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Father Brown, G. K. Chesterton's lovable little Norfolk priest, has an uncanny knack of unraveling mysteries that leave lesser mortals floundering. His sympathetic understanding of human nature never deserts him, even when he himself is touched by a breath of scandal, thanks to the hasty conclusions of a crusading newspaperman. In this collection, Father Brown uses his distinctive style of deduction to solve the seemingly insoluble.

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer.

A short story from the British Library Crime Classic collection The Edinburgh Mystery. Father Brown joins his friend, amateur detective Flambeau, at Glengyle Castle in Scotland to investigate the mysterious death of the earl, and the mysterious behaviour of his servant, Israel Gow.

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent "The Chief Mourner of Marne"- a fascinating story with unexpected twists - about a duel and a case of mistaken identity.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.

From 1974, five full-cast dramatisations of the short stories by GK Chesterton, starring Leslie French as the investigating Roman Catholic priest and Willie Rushton as GK Chesterton. Created in 1910, Father Brown inhabited the pages of several short story collections and novels before appearing in adaptations for film, TV, radio and theatre. His most recent incarnation is in the hit BBC TV series starring Mark Williams in the title role.

Written by G. K. Chesterton, Orthodoxy addresses foremost one main problem: How can we contrive to be at once astonished at the world and yet at home in it? Chesterton writes, "I wish to set forth my faith as particularly answering this double spiritual need, the need for that mixture of the familiar and the unfamiliar which Christendom has rightly named romance."

Writing in England at the turn of the 20th century, G.K. Chesterton was dubbed the "prince of paradox" for addressing serious questions with his light, whimsical style. In this classic allegory, which has captivated generations since it was first published in 1908, Chesterton tackles such profound concepts as honor, truth, and God with insightful humor and colorful enigma.

Few people had a more profound effect on Christianity in the 20th century than G. K. Chesterton. The Everlasting Man, written in response to an anti-Christian history of humans penned by H.G. Wells, is considered Chesterton’s masterpiece. In it, he explains Christ’s place in history, asserting that the Christian myth carries more weight than other mythologies for one simple reason—it is the truth.

Orthodoxy was named as one of Publishers Weekly’s 10 indispensable spiritual classics of the past 1500 years. It is the personal journal of one man’s search for understanding culminating in his conversion to Catholicism. Written with wisdom and wit, G.K. Chesterton captures the very nature of faith.

Listeners will delight in these masterful chronicles of the adventures and mishaps of Father Brown. Small, round-faced and engagingly innocent, Brown is a Roman Catholic priest from East Anglia. He also happens to be a top-notch detective, possessing that rarest of all gifts - an intuition that never fails.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."

This brief, but quite remarkable, look at the life and work of Tolstoy includes a critical analysis of his novels, as well as his ethical philosophy. Includes a judicious selection of photographs....