo xerez, evitando as pessoas e vagando pela casa enorme e mal decorada esperando... o que exatamente?

"O Alienista" é um conto clássico escrito por Machado de Assis e publicado em 1882. A história satiriza a sociedade e a ciência da época, explorando o conceito de sanidade mental e os limites da razão humana. Com humor e ironia, Machado de Assis apresenta um enredo cativante e reflexivo.

Ellie vient de quitter une relation difficile et cherche à trouver la liberté en emménageant à New York. Après avoir reçu une boîte de cupcakes destinée à son voisin, Luke, elle se retrouve à frapper chez lui pour la lui remettre. Bien que Luke soit beau, il n'est pas très sympathique avec elle. Cependant, au fil de rencontres imprévues, une amitié se développe entre eux. Ellie espère avant tout apprendre à vivre seule et à se connaître, mais elle ne peut ignorer la présence de Luke dans sa vie.

Desempregado e com uma filha pequena para sustentar, Danilo aceita a função de obituarista em um pequeno jornal. Influenciado pelas histórias de quem homenageia, faz questionamentos pouco óbvios sobre temas como morte e finitude, essência e aparência, verdade e ficção. Um romance bem-humorado e original.

Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia, "A little, true book, both beneficial and enjoyable, about how things should be in the new island Utopia") is a work of fiction and socio-political satire by Thomas More (1478–1535), written in Latin and published in 1516. The book is a frame narrative primarily depicting a fictional island society and its religious, social, and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

With a world-famous speaker at their university, Millie Morris and her four woefully single male colleagues make a pact that they’ll all find dates. Unfortunately, Millie has more success helping them make matches online than she does navigating the onslaught of lewd pics in her own feed. But when she creates a fictional name for a new account, Millie finds herself vying for the online attention of a man she sees every day in the flesh.

What to do if Matthew, your secret lover, finally decides to leave his wife, Sophie, and daughters and move into your flat, just when you're thinking that you might not want him anymore. Plan A: Stop shaving your armpits. And your bikini line. Tell him you have a moustache that you wax every six weeks. Plan B: Accidentally on purpose bump into his wife, Sophie. Give yourself a fake name and identity. Befriend Sophie. Actually begin to really like Sophie. Snog Matthew's son (who's the same age as you by the way - you're not a paedophile). Buy a cat and give it a fake name and identity.

Rue Siebert might not have it all, but she has enough: a few friends she can always count on, the financial stability she yearned for as a kid, and a successful career as a biotech engineer at Kline, one of the most promising start-ups in the field of food science. Her world is stable, pleasant, and hard-fought. Until a hostile takeover and its offensively attractive front man threatens to bring it all crumbling down. Eli Killgore and his business partners want Kline, period.

Life isn't turning out quite how Annie expected. In her 20s, she had a dream job, an amazing social life and bags of confidence. Now, she's living with her boyfriend, Luke, and is a stay-at-home mum to their baby daughter. The promising career has petered out, and along with it, her confidence and creativity. And then Luke does the unforgivable. Annie will need the help of her group of loyal friends more than ever. Is old Annie gone forever, or could this finally be the chance to find herself once more? 

Grandpa and Noah are sitting on a bench in a square that keeps getting smaller every day. The square is strange but also familiar, full of the odds and ends that have made up their lives: Grandpa's work desk, the stuffed dragon that Grandpa once gave to Noah, the sweet-smelling hyacinths that Grandma loved to grow in her garden.

When 40-year-old Rabbit Hayes dies, she leaves behind a family broken by grief: her mother, Molly, her brother, Davey, her daughter, Juliet, her sister, Grace, and her best friend, Marjorie. They all have to learn how to cope with their grief, but despite fighting individual battles, they are drawn together by their love for Rabbit, and their love for each other. Laugh, cry and shout with joy for the colourful, unruly Hayes family as they battle with the loss of their beloved Rabbit, who in her own crazy way taught each of them how to live and goes on showing them how to love.

The top 10 list is populated. The sponsorship program is open. The difficulty is ramping up. The first three floors were nothing compared to what Carl and Donut now face. The Iron Tangle. An impossibly complicated subway system built out of the world's subterranean railway systems, all combined and then tied together into a knot. Up is down.

As the new owner of the worst business in history, Jack has a lot on his plate. His self-appointed “biggest fan” wants to finally meet, and won’t take no for an answer. The annoying cultists are back and cultier than ever. Plus, there’s a creature living under the building's crawlspace that must be fed regularly (or else). To top it all off, the entire town’s collective memories have been haphazardly rewritten, and Jack's placement in these recollections are decidedly unflattering.

Hera Stephen is clawing through her mid-twenties, working as an underpaid comment moderator in an overly air-conditioned newsroom by day and kicking around Sydney with her two best friends by night. Instead of money or stability, she has so far accrued one ex-girlfriend, several hundred hangovers, and a dog-eared novel collection.

Still bruised and heartbroken from their last calamitous quest, Gorm Ingerson and his band of washed-up heroes try to make amends for the orcs they accidentally betrayed. But justice is put on hold when an old foe marches to the city gates. Gorm is horrified to discover a liche pitching the frightened city-dwellers on the merits of the undead lifestyle...at the head of a corpse army. To save the city from high-pressure sales tactics and an inevitable siege, the dwarf warrior and his misfit band hatch a harebrained scheme that lands them at the top of the king’s kill list.

He doesn't believe in happy endings. She's lost her faith that they exist. But could they find one together? January is a hopeless romantic who likes narrating her life as if she's the heroine in a blockbuster movie. Augustus is a serious literary type who thinks true love is a fairy-tale. January and Augustus are not going to get on.

Leda, a middle-aged divorcee, is alone for the first time in years when her daughters leave home to live with their father. Her initial, unexpected sense of liberty turns to ferocious introspection following a seemingly trivial occurrence. Throughout the novel, Ferrante's language is as finely tuned and intense as ever, and she treats her theme with a fierce, candid tenacity.

There are only three things in this world that are certain: death, taxes, and babies. Nobody knows this truth better than Emily McCoy, a third-year resident working in Baby City, the affectionate nickname for the busy Labor and Delivery unit at a New York City hospital. On a typical day in Baby City, Emily delivers more babies than the number of hours of sleep she manages to squeeze in that night. And definitely more than the number of dates she's been on since she started her training in OB/GYN two years earlier.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.

Molly the maid is all alone in the world. A nobody. She’s used to being invisible in her job at the Regency Grand Hotel, plumping pillows and wiping away the grime, dust and secrets of the guests passing through. She’s just a maid—why should anyone take notice? But Molly is thrown into the spotlight when she discovers an infamous guest, Mr Black, very dead in his bed. This isn’t a mess that can be easily cleaned up.