Títulos em Ensaios

累計５０万部突破！「やめてみた」シリーズのわたなべぽん最新刊。防災、お金、健康、そして住まいのこと。コロナ禍をきっかけに考えた、人生後半、これからも楽しく生きるための準備あれこれ。

自分の面倒を自分でみる　これがほんとうのお金に頼らない生き方　今の私の目標は、最後まで幸せに生きること、すなわち死ぬまで家事をやり続ける、自分で自分の面倒をみて生きていくことだ。

¿Qué hace un escritor cuando no escribe? ¿Qué hace un escritor con resaca, o cuando una mujer espléndida lo invita a un trago durante un cóctel literario, o cuando ve dormir a su hijo, o cuando está solo en un cuarto de hotel? ¿De qué manera el magma formado por un accidente de bus, una película cursi y un premio literario transforman a un poeta desconocido en un escritor a quien reconocen hasta en el mall? ¿Cómo nace y cuán inconmovible es la vocación de alguien que escribe? Cuando Leila Guerriero recibió el encargo de hacer una antología de los textos que Pedro Mairal había publicado en distintos medios de comunicación, fue despiadada.

In 1892, Gertrude Bell visited Persia (now Iran) shortly after the appointment of her uncle, Sir Frank Lascelles, as British minister in Tehran. Three years later came Persian Pictures, Gertrude Bell’s first written work, which presents a series of vivid sketches of Persian culture and society at the time. Bell explores various cities and landscapes, and encounters local characters along the way, providing a unique perspective on Persian life and customs.

The Fable of the Bees—a satirical poem, prose discussion, three essays and six dialogues completed in 1729—exposes human vices but defends them as a necessity within a wealthy society. Mandeville’s bees thrive until they start living by honesty and virtue… then they are impoverished. Mandeville did not play by the rules: he satirized the sins of society but also ridiculed the widespread hypocrisy of deploring these sins whilst reaping their benefits. He and his work were attacked for the rest of the century.

★韓国で10万部のベストセラー詩集、ついに日本上陸！★日韓累計80万部突破の大ベストセラー『花を見るように君を見る』著者最新刊は未発表新作詩集★人気ドラマ『ロマンスは別冊付録』（イ・ジョンソク×イ・ナヨン主演）劇中で使用され大反響！

【韓国の働く女性を中心に圧倒的共感！】エッセイスト、映画雑誌記者、ラジオパーソナリティ…

「お客を追い込む仕事」サラ金社員が経験した、貸し手と借り手のお金の修羅場
――貸した私が悪いのか？1990年代の半ば、30歳のときに足を踏み入れ、50歳で退職するまでの20年を私はこの業界ですごし、お金にまつわる悲喜こもごもを目撃した。私が在籍した期間は、消費者金融業界が栄華を極めてから、2010年の法改正施行を経て、没落していく年月でもあった。

「来春のサクラが咲くのを見ることはできないと思いますよ」医師からそう告げられたのは、２０２３年11月8日のことだった。余命４カ月の通告だった。私はにわかには信じられなかった。何しろ、なんの自覚症状もない。朝から晩までフル稼働で仕事をして、食事もモリモリ食べていた。突然の余命宣告から、治療法の選択、がんとお金、死生観…満身の闘病ドキュメント

ニュースと現場と、ときどきネコと――「報道ステーション」に来てからの怒濤の日々。その裏で自らの“仕事”と向き合い、書きためてきた思いの詰まったコラム集。真っ直ぐな言葉が胸に響く全71篇を収録。

In sixteen dazzling, expansive essays, the acclaimed essayist and poet Elisa Gabbert explores a life lived alongside books of all kinds: dog-eared and destroyed, cherished and discarded, classic and clichėd, familiar and profoundly new. She turns her witty, searching mind to the writers she admires, from Plath to Proust, and the themes that bind them―chance, freedom, envy, ambition, nostalgia, and happiness. She takes us to the strange edges of art and culture, from hair metal to surf movies to party fiction.

From Pulitzer-prize winning Wall Street Journal columnist and New York Times bestselling author Peggy Noonan, a masterclass in how to see and love America. For a quarter century, Peggy Noonan has been thinking aloud about America in her much-loved Wall Street Journal column. In this new...

A collection of essays, Friendship’s Garland focuses on intertwining of subjects among friends.

Ralph Waldo Emerson's "Self-Reliance" is a seminal essay that explores the importance of individualism and personal integrity. Emerson challenges listeners to avoid conformity and follow their own instincts and ideas. This work has inspired countless listeners to trust in their inner voice and embrace a life of self-determination. Essential for anyone interested in philosophy, personal growth, and the foundations of American transcendentalism.

In Viaggio a Ixtlan, il capitolo finale della trilogia dedicata agli insegnamenti di don Juan Matus, Castaneda prosegue il proprio percorso tra i misteri dell’antica cultura sciamanica. Un racconto illuminante, che ci permette di ripercorrere l’ultimo apprendistato dell’autore: il viaggio destinato a portarlo a percepire finalmente l’universo quale è, senza il filtro delle convenzioni. È giunto il momento di accostare, e fare proprio, un concetto fondamentale, che sta alla base del cammino verso una comprensione profonda dell’esistenza: la differenza tra il "guardare" quotidiano e il "vedere" del saggio.

A few years ago, Erica Heller realized how universal the longing is for one more moment with a lost loved one. It could be a parent, a sibling, a mentor, or a friend, but who wouldn't love the opportunity to sit down, break bread, and just talk? Who wouldn't jump at the chance to ask those unasked questions, or share those unvoiced feelings?

The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country's founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present.

Roadworks and train station overhauls are confusing this author who has driven into oncoming traffic, avoided a kangaroo crossing a new roadwork barrier, got lost and couldn't find her train station carpark and who believes her amygdala must be growing as she negotiates new roundabouts, traffic lights, new road hazards and witches' hats. Follow her journey.....

As a young intern at Pride magazine, Diana Evans was catapulted into the role of culture editor, and so began her career as a journalist, writing about musicians, dancers and artists, interviewing the likes of Viola Davis, Alice Walker and Edward Enninful. Crafted over twenty-five years, with the intelligence and sensitivity that Diana Evans is known for, I Want to Talk to You invites you into a conversation about literature, art, identity, and everything in between.

No hay un tiempo ajeno por completo al conflicto, en que la guerra no forme parte de la cultura: la arrastramos en nuestro pasado y su sombra se proyecta en el futuro como amenaza. Pero ¿qué es la guerra para quienes no la han vivido en carne propia? ¿Y de dónde sale el caudal de imágenes y relatos que nutren y configuran nuestro conocimiento del fenómeno? ¿Acaso son imparciales, no obedecen a ciertos códigos y propósitos?