Resultado de "Edward Smith" em Todas as categorias

These stories are a little bit of madness, brought to you by some of the best horror authors working in the industry, today, that wanted to show off their love for splatterpunk.

In the not too distance future, while fleets of commercial space ships travel between the planets of numerous solar systems, a traveler named Virgil Samms visits the planet Arisia. There he becomes the first wearer of the Lens, the almost-living symbol of the forces of law and order. As the first Lensman, Samms helps to form the Galactic Patrol, a battalion of Lensmen who are larger than life heroes. These solders are the best of the best, with incredible skills, stealth, and drive.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

One theme that echoes throughout this book is that God had been preparing me for a personal encounter with Him. I recounted how things were during my childhood years. Through a series of circumstances, He set the stage and laid the foundation so He can in the future shape me into whatever form He wishes. In almost all of these testimonies, it’s clear that He (El Shaddai) wanted me to understand what I can be through Him. He guided me through endless crucibles, all for the purpose of allowing me to see His greatness and His ability to transform my life.

The bloody two-day battle of Shiloh changed the course of the American Civil War. The conflagration at Shiloh had its roots in the strong Union advance that resulted in the capture of Forts Henry and Donelson in Tennessee. The offensive collapsed General Albert S. Johnston's advanced line in Kentucky and forced him to withdraw to northern Mississippi. Anxious to attack the enemy, Johnston began concentrating Southern forces at Corinth, a major railroad center just below the Tennessee border.

A review of the exhibition Late Constable at the Royal Academy London. Includes the family background of the artist, his career development, and working methods and technique. Noted works include "The Leaping Horse", "Cottage in East Bergholt", "Rainstorm at Sea", "Chain Pier Brighton", "Stonehenge", and "The Cornfield". Includes essays by Edward Lucie-Smith ("John Constable", 2006) and Janet Barber ("John Constable: Earth and Sky", 2012).

The book that inspired the Star Trek franchise! With the exception of the works of H. G. Wells and Jules Verne, it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work. The seminal space opera.

The Titian Show at the National Gallery here in London has just opened to the public again. It was available for just three days before the big lockdown. Now, it is with us once more, though on rather different terms from what was the case previously. You have to book a time. You have to be wearing a mask. You have to maintain distance between yourself and other visitors booked in for the same slot. Is it worth the hassle? Yes, of course it is. Titian is one of the greatest figures in the history of Western art.

An essay by Edward Lucie-Smith considers the Andy Warhol exhibition re-opening at Tate Modern on July 27. He puts forward a provocative view of the relevance of the art in an time of turbulent disruption. When the Warhol show returns to Tate Modern on July 27, almost the first thing you’ll meet if you go to see it will be a large painting, on two paired canvases, entitled Marilyn Diptych. It features repeated images the film star Marilyn Monroe.

Each of us is given a gift - the gift of life. At times, some may wish they could exchange their gift for a different version. Since that's not possible, we have to deal with what we are given. We have to learn how to play the game. Developing you is huge in understanding the gift of life. In her book, The Checkerboard Game of Life, author Vickie Edwards Smith tells Eva's story. Like most of us, she wants to get the most out of life. She's always thought of life as a game of checkers. Life makes its move and then it's her turn to make hers.

A study of Aubrey Beardsley's work exhibited at Tate Britain until May 25, 2020. The author considers the darkly vigorous imagery of the short lived genius, his graphic work for the notorious Yellow Book, and sublimely erotic illustrations for Lysistrata by Aristophane and Salome by Oscar Wilde, which frank imagery even shocked the author.

Once upon a... time there was a marvellous land of Snergs. Miss Watkyns, a teacher who loved children, lived there. Just over the river lived Golithos, a not so friendly giant, who also loved children – with a lot of salt! He had a friend called Mother Meldrum, the wickedest witch that ever lived. When Sylvia and Joe run away for a big adventure their lives are in deadly peril when they fall into the clutches of these two evil characters.

The goal of this book is to help new and experienced investors to understand the simplicity and complexity of investing in real estate. This is the second edition of the book, updated and including the 2018 tax law changes. We will look at market history, investment basics, financial analysis, owning property, being a landlord, selling your property and other things you need to know. It will give you the guidance to making sound investment decisions, understanding the opportunities, financial requirements and the “numbers”.

How do we expect public art to function in a contemporary society? By public art, we mean art that to some extent at least ambushes us. We encounter it as we go about our everyday lives, not in some special art-dedicated space. In other words, certainly not in a museum. However, Aida Mahmudova notes, in her introduction to this public art project for Baku organized by Yarat! Contemporary Art Space, conditions for public art are now very different from the way in which art of this kind operated previously.

The creation of a masterpiece needs more than simply determination on the part of a single individual - though this, of course, is a myth that has continuously gained in strength since the time of Michelangelo. As Michelangelo himself well knew, masterpieces grow from a will to see them made on the part of patrons, who often play nearly as important a part in the process as the man who holds the brush or wields the chisel. The Sistine ceiling would never have come into existence had it not been for Pope Julius II.

Hammershoi is, in a certain sense, the Danish Vermeer, an artist whom he occasionally paraphrased. That is to say, a quietist painter obsessed by subtle effects of light, forgotten very soon after his death, but rediscovered and turned into a demi-god by a later generation.

Wifredo Lam is by far the most celebrated, and most people would say the greatest, artist produced by the Caribbean region in modern times. His relationship with where he came from is, however, extraordinarily complex - much more complex than most of his admirers suppose, largely because they usually have no direct experience of the region and little knowledge of its social history.

Britain’s Culture Minister, David Lammy, recently suggested that the history of slavery should be made a compulsory part of the nation’s school curriculum. Mick Hume, a columnist in The Times, promptly retorted, “Slavery and the Holocaust are now likely to be taught as little chunks of history, removed from any proper context. They become simplistic parables of good and evil, over which children are encouraged to emote and empathise...." How well founded was this criticism?

There are three things that we have to take into account when attempting to assess the impact of the contemporary sensibility in art on the culture of the various countries bordering the Mediterranean. First, the way in which each of these territories responds to the idea of the contemporary is bound up with its own cultural history. Every Mediterranean coastline possesses a hinterland, and this hinterland exercises an enormous influence on what is seen on the coast itself.

An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.