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Amy Wilson, co-host of the award-winning podcast What Fresh Hell, takes a funny and insightful look at how women are conditioned to be “happy to help”—and what happens when things don’t go that way.

The Nehemiah Way is a thoughtful guide for pastors and lay leaders seeking to mobilize their congregations for meaningful ministry. Drawing on the wisdom of Nehemiah’s story, this audiobook blends biblical insight with practical strategies to inspire collaboration, foster leadership, and build a thriving church community.

When the corpse of a drug dealer turned federal informant is fished out of Lake Michigan, Special Agent Amelia Storm knows it’s more than just a drug deal gone bad. Not only is the body hideously mutilated and the blood drained, but a number has been carved into the victim’s chest. And he isn’t the only one.

After receiving a mysterious note from the man claiming to be her brother’s confidential informant, Special Agent Amelia Storm decides to trust fellow agent Zane Palmer with the truth. But as Amelia tells Zane about her murdered brother’s activities and her own ties to the mafia world, they’re called into work. A federal judge, along with her husband and daughter, have been murdered execution-style. The case reeks of mafia involvement, but several aspects of the case hint at something more personal.

Amy Wilson has always been an ultimate helper. As a big sister, Girl Scout, faithful reader of teen magazines, personal assistant, sitcom sidekick, and, finally, mother of three, Amy believed it was her destiny to be a people pleaser. She learned to put others first, to do what she was told, to finish what she started, and to look like she had everything under control, even when she very much did not. Along the way, Amy started to wonder why doing it all had been her job.

When a confidential informant hands FBI Agent Amelia Storm the flash drive containing the information he gave her brother Trevor before he was killed, Amelia realizes she’s holding a time bomb waiting to explode. Especially when its contents reveal the extent to which the senator on the FBI’s radar has infiltrated Chicago’s law enforcement system.

Military veteran Amelia Storm returns to her hometown of Chicago when her beloved police officer brother is killed in the line of duty. Now she is a special agent with the FBI. No longer a scared girl, she vows to avenge her brother and do what she can to end the city's deep wells of corruption.

In a city as large as Chicago, the wicked never sleep. When an undocumented migrant teenager goes missing, military veteran and Special Agent Amelia Storm teams up with her partner to take down what could be the most shocking forced labor and sex trafficking ring her hometown has ever seen.

U.S. Senator Stan Young has more skeletons in his closet than a centuries-old graveyard...and more power than a nuclear blast. When Ben Storey, the city councilman running against the incumbent senator, uncovers damning evidence against Young, he decides to take the information to the only person with the resources to pursue it—Amelia Storm.

After military veteran turned FBI agent Amelia Storm and her partner Zane bust a child porn ring run by one of Chicago's premier mob families, two of the four men involved are dead--one by his own hand, the second by Amelia's. A third is in jail awaiting trial... if he lives that long. The fourth man caught on camera taking advantage of helpless children is still a mystery, though they've learned one important thing about him... he's a detective in the Chicago Police Department. Soon, they learn he'll do anything to keep his secret safe.

Leading change is not about breaking things - it’s about using empathy to enrich the world. In Empathy for Change: How to Create an Understanding World, former White House entrepreneur-in-residence Amy J. Wilson dives into the intricate science of empathy, debunking common myths and sharing practical uses for a better society.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.