Resultado narrado por "Lily" em Todas as categorias

During the kissing season, one kiss from Remy or her older sister Maggie will give the boy—or girl—good luck. Or so it has been for all the Holloway girls before. But this year, Remy's first season, she doesn't follow the rules, dooming the boy she kisses to bad luck that almost kills him and leaving Remy with a cursed kissing season. Now Remy is adamant about keeping her lips to herself. But the new boy in town is making it hard to keep her promise. Especially because he seems to really want to get to know her, and isn't just using her for the Holloway luck.

Local weather reporter Suzanne Maretto craves nothing more than to transcend life at her suburban cable television news station and follow in the footsteps of her idol: Barbara Walters. When she concludes that her unglamorous husband is getting in the way of her dream of stardom, the solution seems obvious: Get rid of him. She seduces a 15-year-old admirer, Jimmy, and persuades him to do her dirty work. Mission accomplished, Suzanne takes to the airwaves in her new role as grieving widow, in search of a TV deal. If that means selling Jimmy down the river, she’s ready.

At 17-years-old, Lily Arthur was caught between an era of women's liberation and the draconian ideology that young women should be punished for deviating from society's "moral codes".

The tasty dish from Benedict restaurant is everything Jessica Lafayette could want...or crave. And it's not the dessert in front of her - it's her waiter. A guy with dark, intense eyes that suggest he wants to lick whipped cream slowly off her skin. A smile so wicked it makes her insides lava-cake gooey. And a too-hot-to-handle body that was meant to be tasted.... Yup, Sam the Waiter is better than chocolate. But what Jessica doesn't know is that her one-night-waiter is actually Sam Benedict, Upscale Restaurateur.

On Yom Kippur, 1944, fighting to stay alive as a prisoner in Auschwitz, Lily Ebert made a promise to herself. She would survive the hell she was in and tell the world her story, for everyone who couldn’t. Now, at ninety-eight, this remarkable woman—and TikTok sensation, thanks to the help of her eighteen-year-old great-grandson—fulfills that vow, relaying the details of her harrowing experiences with candor, charm, and an overflowing heart.

Velina Hasu Houston's Tea uses history and poetic writing to weave a drama about Japanese "war brides" living in Kansas.

The war was over except for the crew of the TSS Phoenix. Lost deep in enemy space, crippled but not dead. The odds of survival were stacked against them, but they were still determined to fight their way back toward allied space. On New Terra, Roy O’Hara had discovered peace for his spirit and joy in a simple life. Yet he had only fulfilled a portion of the Commander’s Prophecy. It told of a darkness that would fall on his new home from the stars, and he would be called upon once again to save them all.

O'Hara never wanted to be a hero. He was a combat pilot only because his skills made him the best and Earth needed men like him to fight the enemy among the stars. Living a life a service and duty, alone in a cockpit suited him well, but fate had other plans for him. Shot down over an alien planet he was saved by a beautiful and mysterious woman named Katreena. He soon learns that the world is populated by people who seemed to have been lost by time and controlled by stones that the people believe to be divine magic.

The difference is mine will never be revealed, whereas I can easily get yours, assuming the price offered by your enemy is right and the scales of justice appeal to my personal standards of ethics. Easy peasy lemon squeezy. The thing that’s not so easy for a shy guy like me? Finding Ms. Right and locking her down.

Manager Sylvia has had plenty of success in the boardroom, but little success in trying to date. Every man leaves within a short time of meeting her. What is she doing wrong? Gary, who is young enough to be her son, suggests she is too controlling. Can Sylvia relinquish her tight grip on the world long enough for him to teach her how to relax? Will she let someone else take control, even if it means letting him do whatever he wants to her?

Keane Morgan wouldn’t return any of my calls or texts, and I was pissed as hell about it. I didn’t want to drive from Seattle to L.A. with the guy any more than he wanted to drive with me, but I had no frickin’ choice in the matter—at least, not if I wanted to use his brother Dax’s coveted parking spot at UCLA. Okay, so it turned out Keane was objectively gorgeous, and, fine, pretty funny, too. But did he have to be so damned in love with himself? I mean, jeez, the cocky way he flashed those dimples was just so orchestrated.

It was lyrics at first sight when I saw Violet Rhodes across that crowded party. She was lights and darks, swirled together. Music in motion. And all of it while looking like a hitwoman at an Elvis convention. I had nothing to offer the intriguing girl but a one-night stand. I figured I’d revel in my last night of anonymity before my first tour and shoot her a quick “we’ll always have LA!” good-bye the next morning. But nothing went according to plan.

So, this is me. Lily Allen. I am a woman. I am a mother. I was a wife. I drink. I have taken drugs. I have loved and been let down. I am a success and a failure. I am a songwriter. I am a singer. I am all these things and more. When women share their stories, loudly and clearly and honestly, things begin to change - for the better. This is my story.

Beatrice Bird is plagued by ghosts. It’s a gift she’s had since she was a small child. Unfortunately, it’s a gift that has grown more intense, shifting from flashes and feelings to physical manifestations she can’t escape. In a desperate attempt for relief, Beatrice flees her home, her partner, and a psychology practice in San Francisco for a remote island with only nuns and a few cows for company. She sees as few people as she possibly can. She doesn’t call home. Then she meets Anne Iredale, a timid woman who has lost everything that matters to her.

Lily has tapped in to a timeless purity of childhood that can't help but warm your heart. Her poems are honest, original, and evocative. This is the experience of life for a young girl growing up in England, expressed with such charm.

On a soft summer night in Vermont, twelve-year-old Lisa went into the woods behind her house and never came out again. Before she disappeared, she told her little brother, Sam, about a door that led to a magical place where she would meet the King of the Fairies and become his queen.

Merilee leads a Very Ordered Existence: V.O.E. for short. She does not have time for Biswick O'Connor. She does not have time for Miss Veraleen Holliday. He with his annoying factoids and runny nose; she with her shining white shoes as big as sailboats. Both of them strangers who, like the hot desert wind that brings only bad news, blow into town and change everything.

By the age of 13, Lily Bailey was convinced she was bad. She had killed someone with a thought, spread untold disease, and ogled the bodies of other children. Only by performing an exhausting series of secret routines could she make up for what she'd done. But no matter how intricate or repetitive, no act of penance was ever enough. Beautifully written and astonishingly intimate, Because We Are Bad recounts a childhood consumed by obsessive compulsive disorder.

Capitalist ideology wants us to believe that there is an optimal way to live. "Making connections" means networking for work. Our emotional needs are to be fulfilled by a single romantic partner, and self-care equates to taking personal responsibility for our suffering. We must be productive and heteronormative; we must have babies and buy a house. But the kicker is most people cannot and do not want to achieve all or any of these life goals. Instead, we are left feeling atomized, exhausted, and disempowered. Radical Intimacy shows that it doesn't need to be this way.

In her groundbreaking debut essay collection, actress Lily Collins—Golden Globe-nominated star of Rules Don’t Apply, Mortal Instruments, and To the Bone—is opening a poignant, honest conversation about the things young women struggle with: body image, self-confidence, relationships, family, dating, and so much more. Lily shares her life and her own deepest secrets, underlining that every single one of us experiences pain and heartbreak. We all understand what it’s like to live in the light and in the dark. For Lily, it’s about making it through to the other side, where you love what you see in the mirror and where you embrace yourself just as you are. She's learned that all it takes is one person standing up and saying something for everyone else to realize they’re not alone. By turns hilarious and heartbreaking, Lily’s honest voice will inspire you to be who you are and say what you feel. It’s time to claim your voice! It’s time to live your life unfiltered.