Resultado de "Colm Toibin" em Todas as categorias

El gran escriptor irlandès situa una de les seves millors narracions al Pirineu català, en una història sobre la fredor, la distància i el dolor d’una família. A Un llarg hivern, Colm Tóibín mostra amb un control emocional impressionant l’expressió més eloqüent del vincle entre una mare i un fill. L’enyorança i la pèrdua que sent en Miquel cap a la seva mare s’entrellaça amb l’enyorança silenciosa que sent per un jove policia i per en Manolo, el servent.

De la mà de l'aclamat escriptor de Brooklyn, arriba una saga familiar èpica travessada per l'amor no correspost, la guerra i l'exili. Any 1933. Thomas Mann i la seva dona abandonen Alemanya anticipant l'horror del nazisme. Ell és l'escriptor més famós del seu temps, però quins secrets oculta la seva ànima turmentada? El Mag explica la història d'un home imperfecte i ambivalent. L'home que amb l'esclat de la Primera Guerra Mundial va situar-se al costat fosc de la història. El pare de sis fills que va amagar la seva homosexualitat.

Eilis Lacey is Irish, married to Tony Fiorello, a plumber and one of four Italian American brothers, all of whom live in neighboring houses on a cul-de-sac in Lindenhurst, Long Island, with their wives and children and Tony’s parents, a huge extended family. It is the spring of 1976 and Eilis is now forty with two teenage children. Though her ties to Ireland remain stronger than those that hold her to her new land and home, she has not returned in decades.

The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism. He would have six children and keep his homosexuality hidden; he was a man forever connected to his family and yet bore witness to the ravages of suicide.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late 19th century to live in Paris, Rome, Venice, and London among privileged artists and writers. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

In this book novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences - the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own.

In a brilliant, nuanced, and wholly original collection of essays, the best-selling and award-winning author of Brooklyn and The Empty Family offers a fascinating exploration of famous writers’ relationships to their families and their work.From Jane Austen’s aunts to Tennessee Williams’s mentally ill sister, the impact of intimate family dynamics can be seen in many of literature’s greatest works. In New Ways to Kill Your Mother, Colm Tóibín traces and interprets those family ties.

Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, memory and a fading past, and facing mortality. The poems reflect a life well-travelled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin and Barcelona, and crossing the bridges of Venice to visiting the White House, listeners will travel through familiar locations and new destinations through Tóibín's unique lens.

Une œuvre couronnée par le prix Nobel de littérature, une vie familiale mouvementée et souvent dramatique, et la traversée de toutes les tragédies politiques de la première moitié du siècle - voilà comment on pourrait résumer la vie de Thomas Mann. Colm Tóibín a choisi de nous la raconter de l'intérieur et dans toute sa dimension romanesque. Cette existence est peuplée d'autres figures inoubliables. Au tout premier plan, son épouse, la fascinante Katia Pringsheim.

"I have been acquainted with the smell of death." So begins Clytemnestra's tale of her own life in ancient Mycenae, the legendary Greek city from which her husband, King Agamemnon, left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover, Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war.

Published to coincide the with 50th anniversary of the Israel occupation of the West Bank, an anthology that explores the human cost of the conflict there as witnessed by such notable writers as Colum McCann, Colm Toibin, Dave Eggers, Madeleine Thien, Eimear McBride and Taiye Selasi and editors Michael Chabon and Ayelet Waldman.

In Colm Tóibín's masterful new novel, we are reunited with Eilis Lacey, the heroine of Brooklyn, twenty years on, in the 1970s, living with her husband, Tony Fiorello, and her children in a house in Long Island, rather too close to her Fiorello in-laws. A shocking piece of news propels Eilis back to Ireland, to a world she thought she had long left behind and to ways of living, and loving, she thought she had lost.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

During the winter solstice, on the shortest day and longest night of the year, the ancient burial chamber at Newgrange is empowered. Its mystifying source is a haunting tale told by locals. Professor O’Kelly believes an archaeologist’s job is to make known only what can be proved. He is undeterred by ghost stories, idle speculation, and caution. Much to the chagrin of the living souls in County Meath. As well as those entombed in the sacred darkness of Newgrange itself. They’re determined to protect the secret of the light, guarded for more than 5,000 years.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

In Mad, Bad, Dangerous to Know, Colm Tóibín turns his incisive gaze to three of Ireland's greatest writers, Oscar Wilde, W. B. Yeats and James Joyce, and their earliest influences: their fathers.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

In the captivating stories that make up The Empty Family, Colm Tibn delineates with a tender and unique sensibility, lives of unspoken or unconscious longing, of individuals often willingly cast adrift from their history. From the young Pakistani immigrant who seeks some kind of permanence in a strange town, to the Irish woman reluctantly returning to Dublin and discovering a city that refuses to acknowledge her long absence, each of Tibn's stories manage to contain whole worlds.