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Best known for his poetry and historic novels in the style of Sir Walter Scott, Alexender Bestuzhev-Marlinsky takes a turn down a different path with A Terrible Prophecy and delivers classic spooky tale on the dangers of having one's wishes fulfilled to the letter.

Widowed. Unemployed. Aged fifty-one. Mrs. Shim becomes a killer. In this savage and side-splitting literary thriller, an ordinary woman dives headfirst into a world of petty criminals, crooked cops, and accidental assassins. Around her orbit a washed-up fixer blackmailed by his boss's daughter, a policeman's wife undercover at a third-rate detective agency, a ghost marriage-broker with an attraction to hairdressers, and a son who unknowingly becomes her rival.

The Skating Rink by Roberto Bolaño is a forthcoming title from Farrar, Straus and Giroux.

The book that catapulted Roberto Bolaño into international literary stardom, By Night in Chile is the final testimony of Sebastián Urrutia Lacroix—Chilean priest and member of Opus Dei, eminent literary critic and failed poet—as he is haunted by a shadowy figure from his past. In Urrutia’s feverish last hours, a deluge of memories pours from him: of hobnobbing with Santiago’s most unctuous literati; of undertaking a mission to save Europe’s decaying cathedrals from existential threat by pigeon excrement; and more.

Mass-murdering authors. Writers at the head of a football-hooligan ring. A pilot who crafts his poetry in the sky. A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of pan-American writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. Terrifyingly witty and remarkably inventive, Nazi Literature in the Americas is the virtuosic, one-of-a-kind masterpiece that brought Bolaño fame throughout the Spanish-speaking world.

Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

In 1938 Paris, Pierre Pain, a lonely bachelor and a beleaguered mesmerist, receives a telegram from his friend Madame Reynaud. An acquaintance of hers lies in a hospital bed with a mysterious—and apparently terminal—case of the hiccups, and she entreats Pain to cure him. Quietly in love with Reynaud, and buoyed by her faith in him, he agrees to see the patient, the exiled Peruvian poet César Vallejo. So sets off a nightmarish and labyrinthine chain of events that sees Pain racing, breathless, through the umbrous streets of Paris: He finds himself barred from approaching Vallejo’s bedside.

Oft called the “big bang” of Roberto Bolaño’s universe, Antwerp is his first novel—or the shattered remnants of one. Written when he was just twenty-seven years of age, it was so intensely strange and solitary that he tucked it away for more than twenty years, certain that any publisher would slam the door in his face.

Begun in the 1980s and worked on until the author's death in 2003, Woes of the True Policeman is Roberto Bolaño's last, unfinished novel. The novel follows Óscar Amalfitano—an exiled Chilean university professor and widower—through the maze of his revolutionary past, his relationship with his teenage daughter, Rosa, his passion for a former student, and his retreat from scandal in Barcelona.

Emile Ducrau, the kingpin of a small town on the outskirts of Paris, is stabbed and left for dead in the harbor one night. When he’s pulled from the water and miraculously revived, he enlists the help of Maigret to figure out who was behind the attempted murder. As Maigret sorts through the complex web of deceit, abuse, money, and power that darken Emile’s many dealings in the town, he must also deal with the specter of his own looming retirement.

Late at night in a small seaside town, not a single light is on, and everyone is asleep. Or almost everyone: a man, drunk, departs for home after another evening at a hotel bar, where he and a few others regularly gather. Suddenly, he collapses—struck by a gunshot. The victim turns out to be the town’s most successful wine dealer, and the event soon leads to a series of other curiosities: poisoned drinks at the bar, another man found missing, and a dirty yellow dog haunting the neighborhood, accompanied by large, unfamiliar boot tracks.

When Maigret’s police officer nephew is framed for a gangland murder, the former chief inspector must swap his countryside retirement for his old stomping ground: Paris’s seamy underworld. Fueled by regular tipples and his omnipresent pipe, he goes up against a criminal enterprise whose leader, a police informant, considers himself untouchable. Can Maigret’s forensic but off-the-books investigation save his nephew from prison—and uphold his own legacy as a peerless maverick for justice?

It’s a rainy January, and Maigret has left Paris for the country on unofficial business—or, as he reflects, a stupid escapade. The examining magistrate’s brother-in-law is rumored to have killed his daughter’s lover, and Maigret is tasked with clearing the man’s name. Arriving in gloomy Saint-Aubin, Maigret meets with strangely little cooperation, both from the accused and from the ill-disposed townspeople. And why is Justin Cavre, aka “Cadaver,” a despised ex-police inspector turned private eye, throwing obstacles in his path?

When the glamorous wife of an American industrialist is murdered at a luxury Paris hotel, her past life as a nightclub dancer is the key to finding the killer. As Maigret traces surprising connections between the dead woman and the hotel’s belowstairs staff, a story of unrequited love, self-reinvention, and blackmail emerges—with one tragic, luckless suspect at the center. Yet as Maigret knows, even the most compelling evidence isn’t infallible.

It’s the height of spring, and Maigret is grappling with doubly unfamiliar circumstances. He’s in the surreal new village of Jeanneville, outside Paris, where an elderly bachelor has been shot dead in his home. Тhe prime witness, his twenty-four-year-old housekeeper, Félicie, may well be among Maigret’s most unnerving adversaries. Infuriatingly clever, singularly self-possessed, and overtly antagonistic, she is surely hiding something—but what?

Somewhere in Liège, Jean Chabot and René Delfrosse hide out in the cellar of a seedy bar. Their plan to rob the establishment goes awry when, by the light of a match, they see the dead body of a man whom they had seen only hours before. They flee in horror. When the two boys are accused of the murder, their friendship is put to the test, and seemingly irrelevant social differences threaten their friendship and their freedom.

Exiled to a sleepy town in western France, Maigret is relieved when he has to handle a challenging case. There’s been a murder in a mussel farming village and its most respected resident, the former judge Monsieur Forlacroix, has tried to dispose of the body in the river. But why will no one admit to knowing the dead man? And what connects him to Forlacroix’s pianist daughter, Lise, who is kept locked in her bedroom? With studied patience and an eye for subliminal clues, Maigret teases out the dark secrets that everyone in this insular community, it seems, has a motive to protect.

On the eve of his death, a condemned man remembers a crime he witnessed years before. With only the name of a bar to direct him, Maigret joins a party of summering revelers who have something to do with the unsolved disappearance—but what, exactly? Descending into the sleazy underside of respectable Parisian life, Maigret investigates and the forgotten crime comes to light.

It’s been seventeen hours of interrogation, yet Carl Andersen’s air of elegance remains unruffled. Inspector Maigret is bewildered by the behavior exhibited by the only probable suspect of the case at Three Widows Crossroads, the location of Carl’s isolated mansion where he lives with his sister Else. The Saturday evening prior, Carl and Else go to sleep, after Carl has locked her away in her bedroom as usual—a curious habit, notes Maigret, but stranger things soon arise.

On the dimly lit Place des Vosges, Maigret hears the sound of a woman in distress. But this is no crime; she is giving birth in a room above. The lights of the apartments across the courtyard flicker, and Maigret sees shadowy figures at the windows. Behind one is a dead man and an empty safe. As one life begins, another has come to a dark end.