Títulos em Música

Larry S. Sherman, a neuroscientist and lifelong musician, and Dennis Plies, a professional musician and teacher, collaborate to show how our brains and music work in harmony. They consider music in all the ways we encounter it—teaching, learning, practicing, listening, composing, improvising, and performing—in terms of neuroscience as well as music pedagogy, showing how the brain functions and even changes in the process. Every Brain Needs Music draws on leading behavioral, cellular, and molecular neuroscience research as well as surveys of more than a hundred musical people.

The author of The Holy or the Broken and former editor-in-chief of Vibe brings his “thoughtful and illuminating” (The New York Times) insight to Fleetwood Mac’s iconic album Rumours, celebrating its story, mythology, and enduring impact. On January 1, 1975, struggling young...

Une histoire musicale. sur ­la ­naissance du blues. Mississippi, début du XXe siècle, ferme de ­Dockery, atmosphère des champs de ­coton : écoutez...

Billy, who lives in the town of Stony Brook, is having a miserable summer. Firstly, she's having a fight with her best friend, Dev. Secondly, it looks like her mums might have to sell their antique shop. And thirdly and perhaps worst of all, her goldfish Hepzibah has died (she killed it). But when Billy happens across some unusual spectacles through which she can not only see but hear ghosts–things take a spectral turn.

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

Del legendario productor musical, un maestro en el arte de ayudar a los demás a conectar con las fuentes de su propia creatividad, llega un libro maravillosamente fraguado a lo largo de muchos años con una visión profunda de la creatividad y de la vida dirigida todo el mundo. "Me propuse a mí mismo escribir un libro acerca de cómo crear una gran obra de arte. En lugar de eso, se reveló como un libro acerca de cómo Ser." Los grandes productores musicales suelen ser reconocidos por un sonido único que solo ellos son capaces de lograr.

Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way.

Teen pop is a sub-genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn’t primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one—teen pop wants to play. Although it’s very difficult to attain and maintain social progress and play it forward—there are so many tragedies—'70s Teen Pop examines how liberation and a true counterculture can be possible through music.

Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"—and then left as quickly as it came. Conventional wisdom among artists dictates that it’s better to burn out than fade away, but this doesn’t tell the full story of NDW—the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end.

Trip-hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums. But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to ’trip-hop’ in its context of the weird 1990s.

Guitars playing abrasive, discordant riffs, the thunderous double-kick of the drums acting like an accelerated heartbeat, and porcine, guttural vocals pummeling twisted lyrics. Courting controversy from inception to its modern day iteration, death metal presents a number of contradictions: Driven and adventurous musicians compete to make uncomfortable noises; it is crude and far beyond parody and yet consistently popular; and the music is pig-headedly uncommercial despite making a few labels, albeit briefly, wealthy.

Bob Dylan arrived in New York one winter morning in 1961. His music and spirit would go on to capture the hearts and minds of a generation, but what no one knew then was that, like so many before him, Dylan was concealing his Jewish origins. For Harry Freedman, Dylan’s roots are the key to grasping how this complete unknown burst onto the scene and reinvented not only himself, but popular music. The instinct for escape and reinvention has defined Dylan’s long career.

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.

Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio.

And After All gives the mic to the fans that launched Oasis to stratospheric fame and takes a deep dive into the band’s formation, history, and reunion. Through the lens of the fans who were there for all the songs, feuds, and incredible shows, journalist Melissa Locker examines the path Oasis charted as they cemented their place in modern rock history.

Immerse yourself in the natural symphony of the elements with "Thunderstorms and Rain Sounds." This exquisite collection of high-quality thunderstorm and rain recordings is your gateway to instant relaxation and rejuvenation. Crafted to provide an authentic experience of nature’s own lullaby, each track is a pristine auditory journey that encourages deep relaxation, alleviates stress, and promotes restorative sleep. From the gentle patter of raindrops on leaves to the profound rumbles of distant thunder, "Thunderstorms and Rain Sounds" captures the full spectrum of nature's tranquility.

A stunning celebration of Dolly Parton’s iconic career as a performer, featuring entertaining personal stories alongside full-color photographs, including exclusive images and ephemera from her archive. In Star of the Show, the culminating book in Dolly Parton’s photographic...

This Must Be the Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed, and governed.

Sérgio Cabral vai às origens das escolas de samba, destacando com detalhes o papel dos sambistas pioneiros e narrando como se desenvolveram as escolas: de vítimas dos preconceitos sociais e culturais e das perseguições policiais para protagonistas do que é considerado o maior espetáculo...