Resultado Editorial "Tantor Media" em Ficção Literária

Accused of dressing as a boy to study in the prestigious galleries of eighteenth-century Italy, child prodigy Angelica Kauffman has set high goals for herself. She is determined to become a history painter, a career off-limits to women. To ensure her success, she has vowed never to marry.

Duluthians is a collection of short fiction that illustrates the folks who call Northern Minnesota their home. Here you will find stories of transplants who have found themselves reluctantly placed in the wild northland (Heiland Daze), and those where Duluth has always been their home and they would live in no other place. Follow a young boy who discovers the love of his half-wolf half-dog. Or the ski jumper who is destined for the Olympics if he can only overcome his fear of heights, and, more importantly, his thoughts of letting go and flying away.

When Aldous Huxley's Brave New World first appeared in 1932, it presented in terms of purest fantasy a society bent on self-destruction. Few of its outraged critics anticipated the onset of another world war with its Holocaust and atomic ruin. In 1948, seeing that the probable shape of his anti-utopia had been altered inevitably by the facts of history, Huxley wrote Ape and Essence.

Sad Tiger is built on the facts of a series of devastating events. Neige Sinno was seven years old when her stepfather started sexually abusing her. At nineteen, she decided to break the silence that is so common in all cultures around sexual violence. This led to a public trial and prison for her stepfather, and Sinno started a new life in Mexico.

An infant is left on the doorstep of Saint Michael's Orphanage in the winter of 1936 with only an engraved medallion to mark his identity. Marvin Saint Michael grows up under the watchful gaze of the nuns and priests, yet his upbringing is anything but loving. Marvin learns from an early age to keep his mouth shut, to obey, and to refrain from questioning the authority figures that surround him. For when one disobeys, severe repercussions are handed out . . .

The Summer of Love has been replaced by the Summer of Fear as a sadistic killer prowls the streets of San Francisco. Known only as 'The Gemini,' his brutal murders have the city paralyzed in a merciless grip of terror as he taunts police with a series of cryptic puzzles and the body count rises. As detectives work to unravel the Gemini's chilling clues, the line between nightmare and reality begins to blur when Cassie Kennedy—a newly separated young mother and part-time psychic—discovers that her dreams are foretelling the gruesome deaths of three women.

Hallie Bancroft's forty-two-year-old life is in shambles. The universe has been dishing out lemons to her at Mach speed: laid off from her job as a theater-set designer, abandoned by her boyfriend, and saddled with an apartment she can no longer afford. When her best friend intervenes, Hallie finds herself with five others in a Cape Cod mansion so gigantic it could have its own ZIP code. There, she meets Quinn O'Neill, a dashing widowed professor in his early fifties who, much to Hallie's surprise, loves wordplay and literature as passionately as she does.

Anna Thalberg is a villager shunned for her red hair and provocative beauty, so when she is dragged from her home and accused of witchcraft, her neighbors do not intervene. Only Klaus, her husband, and Father Friedrich, a priest experiencing a crisis of faith, set out to Würzburg to prove her innocence. There, locked in a prison tower, Anna faces isolation and torture while anxiety builds over strange happenings within the city walls. Can the two men convince the Church inquisitors to release Anna, or will she burn at the stake?

May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She's been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste its authentic cuisine.

Your Body of Water is an interweaving of autofiction with hydro-feminist mythologies, exploring via the emotional landscapes of four rivers and four "tragic feminine characters" (Ophelia, Leda, the Lady of Shalott, and Sappho) the author's own real life journey, with a dose of tongue-in-cheek humor—through coming out in Australia, an abusive relationship in Berlin, and navigating queer love in the context of a world literally burning around us—and finding hope for the future in the stories of her ancestors before her.

Audrey is the black sheep of the family. Always in trouble. Always causing problems. She's there in her mother's luxury house in the hills above a small rural town. There with her secrets and her issues. Now she's a teenager, things can hardly improve.

Summer ends, the season changes, and Coro, an artist frightened off by what her own paintings may represent, gets in her car and drives for hours in the middle of the night until she chances upon Betania, an isolated house existing in a world of its own. It's an unfamiliar place inhabited exclusively by women who, strangely, all seem to know her. Like adherents of an ancient cult, the women of Betania all dress the same, carry out strange rites and celebrations, and live alongside goats and innumerable dogs against a landscape dominated by a mountain that seems to block out the sunlight.

It's 1989, and in a small town on the Austria-Hungary border, nobody talks about the war; the older residents pretend not to remember, and the younger ones are too busy making plans to leave. The walls are thin, the curtains twitch, there is a face at every window, and everyone knows what they are not supposed to say. But as thousands of East German refugees mass at the border, it seems that the past is knocking on Darkenbloom's door. Still, though, nobody talks about the war. Until a mysterious visitor shows up asking questions.

Will Alexander is the sheriff in a small town in southern Appalachia, and he knows that the local thug Holland Winchester has been murdered. The only thing is the sheriff can find neither the body nor someone to attest to the killing. Simply, almost elementally told through the voices of the sheriff, a local farmer, his beautiful wife, their son, and the sheriff's deputy, One Foot in Eden signals the bellwether arrival of Ron Rash, one the most mature and distinctive voices in Southern literature.

Nidal, after many decades of restless exile, returns to her family home in Nablus, where she had lived with her grandmother before the 1948 Nakba that scattered her family across the globe. She was a young girl when the popular resistance began and, through the bloodshed and bitter struggle, Nidal fell in love with freedom fighter Rabie. He was her first and only real love—him and all that he represented: Palestine in its youth, the resistance fighters in the hills, the nation as embodied in her family home and in the land.

"Things used to be easier, but even in those carefree days, the rules were in place for a reason. And that reason is: so we can all agree. So we can all have the same standard applied across the board. So there is no special treatment, which no one should receive. This is why we need the rules."...

Mikey makes everything a joke, even the clinical depression he's struggled with for years. After a run of failed jobs, he becomes the unlikely basketball coach at a high school for high-risk offenders who are experiencing mental illness. The position becomes suddenly available after the team tried to strangle their last coach.

It's 1910, and Theodulf Sauer has finally achieved a position befitting his ego: master lighthouse keeper at a newly commissioned station towering above Lake Superior. When his new wife, Willa, arrives on the first spring ferry, it's clear her life has taken the opposite turn: after being summoned home from college to Duluth when her father dies, she and her scheming mother find themselves destitute, and Willa is rushed into this ill-suited arranged marriage. As the lighthouse station establishes, the new relationship teeters between tense and hostile.

A dying father in the grip of fever and delirium recounts his youth, his Grand Tour, the Venetian palaces populated by fascinating and evil figures, his ruin, and his most beautiful journey—the crossing on foot of the frozen Hudson River. His son, still a child, sits at the foot of the bed, attentively collecting these final hallucinated words. Could the work of Herman Melville—masterful author, misunderstood, far too ahead of his time, and considered crazy and dangerous by some critics—have as its source this ultimate paternal legacy?

After suffering her first big heartbreak two years earlier, Penelope Lin has built a quiet life with no romantic entanglements. She spends her days cataloging a museum's vast collection of Qing Dynasty bound-foot shoes and in the comfortable company of close friends. One day, she happens to meet Hoang, who confesses to releasing mice from the cancer research lab where he works. Hoang's openness catches Penelope off guard; from then on, she finds her carefully constructed life slowly start to unravel.