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"England, My England" is set in the years before the Great War of 1914, seen by some as an idyllic time of sunshine and peace before everything was shattered by the mechanized war. The family is placed in an idealized setting, deep in the English countryside, but there are snakes in this Garden of Eden. There is conflict between man and woman, brought to the fore by an accident to a child, and there is the seeming purposeless life led by the husband. The story ripples with the eugenic theories popular at the time, yet the conflicts are finally solved by the horror of the war.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.

"Sun" is a sensual story of a woman rediscovering her sexuality through the power of the sun. But for the unexpected arrival of her businessman husband, she was ready to give herself to a local peasant, but is finally pulled back to respectability by her husband. But she is free to remain apart from him in the sun.

"The Shades of Spring". In this story, the hero has moved on in the world and is married, yet cannot forget his old love. He retraces the steps to her farm, hoping for - what? He finds his old love attached to a physical young man who can give the girl what he could not - pure, physical love - and this she prefers to his more intellectual love.

"The Miner at Home" was written by D.H. Lawrence in 1912. Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The scene can hardly be called a story in the traditional sense, being the altercation between a miner and his wife over an impending strike, but as a picture of a working miner’s family, rich in detail and the Nottinghamshire dialect, it has a fascination and vividness.

"Rex" is a riotous story of the turmoil caused in a household by the arrival of a puppy. The setting is similar to the one found in Sons and Lovers, but Lawrence thought this scene deserved the fuller treatment of a short story. The question of the destructive force of unconditional love is left open.

"Christs in the Tirol" is more of an essay on this peculiar art form than a short story. It is included in this series as forming part of Lawrence's record of his wanderings in Europe, and partly as a record of Lawrence's attitude to religion and death and foreshadowing his own eventual suffering and death.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"Things" takes a cutting look at two "idealistic" young Americans who travel around Europe in an attempt to give their spoiled lives some meaning, and in the end settle for suburban America, surrounded by their possessions, their "things".

"The Last Laugh" is another of Lawrence's supernatural stories, set in a dreamlike snowy London. The question left open is who the three people in the story saw on the snowy evening. Perhaps Pan, returned to destroy the Christian God, as the church is destroyed in the story, and to bring love to the frigid young woman in the form of a policeman who is prevented from leaving the house. But why the other quite harmless, and Platonic lover, had to die is a mystery. Perhaps because he had made love to a Jewess?

In "The Thimble", Lawrence moves to the world of the affluent middle classes, a world to which he perhaps aspired. The story is a touching one of a disfigured husband returning home from the war to a beautiful new wife. The thimble of the story can be seen to represent purposeless, surface beauty, which has no function. The husband casts the thimble away, but can this marriage survive the surface damage and find a deeper meaning?

"Tickets Please" returns Lawrence to his native Nottingham during the First World War. The social revolution of women doing jobs previously done by men also begins to change the relationship between the sexes, and the women in the story are aggressive and wanting their rights. But are they happier for conquering the flighty male in the story, or is the domination of man by woman one step too far, only generating hate and unhappiness?

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

"Once" was written by D.H. Lawrence in 1912. The story is largely autobiographical, written when Lawrence and Frieda (Anita in the story) had fled England together to live in Austria and Italy. Frieda had had an affair while they were in Austria and she told Lawrence about it. "Once" explores Lawrence's reactions to being betrayed while still being in love and desiring the betrayer.

Lawrence is often accused of misogyny, and this story used as evidence against him. There is the simple but honest mine worker who has taken on a wife who is "above" him, but who is struggling to understand her and her feelings for him. Slowly, the story unravels the woman's past. The listener cannot be entirely unsympathetic to her plight - Lawrence is too good a writer to let that happen - but her dishonesty has probably ruined two lives, and our feelings are for the husband.

"The Christening" was written by D H Lawrence in 1911. Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The theme of the unmarried mother and the frictions the situation caused in the family and in the local community were further explored in his play The Daughter-in-Law. In this story, the emphasis moves around each member of the family and the visiting clergyman as the tensions in family life are released.

Does watching your child lose their temper feel like looking into a mirror? Your children look to you for everything; from lunch money and homework help, to impulse control and emotional regulation. You are the model by which they set their standards. So, when it comes to anger management, are you demonstrating model behavior? If the answer is "no", you’re not alone. Even parents need help learning how to control our emotional responses, especially when it comes to feeling frustrated with our offspring.

"Her Turn" was written by D.H. Lawrence in 1912. Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The scene can hardly be called a story in the traditional sense, being the altercation between a miner and his wife over the sharing of strike pay. Lawrence keeps the story lighthearted, almost comical, but the tensions of married life in hard times are just below the surface.

"A Sick Collier". Lawrence returns in this story to the scenes of his childhood and the colliers he was brought up with. The wife in the story is probably based on his mother, although the husband is unlike the drinking, brutal father portrayed in Sons and Lovers, Lawrence's autobiographical novel. The story is a vivid portrayal of the life of a young couple when an accident strikes the husband down, but does not succeed as a short story, lacking any clear focus or message.