Títulos em Ensaios

『西の魔女が死んだ』の著者による大好評のサンデー毎日連載を中心に収録した書籍化第二弾。山小屋暮らしや動植物との出会い、壮大な生命の連なりと営みに、心ふるえるエッセイ集。

家族をやめてつきあいをやめて自分をおりて……さいごは身ひとつで見果てぬ夢を見続ける。これ、良き人生。上野「74で人生初の腰椎圧迫骨折」

Acres of Diamonds - essay, written by Russell Herman Conwell (February 15, 1843 – December 6, 1925) was an American Baptist minister, orator, philanthropist, lawyer, and writer. The original inspiration for Acres of Diamonds, his most famous essay, occurred in 1869 when Conwell was traveling in the Middle East. The work began as a speech, "at first given," wrote Conwell in 1913, "before a reunion of my old comrades of the Forty-sixth Massachusetts Regiment, which served in the Civil War and in which I was captain."

In San Francisco, 1960, James Baldwin spoke to John Cheever about what he saw as a 'failure of the masculine sensibility'. Strange Relations examines how Baldwin came to this assessment and what may be amiss in our understanding of masculinity. Building on Walt Whitman's philosophy of the love between men, the book considers the work and lives of Tennessee Williams, Carson McCullers, Cheever and Baldwin. All four writers wrestled in their art, as well as in their sexual and platonic relationships, with the expectations of masculinity, the pull of queer life and the tensions between the two.

Карта Родины — сборник эссе о его путешествиях по стране, в которой он родился и которой уже больше не существует. Петр Вайль. Карта родины, К новому изданию, О вечном и личном, Европейская часть, Трамвай до Мотовилихи, Макарьевская ярмарка, Абрау-Дюрсо, До Вытегры и после, Фирменный поезд "Ярославль", Иммануил Кант, Семья Ульяновых, Джон Григорьевич, К Леонтьеву по Жиздре, Ночлежка в Нижнем, Розы для Николая Островского

Jon Fosse said farewell to theory early in his career, choosing poetry, fiction, and drama as his mediums of choice. Here, however, in a selection from his two books of essays, we see just how incisive a critic and memoirist he can be. Not only including a generous portion of Fosse's writing on literature and theater—including the irresistible "Thomas Bernhard and His Grandfather"—this collection also includes such personal essays such as "My Dear New Norwegian," "Old Houses," and "He Who Didn't Want to Become a Teacher."

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

Robert Musil: Über die Dummheit Ein Vortrag, gelesen von Moritz Brendel. Robert Musil hält seinen legendären Vortrag Über die Dummheit erstmals gehalten auf Einladung des österreichischen Werkbunds am 11. März 1937 in Wien – auf den Tag genau ein Jahr vor dem Anschluss Österreichs an Nazi-Deutschland. In seiner Rede formuliert er das Paradox der Dummheit, "dass jeder, der über Dummheit sprechen oder solch einem Gespräch mit Nutzen beiwohnen will, von sich voraussetzen muss, dass er nicht dumm sei und also zur Schau trägt, dass er sich für klug halte, obwohl es allgemein für ein Zeichen von Dummheit gilt, das zu tun!"

En este lúcido ensayo, el erudito ensayista francés analiza la obra de Élisabeth Louise Vigee Le Brun, una de las pintoras más brillantes e ignoradas de las últimas decadas prerrevolucionarias en Francia. Retratista magistral "capaz de conjugar el parecido fiel con la idealización im- palpable", Vigee Le Brun fue la aliada a la que escogió María Antonieta para ofrecer una imagen humana y digna de ese mundus muliebris que ella representaba y que, supuestamente, corrompía el prestigio y la autoridad de los monarcas a fuerza de afeminarlos.

Audiolibro producido con sonido 3D. El mismo esta diseñado para ser escuchado con auriculares. Las puertas de la percepción es un ensayo escrito por Aldous Huxley, publicado en 1954. En este trabajo, Huxley detalla sus experiencias al consumir la sustancia psicodélica mescalina. A lo largo del ensayo, reflexiona sobre la naturaleza de la realidad, la conciencia y la percepción. Profundiza en cómo ciertas sustancias pueden alterar nuestra percepción del mundo, lo que le lleva a ponderar los límites entre el ser interno y la realidad externa.

Auf diesem Hörbuch werden folgende 5 Texte, die jeweils den Gegenstand Kunst auseinandersetzen und verdeutlichen zu finden sein: Der Verfall der Lüge, Stift – Gift – Schrifttum, Kritik als Kunst 1, Kritik als Kunst 2, Die Wahrheit der Masken. Text 1: Ohne Lügen wäre Kindererziehung unmöglich, ohne Lügen wären Wahrheiten unmöglich.

何も失っていない人などいない。台所から人生の愛おしさを描く感動ノンフィクション！　ＮＨＫ「あさイチ」（２３年７月５日放送）で紹介され大反響！

"From Superman to Man" is not just a critique of racial prejudices but also an empowerment tool. By dismantling stereotypes and celebrating black accomplishments, the book seeks to uplift the African-American community. It remains a relevant historical document, capturing the zeitgeist of its era and contributing to the ongoing discourse on race and identity. Rogers' dedication to dismantling stereotypes and promoting a more inclusive understanding of African-American history is evident throughout the text, making the book a significant contribution to the broader conversation on racial issues in America.

Hedwig Dohm (1831-1919) war eine deutsche Schriftstellerin, Frauenrechtlerin und eine der ersten feministischen Theoretikerinnen. Die Großmutter von Katia Mann, der Gattin Thomas Manns, war sie obendrein. Im Jahr 1903 veröffentlichte sie ihr Essay "Die Mütter", in dem sie auf vielfältige Weise unter anderem folgende Themen beleuchtet: das überladene Mutterideal; Einflüsse, die auf Kinder wirken; freie Berufswahl der Frau; Erziehungsfragen. Cover-Illustration von Lea Pfeiffer.

＜月７万円で、心が満ちる小さな暮らし。＞心とお財布にかかる負荷（コスト）を見直し、家賃込み月７万円の生活を実現した著者が少しのモノとお金で暮らすメソッドを紹介する。

人気作家・柚月裕子ができるまで――。文庫オリジナル、エッセイ集。2008年のデビューから2023年現在までの15年間の軌跡を辿る。温かな言葉で綴られた、笑いと涙あふれるエッセイ集。

日本人だからこその会話の妙や楽しみ方はあるはず――。初対面の相手との会話から、認知症の親の介護や家庭円満の秘訣、会議や会食まで。

母・樹木希林と 父・内田裕也を たてつづけに喪った。虚しさ、混乱、放心状態、ブラックホール……。「人生の核心的登場人物を失い空っぽになった私は 人と出会いたい、と切望した」

What happens to the adolescent spirit when all vestiges of innocence about the world are foregone, replaced within the grinding sounds of concrete and metal of the CBD of Melbourne? A place where train tunnels become nesting sites, carpark stairwells spots to refuel on methamphetamine and hide from predators; where agility leads you across nightclub rooftops, yielding cash in tight spaces with a quick reflex. For a rest, why not ride on the back of a train as it speeds through the night? The dangers of a decades-long exploration of risk in the streets of his city is exhilarating.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”