Títulos em Música

From the founder of Los Cenzontles Cultural Arts Academy, a profoundly personal exploration of music's power to build cultural bridges that last.

The story goes like this: on a freezing winter night in 1941, a new piece of chamber music was performed to a crowd of prisoners of war on a three-stringed cello, clarinet, violin and pub piano with sticky keys. It was the premiere of Olivier Messiaen’s Quatuor pour la fin du Temps. Listeners since then have been captivated by the ecstatic music and mythology of Messiaen’s masterpiece. Michael Symmons Roberts’ own lifelong fascination with the Quartet leads him on a quest to understand its enigmatic power.

In Bach, Beethoven and the Grrrls, the author turns his engaging and educating gaze on an area of classical music that has sadly been too long neglected – that of some of the great women composers. In briefly chronicling their lives, David maintains a light tone while striving to remain respectful of the women themselves, yet properly irreverent – at times even perhaps disdainful – of the societal and other forces that for far too long have kept these creative artists in the shadows of others.

Through the lens of George Michael's life, Sathnam Sanghera, the prize-winning author of Empireland, writes a kaleidoscopic story of immigration; homophobia; fame; the 80s and 90s; creative and musical genius; the tabloids; addiction; obsessive fans; shame; and why the love for George Michael has only grown in the years since his tragic death on Christmas Day 2016.

Mutya Buena was only thirteen when she became one third of the original line up of the iconic girlband, Sugababes. Launching into fame, her life became unrecognisable overnight. Suddenly she was going straight from the studio to school in the early hours, rubbing shoulders with music royalty, and hearing fans scream her name. This is the story of the girl the tabloids never saw. In Real Girl Mutya takes us through the highs of her spectacular career and the lows that came with a life in the limelight and shares for the first time the struggles she’d kept hidden from the public eye.

New York Times bestselling author Bill Janovitz explores the musical, cultural, and commercial impact of The Cars, one of the biggest and most influential bands of the 1970s and 80s. With roots in Maryland, Ohio, New York, and New England, eventually convening in Boston, The Cars were journeymen musicians, all forming and performing in a series of bands before finding each other along with the right sound at the right time. It turned them into Rock and Roll Hall of Famers. Janovitz reveals the stories of each member of the band, and of the band as a unit, with great care and understanding.

Pela primeira vez, uma biografia resgata a história do artista por meio de depoimentos, pesquisas em jornais e testemunhos inéditos do próprio autor, em uma narrativa das melhores vozes da cultura pernambucana. O jornalista paraibano José Teles conviveu com Chico Science, como também testemunhou os bastidores de suas criações mais importantes. Em Criança de Domingo, Teles se embrenha no mangue, para revirar a memória de dezenas de amigos, parentes, colegas de trabalho, trazendo à luz a semente do manguebeat, sua geração cheia de gigabytes de informação e criatividade, carregada de lama e caos.

To Hell With Poverty! documents Jon's story from a south London slum and working-class background to international success as core musician, lyricist, writer, and producer in acclaimed post-punk/funk band, Gang of Four. Made up of charming vignettes, the listener is taken on an episodic journey full of raucous adventures from Jon's childhood and teenage years, to the height of Gang of Four's success in the seventies and eighties.

Una Indagación Filosófica y Cultural sobre la Muerte de la Música. Este tratado filosófico de Halasius Bradford y provocador diseca la transformación de la música de una fuerza orgánica y mística a un producto mercantilizado, argumentando que la música moderna se ha reducido a simples patrones de sonido, despojada de su alma. Explorando las intersecciones entre la consciencia, la tecnología, el capitalismo y la expresión artística, La Música ha Muerto presenta una crítica radical y urgente sobre cómo la era digital ha reformulado el papel de la música en nuestras vidas.

Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other "band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class.

Arthel "Doc" Watson (1923-2012) is arguably one of the most influential musicians Appalachia has ever produced. A musician's musician, Doc grew up on a subsistence farm in the North Carolina mountains during the Depression, soaking up traditional music and learning to play guitar even though he was blind. Full of fascinating stories—from Doc's first banjo made from his grandmother's cat to the founding of MerleFest—this promises to be the definitive biography of the man and how he came to be synonymous with roots music in America and shows how his influence is still felt in music today.

Jungkook is one of the world’s biggest stars, period. His first album, Golden, sold more than 2 million copies on the day of its release and stayed on the Billboard 200 for twenty-four consecutive weeks. How did a young prodigy from South Korea make music history? The Meaning of Jungkook is an unofficial kaleidoscopic exploration of the forces that made Jungkook into the triumph he is today.

This audiobook is not meant to be a band biography; it's a condensed guide of fun facts and information. If you are curious about what happened to that band you heard on the radio the other day, then download this audiobook!

L'avvento di Internet ha rappresentato una vera e propria rivoluzione nel mondo della musica. L'opportunità strabiliante di usare linguaggi musicali provenienti da ogni tempo e luogo ha rimescolato il concetto stesso di composizione, aprendo un ampio ventaglio di fusioni stilistiche e contaminazioni. Ciò presuppone grande responsabilità da parte del compositore, nonché il rischio di incorrere nell'esplorazione superficiale di un catalogo cosí pericolosamente vasto, smarrendo un requisito fondamentale: il senso critico.

Ever since my days in music school, I dreamed of creating music that tells deeper stories—melodies that resonate with our souls. This audiobook brings that dream to life, blending my piano compositions with heartfelt stories that explore love, faith, and the divine. Each chapter concludes with a music recording, inviting you into a world where sound bridges us to something greater, echoing my journey to Orthodoxy. This collection is more than just a series of stories; it's an invitation to witness how music can lead to spiritual discovery and transformation.

Stephen Catanzarite takes a close look at what many consider to be U2's most fully formed album through the prisms of religion, politics, spirituality, and culture, illuminating its previously unexplored depths, arguing that it's a concept album about love and the fall of man.

Pet Sounds is, rightly, one of the most celebrated pop albums ever released. It has also been written about, pored over, and analyzed more than most other albums put together. In this disarming book, Jim Fusilli focuses primarily on the emotional core of the album, on Brian Wilson’s pitch-perfect cry of despair. In doing so, he brings to life the search for equilibrium and acceptance that still gives Pet Sounds its heart almost four decades after its release.

Joe Bonomo strikes a three-chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does Highway To Hell matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, Highway To Hell dramatizes and celebrates a timeless album that one critic said makes "disaster sound like the best fun in the world."

Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece—edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future.