Resultado de "Colum McCann" em Todas as categorias

2019 geht der Journalist Fennell in Kapstadt an Bord der Georges Lecointe, eines Reparaturschiffs für Kabelbrüche in der Tiefsee. Er soll eine Reportage schreiben, über Kommunikation und ihre Störungen. Im Fokus: die Tiefseekabel, die die globalen Datenflüsse leiten, ständig gefährdet durch Naturereignisse, Krieg und Terrorismus. Der Missionschef Conway scheint nicht glücklich über den Gast, der sich für alles zu interessieren scheint - vielleicht auch für Conways Frau Zanele?

Anthony Fennell, a journalist, is in pursuit of a story buried at the bottom of the sea: the network of tiny fibre-optic tubes that carry the world’s information across the ocean floor - and what happens when they break. So he has travelled to Cape Town to board the George Lecointe, a cable repair vessel captained by Chief of Mission John Conway. Conway is a talented engineer and fearless freediver - and Fennell is quickly captivated by this mysterious, unnerving man and his beautiful partner, Zanele.

" Une plongée vertigineuse dans les racines de la violence et dans les ravages du fanatisme. Et un vibrant plaidoyer pour que subsiste, même dans l'horreur, une part d'humanité. " Le Parisien week-end. Comment rester debout face à la violence, à l'horreur ? Comment regarder dans les yeux celui qui vous a enlevé ce que vous aviez de plus précieux ? Comment pardonner à l'assassin d'un des siens ? Comment garder espoir quand tant d'atrocités sont commises au nom de la religion ? Toutes ces questions qui nous assaillent dans une actualité toujours plus tragique, Colum McCann y a été confronté lors de sa rencontre avec Diane Foley.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

It has been eleven years since Diane Foley’s son, the American journalist James Foley, was kidnapped in northern Syria, and nearly ten since that day in August 2014 when she would learn that he had been murdered by ISIS in a public beheading that would ricochet in video around the world. A whole decade. Time rushes past. And yet, for Diane, that moment is unending. In American Mother, legendary author Colum McCann tells Diane’s story as she recalls the months of his captivity, the efforts made to bring him home and the days following his death.

With unreliable memories and scraps of photographs as his only clues, Conor Lyons follows in the tracks of his father, a rootless photographer, as he moved from war-torn Spain, to the barren plains of Mexico, where he met and married Conor's mother, to the American West, and finally back to Ireland, where the marriage and the story reach their heartrending climax. The narratives of Conor's quest and his parents' lives twine and untwine to astonishing effect.

"Apeirogon", n.m. : figure géométrique au nombre infini de côtés. Rami Elhanan est israélien, fils d'un rescapé de la Shoah, ancien soldat de la guerre du Kippour ; Bassam Aramin est palestinien, et n'a connu que la dépossession, la prison et les humiliations. Tous deux ont perdu une fille. Abir avait dix ans, Smadar, treize ans.

Taking his inspiration from biographical facts, novelist Colum McCann tells the erotically charged story of the Russian dancer Rudolf Nureyev through the cast of those who knew him. Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the '80s, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn, and John Lennon.

The short fiction of Colum McCann documents a dizzying cast of characters in exile, loss, love, and displacement. There is the worn boxing champion who steals clothes from a New Orleans laundromat, the rumored survivor of Hiroshima who emigrates to the tranquil coast of Western Ireland, the Irishwoman who journeys through America in search of silence and solitude. But what is found in these stories, and discovered by these characters, is the astonishing poetry and peace found in the mundane: a memory, a scent on the wind, the grace in the curve of a street.

Colum McCann, a writer of fierce originality and haunting lyricism, turns to the troubles in Northern Ireland and reveals the reverberations of political tragedy in the most intimate lives of men and women, parents and children.

In the early years of the century, Nathan Walker leaves his native Georgia for New York City and the most dangerous job in America. A sandhog, he burrows beneath the East River, digging the tunnel that will carry trains from Brooklyn to Manhattan. Above ground, the sandhogs - black, white, Irish, Italian - keep their distance from each other until a spectacular accident welds a bond between Walker and his fellow diggers--a bond that will bless and curse the next three generations.

The novel opens on a battlefield: trudging back from the front through a ravaged and icy wasteland, their horses dying around them, their own hunger rendering them almost savage, the Russian soldiers are exhausted, desperate for food and shelter. They find both, and then music and dance. And there, spinning unafraid among them, dancing for the soldiers and anyone else who'll watch him, is one small pale boy, Rudolf. Rudolf, a prodigy at six years old, who became the greatest dancer of the century, who redefined dance, rewrote his own life and died of AIDS before anyone knew he had it.

Colum McCann's first novel goes back to the years before the Spanish Civil War, following the adventures of a peripatetic Irish photographer from the war-strewn shores of Europe to the exotic plains of Mexico. The story is told in the words of the photographer's only son, a wanderer himself, who uses his father's unreliable memories and the fading remnants of his art to piece together his family history and explain the mystery surrounding his mother—a Mexican beauty brought back by his father to Ireland.

One powerful novella, with two thematically linked short stories on either side of it, forms the basis of Everything in This Country Must. Although these are stories about Ireland and the Troubles, they have an almost mythical rather than a political feel.

Zoli Novotna, a young woman raised in the traveling Gypsy tradition, is a poet by accident as much as desire. As 1930s fascism spreads over Czechoslovakia, Zoli and her grandfather flee to join a clan of fellow Romani harpists. Sharpened by the world of books, which is often frowned upon in the Romani tradition, Zoli becomes the poster girl for a brave new world. As she shapes the ancient songs to her times, she finds her gift embraced by the Gypsy people and savored by a young English expatriate, Stephen Swann.

Bassam Aramin is Palestinian. Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate. Their worlds shift irreparably after 10-year-old Abir is killed by a rubber bullet and 13-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other’s stories, they recognize the loss that connects them.

In such acclaimed novels as Let the Great World Spin and TransAtlantic, National Book Award-winning author Colum McCann has transfixed listeners with his precision, tenderness, and authority. Now, in his first collection of short fiction in more than a decade, McCann charts the territory of chance and the profound and intimate consequences of even our smallest moments.

In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.

An ageing nun is tracked to ground by her sister; a garrulous beautician must lay out the corpse of a loved one. These are eloquent tales of exile and displacement, of characters always in search of a way back home or of a way to leave it. Mischievous, assured and versatile, Colum McCann's collection of short stories marks him out as one of our best contemporary writers.

At the turn of the twentieth century, Nathan Walker comes to New York City to take the most dangerous job in the country: digging the tunnel far beneath the Hudson that will carry trains from Brooklyn to Manhattan. In the bowels of the riverbed, the workers—black, white, Irish and Italian—dig together, the darkness erasing all differences. But above ground, the men keep their distance until a dramatic accident on a bitter winter's day welds a bond between Walker and his fellow workers that will both bless and curse three generations.