Resultado de "G.K. Chesterton" em Todas as categorias

Numa época em que a Europa dava os primeiros passos para tornar-se uma sociedade pós-cristã, um intelectual de grosso calibre, cansado do cinismo reinante e do fascínio despertado por novas idéias, resgata o núcleo da fé cristã como arcabouço suficiente para dar sentido à existência humana. Ao contar sua jornada espiritual, G. K. Chesterton faz saber à intelligentsia européia da primeira metade do século XX que o socialismo, o relativismo, o materialismo e o ceticismo estavam longe de responder às questões existenciais mais profundas.

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetic. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine". In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion.

A thorough introduction to Saint Francis’s extraordinary character and spiritual journey, Chesterton’s biography is both a fascinating historical account of the man’s life, as well as a profound meditation on holiness and humility. Chesterton portrays Saint Francis not only as a holy man, but also as a gentle lover of animals, and a radical spiritual revolutionary. He unveils how Saint Francis renounced a life of comfort and wealth to dedicate himself wholly to God, evoking the man’s loving and joyful spirit.

Horne Fisher – a brilliant yet disillusioned amateur detective – has intimate ties to Britain’s political elite: his father is friends with the Prime Minister, his sister is married to the Foreign Minister and the Chancellor of Exchequer happens to be his first cousin. Although unprecedented access to the inner workings of the government has its benefits, Horne finds it more of a curse than a blessing… With his sharp intellect and profound understanding of human nature, politics and power, Horne unravels a series of mysterious events...

First published in 1925, The Everlasting Man is in many ways a direct rebuttal to H.G. Wells’s The Outline of History, wherein he states that man is merely a development from animal life, and that Jesus was just a charismatic figure. Although a popular secular idea at the time, Chesterton believed otherwise. He argued that in order to understand both humanity and history, we ought first to recognise the uniqueness of both man and Christ.

A compelling series of twenty essays sees Chesterton take aim at fashionable contemporary thinkers – writers and philosophers such as H. G. Wells, Rudyard Kipling and Bernard Shaw – who are proponents of rebellion and relativism. With his razor-sharp wit and charm, Chesterton cleverly unpicks these concepts, arguing that there is a better way forward.

Spirited and unpretentious, Chesterton's romp through English history recounts the thrilling story of a somewhat complicated nation, told through the soul of its people. From the Roman roads to the Magna Carta, the Reformation and the rise of democracy, Chesterton compellingly traces England's journey through history, often noting the persistent struggle between ordinary folk and overreaching elites.

Evan Maclan, a devout Catholic, and James Turnball, a fiery atheist, agree to duel after a heated argument over religion. But every time the two men attempt to put an end to things, the authorities interfere – duelling, after all, is forbidden. In order to evade the law, the two men travel across England only to be confronted with a series of absurd events that challenge each of their beliefs and values.

A satirical adventure novel, The Flying Inn is set in a quirky, dystopian England in which a new puritanical government has outlawed alcohol and other traditional English customs. Enter Humphrey Pump and his spirited friend Captain Patrick Dalroy, who take it upon themselves to supply what the government refuses.

Bold and prophetic, this essay is a scathing critique of eugenics and the danger it poses to both individual freedom and societal structure. With his trademark wit and moral clarity, Chesterton discusses the history of eugenics and the growing admiration of the movement – then gaining popularity amongst various intellectuals and politicians – arguing that this genre of ‘improvement’ threatens liberty, dignity and the rights of the poor.

Effortlessly blending biography, philosophy and humour, Chesterton recounts with great imaginative depth the renowned Italian priest and theologist, Thomas Aquinas. Known as the ‘Angelic Doctor’, Aquinas was not just a scholar, but a passionate intellectual who was deeply in love with truth and natural theology.

"And the young woman of the house," asked Dr. Hood, with huge and silent amusement, "what does she want?" "Why, she wants to marry him," cried Father Brown, sitting up eagerly. "That is just the awful complication." "It is indeed a hideous enigma," said Dr. Hood. "This young James Todhunter," continued the cleric, "is a very decent man so far as I know; but then nobody knows very much. He is a bright, brownish little fellow, agile like a monkey, clean-shaven like an actor, and obliging like a born courtier. He seems to have quite a pocketful of money, but nobody knows what his trade is. Mrs.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

In 1910, when the industrialists and intelligentsia both promised only “progress,” G. K. Chesterton was among the few in the West who could see the brewing ideological storms that would soon make landfall, not just in the form of world wars and totalitarianism but in the pervasive modern dehumanization that consumes us to this day. More than a century ago, Chesterton perceived the beginnings of “woke capital” and how it aligns with and promotes social progressivism. There is an unspoken alliance between big business and progressives, he explains.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.